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And under the cicadas, deeper down that the longest taproot, between and beneath the rounded black rocks and slanting slabs of sandstone in the earth, ground water is creeping. Ground water seeps and slides, across and down, across and down, leaking from here to there, minutely at a rate of a mile a year. What a tug of waters goes on! There are flings and pulls in every direction at every moment. The world is a wild wrestle under the grass; earth shall be moved. tWhat else is going on right this minute while ground water creeps under my feet? The galaxy is careening in a slow, muffled widening. If a million solar systems are born every hour, then surely hundreds burst into being as I shift my weight to the other elbow. The sun’s surface is now exploding; other stars implode and vanish, heavy and black, out of sight. Meteorites are arcing to earth invisibly all day long. On the planet, the winds are blowing: the polar easterlies, the westerlies, the northeast and southeast trades. Somewhere, someone under full sail is becalmed, in the horse latitudes, in the doldrums; in the northland, a trapper is maddened, crazed, by the eerie scent of the chinook, the sweater, a wind that can melt two feet of snow in a day. The pampero blows, and the tramontane, and the Boro, sirocco, levanter, mistral. Lick a finger; feel the now. tSpring is seeping north, towards me and away from me, at sixteen miles a day. Along estuary banks of tidal rivers all over the world, snails in black clusters like currants are gliding up and down the stems of reed and sedge, migrating every moment with the dip and swing of tides. Behind me, Tinker Mountain is eroding one thousandth of an inch a year. The sharks I saw are roving up and down the coast. If the sharks cease roving, if they still their twist and rest for a moment, they die. They need new water pushed into their gills; they need dance. Somewhere east of me, on another continent, it is sunset, and starlings in breathtaking bands are winding high in the sky to their evening roost. The mantis egg cases are tied to the mock-orange hedge; within each case, within each egg, cells elongate, narrow, and split; cells bubble and curve inward, align, harden or hollow or stretch. And where are you now?
Annie Dillard
I want to think about trees. Trees have a curious relationship to the subject of the present moment. There are many created things in the universe that outlive us, that outlive the sun, even, but I can’t think about them. I live with trees. There are creatures under our feet, creatures that live over our heads, but trees live quite convincingly in the same filament of air we inhabit, and in addition, they extend impressively in both directions, up and down, shearing rock and fanning air, doing their real business just out of reach.
Annie Dillard
You are God. You want to make a forest, something to hold the soil, lock up energy, and give off oxygen. Wouldn’t it be simpler just to rough in a slab of chemicals, a green acre of goo?tYou are a man, a retired railroad worker who makes replicas as a hobby. You decide to make a replica of one tree, the longleaf pine your great-grandfather planted- just a replica- it doesn’t have to work. How are you going to do it? How long do you think you might live, how good is your glue? For one thing, you are going to have to dig a hole and stick your replica trunk halfway to China if you want the thing to stand up. Because you will have to work fairly big; if your replica is too small, you’ll be unable to handle the slender, three-sided needles, affix them in clusters of three in fascicles, and attach those laden fascicles to flexible twigs. The twigs themselves must be covered by “many silvery-white, fringed, long-spreading scales.” Are your pine cones’ scales “thin, flat, rounded at the apex?” When you loose the lashed copper wire trussing the limbs to the trunk, the whole tree collapses like an umbrella. tYou are a sculptor. You climb a great ladder; you pour grease all over a growing longleaf pine. Next, you build a hollow cylinder around the entire pine…and pour wet plaster over and inside the pine. Now open the walls, split the plaster, saw down the tree, remove it, discard, and your intricate sculpture is ready: this is the shape of part of the air.tYou are a chloroplast moving in water heaved one hundred feet above ground. Hydrogen, carbon, oxygen, nitrogen in a ring around magnesium…you are evolution; you have only begun to make trees. You are god- are you tired? Finished?
Annie Dillard
Shadow is the blue patch where the light doesn’t hit. It is mystery itself, and mystery is the ancients’ ultima Thule, the modern explorer’s Point of Relative Inaccessibility, that boreal point most distant from all known lands. There the twin oceans of beauty and horror meet. The great glaciers are calving. Ice that sifted to earth as snow in the time of Christ shears from the pack with a roar and crumbles to water. It could be that our instruments have not looked deeply enough. The RNA deep in the mantis’s jaw is a beautiful ribbon. Did the crawling Polyphemus moth have in its watery heart one cell, and in that cell one special molecule, and that molecule one hydrogen atom, and round that atom’s nucleus one wild, distant electron that split showed a forest, swaying?
Annie Dillard
I was in no tent under leaves, sleepless and glad. There was no moon at all; along the world’s coasts the sea tides would be springing strong. The air itself also has lunar tides; I lay still. Could I feel in the air an invisible sweep and surge, and an answering knock in the lungs? Or could I feel the starlight? Every minute on a square mile of this land one ten thousandth of an ounce of starlight spatters to earth. What percentage of an ounce did that make on my eyes and cheeks and arms, tapping and nudging as particles, pulsing and stroking as waves?
Annie Dillard
It looked as though the leaves of the autumn forest had taken flight, and were pouring down the valley like a waterfall, like a tidal wave, all the leaves of the hardwoods from here to Hudson’s Bay. It was as if the season’s colors were draining away like lifeblood, as if the year were molting and shedding. The year was rolling down, and a vital curve had been reached, the tilt that gives way to headlong rush. And when the monarch butterflies had passed and were gone, the skies were vacant, the air poised. The dark night into which the year was plunging was not a sleep but an awakening, a new and necessary austerity, the sparer climate for which I longed. The shed trees were brittle and still, the creek light and cold, and my spirit holding its breath.
Annie Dillard
Those people who shoot endless time-lapse films of unfurling roses and tulips have the wrong idea. They should train their cameras instead on the melting of pack ice, the green filling of ponds, the tidal swings…They should film the glaciers of Greenland, some of which creak along at such a fast clip that even the dogs bark at them. They should film the invasion of the southernmost Canadian tundra by the northernmost spruce-fir forest, which is happening right now at the rate of a mile every 10 years. When the last ice sheet receded from the North American continent, the earth rebounded 10 feet. Wouldn’t that have been a sight to see?
Annie Dillard
Say you could view a time-lapse film of our planet: what would you see? Transparent images moving through light, “an infinite storm of beauty.”The beginning is swaddled in mists, blasted by random blinding flashes. Lava pours and cools; seas boil and flood. Clouds materialize and shift; now you can see the earth’s face through only random patches of clarity. The land shudders and splits, like pack ice rent by a widening lead. Mountains burst up, jutting and dull and soften before your eyes, clothed in forests like felt. The ice rolls up, grinding green land under water forever; the ice rolls back. Forests erupt and disappear like fairy rings. The ice rolls up-mountains are mowed into lakes, land rises wet from the sea like a surfacing whale- the ice rolls back.A blue-green streaks the highest ridges, a yellow-green spreads from the south like a wave up a strand. A red dye seems to leak from the north down the ridges and into the valleys, seeping south; a white follows the red, then yellow-green washes north, then red spreads again, then white, over and over, making patterns of color too swift and intricate to follow. Slow the film. You see dust storms, locusts, floods, in dizzying flash frames. Zero in on a well-watered shore and see smoke from fires drifting. Stone cities rise, spread, and then crumble, like patches of alpine blossoms that flourish for a day an inch above the permafrost, that iced earth no root can suck, and wither in a hour. New cities appear, and rivers sift silt onto their rooftops; more cities emerge and spread in lobes like lichen on rock. The great human figures of history, those intricate, spirited tissues that roamed the earth’s surface, are a wavering blur whose split second in the light was too brief an exposure to yield any images. The great herds of caribou pour into the valleys and trickle back, and pour, a brown fluid. Slow it down more, come closer still. A dot appears, like a flesh-flake. It swells like a balloon; it moves, circles, slows, and vanishes. This is your life.
Annie Dillard
Last year I had a very unusual experience. I was awake, with my eyes closed, when I had a dream. It was a small dream about time. I was dead, I guess, in deep blank space high up above many white stars. My own consciousness had been disclosed to me, and I was happy. Then I saw far below me a long, curved band of color. As I came closer, I saw that it stretched endlessly in either direction, and I understood that I was seeing all the time of the planet where I had lived. It looked like a woman’s tweed scarf; the longer I studied any one spot, the more dots of color I saw. There was no end to the deepness and variety of dots. At length I started to look for my time, but, although more and more specks of color and deeper and more intricate textures appeared in the fabric, I couldn’t find my time, or any time at all that I recognized as being near my time. I couldn’t make out so much as a pyramid. Yet as I looked at the band of time, all the individual people, I understood with special clarity, were living at that very moment with great emotion, in intricate, detail, in their individual times and places, and they were dying and being replaced by ever more people, one by one, like stitches in which wholly worlds of feeling and energy were wrapped in a never-ending cloth. I remembered suddenly the color and texture of our life as we knew it- these things had been utterly forgotten- and I thought as I searched for it on the limitless band, “that was a good time then, a good time to be living.” And I began to remember our time.tI recalled green fields with carrots growing, one by one, in slender rows. Men and women in bright vests and scarves came and pulled the carrots out of the soil and carried them in baskets to shaded kitchens, where they scrubbed them with yellow brushes under running water. I saw white-faced cattle lowing and wading in creeks. I saw May apples in forests, erupting through leaf-strewn paths. Cells on the root hairs of sycamores split and divided, and apples grew spotted and striped in the fall. Mountains kept their cool caves and squirrels raced home to their nests through sunlight and shade. tI remembered the ocean, and I seemed to be in the ocean myself, swimming over orange crabs that looked like coral, or off the deep Atlantic banks where whitefish school. Or again I saw the tops of poplars, and the whole sky brushed with clouds in pallid streaks, under which wild ducks flew with outstretched necks, and called, one by one, and flew on.tAll these things I saw. Scenes grew in depth and sunlit detail before my eyes, and were replaced by ever more scenes, as I remember the life of my time with increasing feeling.tAt last I saw the earth as a globe in space, and I recalled the ocean’s shape and the form of continents, saying to myself with surprise as I looked at the planet, “yes, that’s how it was then, that part there was called France.” I was filled with the deep affection of nostalgia- and then I opened my eyes.tWe all ought to be able to conjure up sights like these at will, so that we can keep in mind the scope of texture’s motion in time.
Annie Dillard
An anchorite’s hermitage is called an anchor-hold; some anchor-holds were simple sheds clamped to the side of a church like a barnacle to a rock. I think of this house clamped to the side of Tinker Creek as an anchor-hold. It holds me at anchor to the rock bottom of the creek itself and keeps me steadied in the current, as a sea anchor does, facing the stream of light pouring down. It’s a good place to live; there’s a lot to think about. The creeks are an active mystery, fresh every minute. Theirs is the mystery of the continuous creation and all that providence implies: the uncertainty of vision, the horror of the fixed, the dissolution of the present, the intricacy of beauty, the pressure of fecundity, the elusiveness of the free, and the flawed nature of perfection. The mountains are a passive mystery, the oldest of them all. Theirs is the simple mystery of creation from nothing, of matter itself, anything at all, the given. Mountains are giant, restful, absorbent. You can heave your spirit into a mountain and the mountain will keep it, folded, and not throw it back as some creeks will. The creeks are the world with all its stimulus and beauty; I live there. But the mountains are home.
Annie Dillard
Were the earth as smooth as a ball bearing, it might be beautiful seen from another planet, as the rings of Saturn are. But here we live and move; we wander up and down the banks of the creek, we ride a railway through the Alps, and the landscape shifts and changes. Were the earth smooth, our brains would be smooth as well; we would wake, blink, walk two steps to get the whole picture and lapse into dreamless sleep. Because we are living people, and because we are on the receiving end of beauty, another element necessarily enters the question. The texture of space is a condition of time. Time is the warp and matter the weft of woven texture of beauty in space, and death is the hurtling shuttle…tWhat I want to do, then, is add time to the texture, paint the landscape on an unrolling scroll, and set the giant relief globe spinning on it stand.
Annie Dillard
Our life is a faint tracing on the surface of mystery. The surface of mystery is not smooth, any more than the planet is smooth; not even a single hydrogen atom is smooth, let alone a pine. Nor does it fit together; not even the chlorophyll and hemoglobin molecules are a perfect match, for, even after the atom of iron replaces the magnesium, long streamers of disparate atoms trail disjointedly from the rims of the molecule’s loops. Freedom cuts both ways. Mystery itself is as fringed and intricate at the shape of the air at times. Forays into mystery cut bays and fine fjords, but the forested mainland itself is implacable both in its bulk and in its most filigreed fringe of detail.
Annie Dillard
I am sitting here, you are sitting there. Say even that you are sitting across the kitchen table from me right now. Our eyes meet; a consciousness snaps back and forth. What we know, at least for starters, is: here we- so incontrovertibly- are. This is our life, these are our lighted seasons, and then we die. In the meantime, in between time, we can see. The scales are fallen from our eyes, the cataracts are cut away, and we can work at making sense of the color-patches we see in an effort to discover where we so incontrovertibly are. tI am as passionately interested in where I am as is a lone sailor sans sextant in a ketch on an open ocean. I have at the moment a situation which allows me to devote considerable hunks of time to seeing what I can see, and trying to piece it together. I’ve learned the name of some color-patches, but not the meanings. I’ve read books; I’ve gathered statistics feverishly: the average temperature of our planet is 57 degrees F…The average size of all living animals, including man, is almost that of a housefly. The earth is mostly granite, which is mostly oxygen…In these Appalachians we have found a coal bed with 120 seams, meaning 120 forests that just happened to fall into water…I would like to see it all, to understand it, but I must start somewhere, so I try to deal with the giant water bug in Tinker Creek and the flight of three hundred redwings from an Osage orange and let those who dare worry about the birthrate and population explosion among solar systems. tSo I think about the valley. And it occurs to me more and more that everything I have seen is wholly gratuitous. The giant water bug’s predations, the frog’s croak, the tree with the lights in it are not in any real sense necessary per se to the world or its creator. Nor am I. The creation in the first place, being itself, is the only necessity for which I would die, and I shall. The point about that being, as I know it here and see it, is that as I think about it, it accumulates in my mind as an extravagance of minutiae. The sheer fringe and network of detail assumes primary importance. That there are so many details seems to be the most important and visible fact about creation. If you can’t see the forest for the trees, then look at the trees; when you’ve looked at enough trees, you’ve seen a forest, you’ve got it. If the world is gratuitous, then the fringe of a goldfish’s fin is a million times more so. The first question- the one crucial one- of the creation of the universe and the existence of something as a sign and an affront to nothing is a blank one…The old Kabbalistic phrase is “the Mystery of the Splintering of the Vessels.” The words refer to the shrinking or imprisonment of essences within the various husk-covered forms of emanation or time. The Vessels splintered and solar systems spun; ciliated rotifers whirled in still water, and newts laid tracks in the silt-bottomed creek. Not only did the Vessels splinter; they splintered exceeding fine. Intricacy then is the subject, the intricacy of the created world.
Annie Dillard
A kind of northing is what I wish to accomplish, a single-minded trek towards that place where any shutter left open to the zenith at night will record the wheeling of all the sky’s stars as a pattern of perfect, concentric circles. I seek a reduction, a shedding, a sloughing off.tAt the seashore you often see a shell, or fragment of a shell, that sharp sands and surf have thinned to a wisp. There is no way you can tell what kind of shell it had been, what creature it had housed; it could have been a whelk or a scallop, a cowrie, limpet, or conch. The animal is long since dissolved, and its blood spread and thinned in the general sea. All you hold in your hand is a cool shred of shell, an inch long, pared so thin that it passes a faint pink light. It is an essence, a smooth condensation of the air, a curve. I long for the North where unimpeded winds would hone me to such a pure slip of bone. But I’ll not go northing this year. I’ll stalk that floating pole and frigid air by waiting here. I wait on bridges; I wait, struck, on forest paths and meadow’s fringes, hilltops and banksides, day in and day out, and I receive a southing as a gift. The North washes down the mountains like a waterfall, like a tidal wave, and pours across the valley; it comes to me. It sweetens the persimmons and numbs the last of the crickets and hornets; it fans the flames of the forest maples, bows the meadow’s seeded grasses and pokes it chilling fingers under the leaf litter, thrusting the springtails and the earthworms deeper into the earth. The sun heaves to the south by day, and at night wild Orion emerges looming like the Specter over Dead Man Mountain. Something is already here, and more is coming.
Annie Dillard
I have often noticed that these things, which obsess me, neither bother nor impress other people even slightly. I am horribly apt to approach some innocent at a gathering, and like the ancient mariner, fix him with a wild, glitt’ring eye and say, “Do you know that in the head of the caterpillar of the ordinary goat moth there are two hundred twenty-eight separate muscles?” The poor wretch flees. I am not making chatter; I mean to change his life.
Annie Dillard
All at once, something wonderful happened, although at first, it seemed perfectly ordinary. A female goldfinch suddenly hove into view. She lighted weightlessly on the head of a bankside purple thistle and began emptying the seedcase, sowing the air with down.tThe lighted frame of my window filled. The down rose and spread in all directions, wafting over the dam’s waterfall and wavering between the tulip trunks and into the meadow. It vaulted towards the orchard in a puff; it hovered over the ripening pawpaw fruit and staggered up the steep faced terrace. It jerked, floated, rolled, veered, swayed. The thistle down faltered down toward the cottage and gusted clear to the woods; it rose and entered the shaggy arms of pecans. At last it strayed like snow, blind and sweet, into the pool of the creek upstream, and into the race of the creek over rocks down. It shuddered onto the tips of growing grasses, where it poised, light, still wracked by errant quivers. I was holding my breath. Is this where we live, I thought, in this place in this moment, with the air so light and wild?tThe same fixity that collapses stars and drives the mantis to devour her mate eased these creatures together before my eyes: the thick adept bill of the goldfinch, and the feathery coded down. How could anything be amiss? If I myself were lighter and frayed, I could ride these small winds, too, taking my chances, for the pleasure of being so purely played.tThe thistle is part of Adam’s curse. “Cursed is the ground for thy sake, in sorrow shalt thou eat of it; thorns also and thistles shall it bring forth to thee.” A terrible curse: But does the goldfinch eat thorny sorrow with the thistle or do I? If this furling air is fallen, then the fall was happy indeed. If this creekside garden is sorrow, then I seek martyrdom. tI was weightless; my bones were taut skins blown with buoyant gas; it seemed that if I inhaled too deeply, my shoulders and head would waft off. Alleluia.
Annie Dillard
We ought to live heaven on earth, clean environment, the beauty of blissful realms.
Lailah Gifty Akita
There is truth and beauty in all religions. It’s the separation between them that creates difficulty. Instead of looking at what they have in common, which is plentiful, they spend too much time arguing about how they’re different.
Brownell Landrum
The mystery and art of living are as grand as the sweep of a lifetime and the lifetime of a species. And they are as close as beginning, quietly, to mine whatever grace and beauty, whatever healing and attentiveness, are possible in this moment and the next and the next one after that.
Krista Tippett
There is no physical description of Christ in the Gospels, and so we are unable to know whether he was physically attractive or not. Of course, the specifications for what constitutes physical beauty are culturally conditioned and so change from place to place and from time to time. Christ's beauty then does not stem from physical attractiveness. It's rather the 'harsh' beauty of a God Who has given Himself so completely in love that it takes Him to the most ignominous death, on the Cross. Bruno Forte writes: 'Christ, the crucified God, is the place where beauty happens: in His self-emptying, eternity is present in time, the All Who is God is present in the fragment of Christ's human form (cf. Phil 2:6ff.). It is the cross that reveals the beauty that saves'. Christ is beautiful because He is Love incarnate, and, in a world disfigured by sin, that love is necessarily manifest in His suffering for others. This means that in our broken, marred condition, the shape of deepest beauty is cruciform.
Chris Ryan MGL
The fall of the nation, there is no;Faithfulness, Kindness and Knowledge of God in your sacred land.
Lailah Gifty Akita
The only way to truly help most drug addicts and most alcoholics is to—instead of them—change reality.
Mokokoma Mokhonoana
People are always changing themselves and their world, dear. Very few of the changes are new. We rather confuse change and newness, I think. What is truly new never changes.""You speak in riddles, aged progenitor.""The world worships a certain kind of newness. People are always talking about a new car, or a new drink or p-p-play or house, but these things are not truly new, are they? They begin to get old the minute you acquire them. New is not in things. New is within us. The truly new is something that is new forever: you. Every morning of your life and every evening, every moment is new. You have never lived this moment before and you never will again. In this sense the new is also the eternal.
Tony Hendra
There is a love for structure in them that I recognize, and a desire to worship correctness that I know and I share. When I look at them, I think: to prize traditionalism above all else in a church that began in revolution is to do a great violence to it. But I feel that same ache for the past in myself: to uphold the columns of literature, grammar, the Western tradition. The English language began as an upheaval; I am not protecting it when I try to guard it against change. The Jesus Christ of it, Chaucer, walked across the water telling dirty jokes, made twenty stories stretch to feed a million people, spelled the word "cunt" five ways, performed miracles. Any innovation I put down on paper is an attempt to remind myself of this. I am not modern. I was not born to blaze new paths or bring down walls. I break form against my nature to tell myself that revolution, too, is a tradition that must be upheld.
Patricia Lockwood
Abort the thought, save the baby
Chinonye J. Chidolue
Religion serves all of us; men, women, gays, straights, blacks, whites, Americans and Indians. If it does not comply with our needs, wishes and happiness, then religion without a doubt is a plague that must be stopped.
M.F. Moonzajer
Religions need women. Who else would do all the work?
Samantha Hunt
For a moment this day, for many moments this May, let us gape in awe at the strength of women, and look upon their sinewy courage with respect and humility, as the Lord looked on His Mother, and still does. Like Him we are of women born, and to women must pay our first respect, and owe our first love, for they are as strong as the very ribs of the earth.
Brian Doyle
The patriarchy longs for the days 'when men were men' and women were oppressed, subservient - and they can see no wrong in it. It justifies its former power and lust to hold on to it - and if possible, to regain it by quoting fundamentalist and radical religion and tradition and calling it 'love'. Some love. How can oppression and power over another person's life ever be 'love'?
Christina Engela
The method that is required is not one of correlation but of liberation. Even the term “method” must be reinterpreted and in fact wrenched out of its usual semantic field, for the emerging creativity in women is by no means a merely cerebral process. In order to understand the implications of this process it is necessary to grasp the fundamental fact that women have had the power of naming stolen from us. We have not been free to use our power to name ourselves, the world or God. The old naming was not the product of dialogue- a fact inadvertently admitted in the genesis story of Adam’s naming the animals and the women. Women are now realizing that the universal imposing of names by men has been false because partial. That is, inadequate words have been taken as adequate.
Mary Daly
Gender bias is written and practiced throughout all of the world's societies.From the words 'mankind' to 'man'.From the inequality in 'pays for work done' and to 'tasks which are needed to be done'. From the sanctity of marriage when a woman takes a 'man's' name.From the religious overtones when women are not allowed or permitted to join in and be treated as equal and conduct rites.Even the words 'woman' and 'women' are gender orientated.The genders will never be equal, nor will they ever be allowed to be for man has seen to that.To man, everything is about ownership and dominance with the need to control everything that he sees fit.Maybe...it's time for a change in thinking and being.it's a time to be equal and one.
Anthony T.Hincks
To model the path of love, is to model the representation of God in your life.
Wayne Chirisa
Practicing what you preach is the world’s most eloquent sermon.
Matshona Dhliwayo
There is neither a Heaven nor a Hell. Life after Death is an oxymoron. Life is just another word for existence, and Death is just another word for non-existence.
Oliver Markus Malloy
There is neither a Heaven for a Hell. Life after Death is an oxymoron. Life is just another word for existence, and Death is just another word for non-existence.
Oliver Markus Malloy
Modern life is, for most of us, a kind of serfdom to mortgage, job and the constant assault to consume. Although we have more time and money than ever before, most of us have little sense of control over our own lives. It is all connected to the apathy that means fewer and fewer people vote. Politicians don’t listen to us anyway. Big business has all the power; religious extremism all the fear. But in the garden or allotment we are king or queen. It is our piece of outdoors that lays a real stake to the planet.
Monty Don
The division between politics and religion, I dare say, is an ideological ploy. Imagine an airport security metal detector standing at the entrance of the public square, which doesn't screen for metal for but for religion. The machine beeps anytime someone walks through it with a supernatural big-G God hiding inside of one of their convictions, but it fails to pick up self-manufactured or socially-constructed little-g gods. Into this public square the secularist, the materialist, the Darwinist, the consumerist, the elitist, the chauvinist, and, frankly, the fascist can all enter carrying their gods with them, like whittled wooden figures in their pockets. Not so the Christians or Jews. Their conviction that murder is wrong because all people are made in God's image might as well be a semi-automatic. What this means, of course, is that the public square is inevitably slanted toward the secularist and materialist. Public conversation is ideologically rigged. The secularist can bring his or her god. I cannot bring mine because his name starts with a capital letter and I didn't make him up.
Jonathan Leeman
The current political dispensation in the country takes pride in its affiliations with religion and culture. But unfortunately, they have become a corporate government more than a moral government. Religion to them does not mean the supremacy of moral, family and social values prescribed by religion, but hatred based on religious identity. If they can revisit their strategy, and take a bold stand against social vices, almost all the religious communities of the country, which means more than 95 pc of the people, will be standing behind them. But unfortunately, they stand for the rest 5 per cent.
Javed Jamil
The religious scholars I have consulted are passionate about the need for political leaders to educate themselves in the varieties of faith and to see religion more as a potential means for reconciliation than as a source of conflict.
Madeleine Albright
The whole world," he said, "is going Radical again. Fundamentally. In religion. In politics. In law. The Common Man has been trying to get his Radicalism said and done plainly and clearly for a hundred and fifty years. Now we take it on. Our movement. The new wave of attack." "And fill a ditch in our turn," said Irwell. "Maybe we're over the last ditch," said Rud. "There must be a last ditch somewhere..."All other revolutionary movements have been experiments so far, Christianity, the French Revolution, the Russian Revolution, and more or less failures. They were experiments in liberation and they did not liberate. The old things wriggled back. But ours may be the experiment that succeeds. We may get to the Common-sense World State. Yes -- we -- in this room...Why not? It has to come somehow, somewhen... If it doesn't come pretty soon, there won't be much of humanity left to liberate.
H.G.Wells
If true Christianity consists in carrying out in our daily lives the teachings of Christ, who will say that we are commanded to civilize with dynamite and proselyte with the sword? ... Imperialism finds no warrant in the Bible. The command 'Go ye into all the world and preach the gospel to every creature' has no Gatling gun attachment.
William Jennings Bryan
It seems to me that wherever religion and politics mix in one body, fascist values - and not 'family values' - rear their ugly head.
Christina Engela
Following religious principles because you fear the consequences isn't faith…. It’s superstition.
T. Rafael Cimino
Anyway, I have long had a very definite tendency to tune out the moment I come anywhere near either a pulpit or a soapbox.
James Baldwin
Scriptural doctrine contains not abstruse speculation or philosophic reasoning, but very simple matters able to be understood by the most sluggish mind.
Baruch Spinoza
It will be said that, although God’s law is inscribed in our hearts, Scripture is nevertheless the Word of God, and it is no more permissible to say of Scripture that it is mutilated and contaminated than to say this of God’s Word. In reply, I have to say that such objectors are carrying their piety too far, and are turning religion into superstition; indeed, instead of God’s Word they are beginning to worship likenesses and images, that is, paper and ink.
Baruch Spinoza
The roots of shame run deep.
Karan Mahajan
Becoming a part of a movement doesn't help anybody think clearly.
Sam Harris
But I was brought up on convent morals and paternal nationalism, I was getting bogged down in contradictions.
Simone de Beauvoir
I've fought for religious freedom and I can tell you that anti-gay 'religious freedom' bills aren't it.
DaShanne Stokes
Today's 'religious freedom' policies should not be seen as a problem limited to LGBT people but as a co-optation of religion that affects us all.
DaShanne Stokes
Making a wrong choice in the leadership would be the end of mankind when run by the immature contestants, but from the divine’s glory it is to verify if the mankind is really serious of keeping the planet earth by apprising and enhancing the consciousness.
Vishal Chipkar
The danger we face does not come from religion. It comes from a growing intellectual bankruptcy that is one of the symptoms of a dying culture. In ancient Rome, as the republic disintegrated and the Caesars were deified, as the Roman Senate became little more than an echo chamber of the emperor, the population’s attention was diverted by a series of frontier wars and violent and elaborate spectacles in the arena. The excitement of entertainment consumed ancient Rome’s emotional and intellectual life. It poisoned civic and political discourse. Social critics no longer had a form in which to speak. They were answered with ridicule and rage. It was not prerogative of the citizen to think.
Chris Hedges
Fundamentalism of any kind, be it religious, atheistic, political or educational, is the greatest threat to human excellence – it is a threat to progress – it is a threat to greatness.
Abhijit Naskar
Only priests and politicians benefit from a people's ignorance.
Ki Longfellow
...[T]he right way is to give one's attention first to the highest good of the young, just as you expect a good gardener to give his attention first to the young plants, and after that to the others. - Socrates
Plato
Mankind will never know peace until the last politician is strangled to death with the entrails of the last priest.
J.Adam Snyder
Conservative Christians take every word of the Bible literally except for the part about Loving Thy Neighbor.
J.Adam Snyder
An ideologue is one who places agenda above truth.
J.Adam Snyder
True power lies not in the spotlight, but in the influential shadows.
J.Adam Snyder
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