Prose Quotes

DADDYYou do not do, you do not doAny more, black shoeIn which I have lived like a footFor thirty years, poor and white,Barely daring to breathe or Achoo.Daddy, I have had to kill you.You died before I had time―Marble-heavy, a bag full of God,Ghastly statue with one grey toeBig as a Frisco sealAnd a head in the freakish AtlanticWhen it pours bean green over blueIn the waters of beautiful Nauset.I used to pray to recover you.Ach, du.In the German tongue, in the Polish townScraped flat by the rollerOf wars, wars, wars.But the name of the town is common.My Polack friendSays there are a dozen or two.So I never could tell where youPut your foot, your root,I never could talk to you.The tongue stuck in my jaw.It stuck in a barb wire snare.Ich, ich, ich, ich,I could hardly speak.I thought every German was you.And the language obsceneAn engine, an engineChuffing me off like a Jew.A Jew to Dachau, Auschwitz, Belsen.I began to talk like a Jew.I think I may well be a Jew.The snows of the Tyrol, the clear beer of ViennaAre not very pure or true.With my gypsy ancestress and my weird luckAnd my Taroc pack and my Taroc packI may be a bit of a Jew.I have always been scared of you,With your Luftwaffe, your gobbledygoo.And your neat mustacheAnd your Aryan eye, bright blue.Panzer-man, panzer-man, O You―Not God but a swastikaSo black no sky could squeak through.Every woman adores a Fascist,The boot in the face, the bruteBrute heart of a brute like you.You stand at the blackboard, daddy,In the picture I have of you,A cleft in your chin instead of your footBut no less a devil for that, no notAnd less the black man whoBit my pretty red heart in two.I was ten when they buried you.At twenty I tried to dieAnd get back, back, back to you.I thought even the bones would do.But they pulled me out of the sack,And they stuck me together with glue.And then I knew what to do.I made a model of you,A man in black with a Meinkampf lookAnd a love of the rack and the screw.And I said I do, I do.So daddy, I’m finally through.The black telephone’s off at the root,The voices just can’t worm through.If I’ve killed one man, I’ve killed two―The vampire who said he was youAnd drank my blood for a year,Seven years, if you want to know.Daddy, you can lie back now.There’s a stake in your fat black heartAnd the villagers never like you.They are dancing and stamping on you.They always knew it was you.Daddy, daddy, you bastard, I’m through.

She tried to focus on the element of riddle or at least puzzle contained in the letter and ignore the sense of doom that was sweeping through her like clouds rolling to the shore over open water.

What a face this girl possessed!—could I not gaze at it every day I would need to recreate it through painting, sculpture, or fatherhood until a second such face is born.

He left that morning, the last words still echoing in my head, and though he said he’d come back one day I know a broken promise from a right one for I have used them myself and there is no coming back. Minds like ours are can’t be tamed and the price for freedom is the price we pay.

Charlotte Eriksson

I want to burn with excitement or anger and bleed, bleed out my words. I want to get all fucked up and write raw and ugly about all these things I see and am and could be.

Charlotte Eriksson

I just wish you could see my demons for what they are, and lay here beside me on the floor. No words. Just your presence.

Charlotte Eriksson

Do You BelieveDo you believethat I have loved yousince the dawn of time?Do you believethat we were destinedto be intertwined?...

Muse

Do You Believe...on this road of lifeon this dayI take younow husband and wife...

Muse

Ode to the Chamber...linger here amidst the chamberin which we embrace our lovetalk to me of sonnetsand call me turtledove...

Muse

...flames moved towards himand dropped within-singed and marred his tender skin ...(the frightful plight tale)

Muse

There were days when I still put on make up in case you’d come back,but I wear the same clothes and shower in the rainand eat when I can and sleep when I can,which is rare and not often,so if you’d see me nowon these streetswhere I once imagined walking with youyou’d have a hard time recognising me.I takes a lot to run away.

Charlotte Eriksson

For I have nothing to lean on, nowhere to call my home and there is nowhere I will go for Christmas to rest my head and touch familiar walls. I have no degree to show on paper or employment to take care of my health or the reassurance that I can pay my rent. And I have no right to complain because this is the road I choose and I built it myself, not really knowing where I wanted it to lead, but I have hope in all things ahead and behind and I am learning to let myself go. Forget my own ego and believe that what I am doing is grander than my very own self.

Charlotte Eriksson

… and now and then we could look up and give each other a thought, because I think he could have beautiful thoughts,and we could just let each other be less lonely in our loneliness.

Charlotte Eriksson

It was a very ordinary day, the day I realised that my becoming is my life and my home and that I don't have to do anything but trust the process, trust my story and enjoy the journey. It doesn't really matter who I've become by the finish line, the important things are the changes from this morning to when I fall asleep again, and how they happened, and who they happened with. An hour watching the stars, a coffee in the morning with someone beautiful, intelligent conversations at 5am while sharing the last cigarette. Taking trains to nowhere, walking hand in hand through foreign cities with someone you love. Oceans and poetry. It was all very ordinary until my identity appeared, until my body and mind became one being. The day I saw the flowers and learned how to turn my daily struggles into the most extraordinary moments. Moments worth writing about. For so long I let my life slip through my fingers, like water. I'm holding on to it now,and I'm not letting go.

Charlotte Eriksson

Don’t try to present your art by making other people read or hear or see or touch it; make them feel it. Wear your art like your heart on your sleeve and keep it alive by making people feel a little better. Feel a little lighter. Create art in order for yourself to become yourselfand let your very existence be your song, your poem, your story.Let your very identity be your book.Let the way people say your name sound like the sweetest melody.

Charlotte Eriksson

I was never afraid of the dark and I spent my youth walking through empty playgrounds at midnight, worried mothers telling girls to be careful and ”the world is an ugly place and not everyone wants you well”. But I was not afraid and I wished for adrenaline to make my veins pulsate in that way that puts them more on the outside of my skin than inside.After the first night with you I never walked alone at night again because suddenly I had something to lose. Something to save.

Charlotte Eriksson

...unquestioning automatonsblindly marching to the beat -an eerie crunching soundhoards of shuffling feet...(from silent moments)

Muse

I never expected to fall in love. I never expected to float or fall a thousand feet and create the crevice I called my life. But the thing with crevices, there’s always a top and always a bottom. And the feeling of appreciation when you look from the top and understand how fast it can all come crashing down — it’s more than beautiful and more than words could ever explain.

Dominic Riccitello

PartingOne is strong, a child now grownThe other weak, a parent aged-The strong once feebleThe weak once mighty-Time, the infinityhas marked them...

Muse

Meadow's Waltz...the meadow had becomeher sanctuary of spiritoffering an escape from a painno child should ever endureforeboding clouds began...

Muse

Little Maiden Encounters FearDeepest regions walked she therelittle maiden sweet and fairventured far from the pathnever a whispernever a laugh...

Muse

Am I making something worth while?I’m not sure.I write and I sing and I hear words from time to time about my life and choices making ways, into other lives, other hearts,but am I making something worth while?I’m not sure.There was a boy last night who I never spoke to because I was too drunk and still shy, but mostly lonely, and I couldn’t find anything lightly to say,so I simply walked awaybut still wondered what he did with his lifebecause he didn’t even speak to meor look at mebut still made me wonder who he wasand I walked away askingAm I making something worth while?I am not sure.I am a complicated person with a simple lifeand I am the reason for everything that ever happened to me.

Charlotte Eriksson

I am clumsy, drop glasses and get drunk on Monday afternoons. I read Seneca and can recite Shakespeare by heart, but I mess up the laundry, don’t answer my phone and blame the world when something goes wrong. I think I have a dream, but most of the days I’m still sleeping. The grass is cut. It smells like strawberries. Today I finished four books and cleaned my drawers. Do you believe in a God? Can I tell you about Icarus? How he flew too close to the sun?I want to make coming home your favourite part of the day. I want to leave tiny little words lingering in your mind, on nights when you’re far away and can’t sleep. I want to make everything around us beautiful; make small things mean a little more. Make you feel a little more. A little better, a little lighter. The coffee is warm, this cup is yours. I want to be someone you can’t live without.I want to be someone you can’t live without.

Charlotte Eriksson

He tried to measure his day by tallying the hours on his wrist.I wiped it off and called him a prisoner.He placed the hours on a scalewith hours from former days to compare.I took a hammer and broke it all.He bent down and picked up the shards of minutes firstthen swept the seconds.I told him he’d missed a spot;there were some sparkling specks left.'What are they?' he asked.'Those are moments,' I said.'What are they made of?' he asked.They are times, I thought, when you win a raceor win a heart.They are times when you give birth or lay something, someone to rest.When you wake up in the morning with a smile because anything is possible.When someone compliments the thing you hate most about yourself.Times when you are embarrassed.Times when you are hurtful.Times when you relish in a hearty meal.Times when you service others and are content with a well-spent day.'What are they made of?' he asked again.'They are made up of times when we are fully present.'I picked up one of the specks with the tipof my finger.'Do you remember this?' I asked.'Of course,' he said, 'I was whistling in the kitchen that morning.''Why?' I asked.'Because of the knowledge that I was loved.

You yearn to stay in this in-between place, where the beauty of the times you have freshly bade farewell to is still alive and vivid in your mind – almost real – and the reality of your new circumstances has yet to fully sink in. You listen to the familiar melodies that had accompanied you on your journey, and allow the music to evoke landscapes and scenes in your mind. The songs caress your sub-consciousness and fill your being with an airy joy. You are both here and elsewhere. Or perhaps you are everywhere and nowhere.

Moments later, I was climbing nervously into the back of the car. The driver wore the archetypal expression of an antagonist. No words were exchanged beyond the brief lines uttered to this nameless stranger, whose inclinations remained unclear. The car sped along empty roads and traversed dingy alleyways. Music blared from its speakers. I did not remember exhaling throughout the entire journey.

Colors shone with exceptional clarity in the rain. The ground was a deep black, the pine branches a brilliant green, the people wrapped in yellow looking like special spirits that were allowed to wander over the earth on rainy mornings only.

Haruki Murakami

I’m learning persistence and the closing of doors, the way the seasons come and go as I keep walking on these roads, back and forth, to find myself in new time zones, new arms with new phrases and new goals. And it hurts to become, hurts to find out about the poverty and gaps, the widow and the leavers. It hurts to accept that it hurts and it hurts to learn how easy it is for people to not need other people. Or how easy it is to need other people but that you can never build a home in someone’s arms because they will let go one day and you must build your own.

Charlotte Eriksson

Every novel which is truly written contributes to the total of knowledge which is there at the disposal of the next writer who comes, but the next writer must pay, always, a certain nominal percentage in experience to be able to understand and assimilate what is available as his birthright and what he must, in turn, take his departure from. If a writer of prose knows enough about what he is writing about he may omit things that he knows and the reader, if the writer is writing truly enough, will have a feeling of those things as strongly as though the writer had stated them. The dignity of movement of an ice-berg is due to only one-eighth of it being above water. A writer who omits things because he does not know them only makes hollow places in his writing. A writer who appreciates the seriousness of writing so little that he is anxious to make people see he is formally educated, cultured or well-bred is merely a popinjay. And this too remember; a serious writer is not to be confounded with a solemn writer. A serious writer may be a hawk or a buzzard or even a popinjay, but a solemn writer is always a bloody owl.

Ernest Hemingway

Prose is architecture and the Baroque age is over.

Ernest Hemingway

You campaign in poetry. You govern in prose.

I am not collarbones or drunken letters never sent. I am not the way I leave or left or didn’t know how to handle anything,at any time,and I am not your fault.

Charlotte Eriksson

I am not a finished poem, and I am not the song you’ve turned me into. I am a detached human being, making my way in a world that is constantly trying to push me aside, and you who send me letters and emails and beautiful gifts wouldn’t even recognise me if you saw me walking down the street where I live tomorrowfor I am not a poem. I am tired and worn out and the eyes you would see would not be painted or inspiredbut empty and weary from drinking too much at all timesand I am not the life of your party who sings and has glorious words to speakfor I don’t speak muchat alland my voice is raspy and unsteady from unhealthy living and not much sleep and I only use it when I sing and I always sing too muchor not at alland never when people are around because they expect poems and symphonies and I am nota poembut an elegyat my bestbut unedited and uncut and not a lot of people want to work with me because there’s only so much you can do with an audio take, with the plug-ins and EQs and I was born distorted, disordered, and I’m pretty fine with that,but others are not.

Charlotte Eriksson

... so this is for us.This is for us who sing, write, dance, act, study, run and loveand this is for doing it even if no one will ever knowbecause the beauty is in the act of doing it.Not what it can lead to.This is for the times I lose myself while writing, singing, playingand no one is around and they will never knowbut I will forever rememberand that shines brighter than any praise or fame or glory I will ever have,and this is for you who write or play or read or singby yourself with the light off and door closedwhen the world is asleep and the stars are alignedand maybe no one will ever hear itor read your wordsor know your thoughtsbut it doesn’t make it less glorious.It makes it ethereal. Mysterious.Infinite.For it belongs to you and whatever God or spirit you believe inand only you can decide how much it meantand meansand will forever meanand other people will experience it toothrough you.Through your spirit. Through the way you talk.Through the way you walk and love and laugh and careand I never meant to write this longbut what I want to say is:Don’t try to present your art by making other people read or hear or see or touch it; make them feel it. Wear your art like your heart on your sleeve and keep it alive by making people feel a little better. Feel a little lighter. Create art in order for yourself to become yourselfand let your very existence be your song, your poem, your story.Let your very identity be your book.Let the way people say your name sound like the sweetest melody.So go create. Take photographs in the wood, run alone in the rain and sing your heart out high up on a mountainwhere no one will ever hearand your very existence will be the most hypnotising scar.Make your life be your artand you will never be forgotten.

Charlotte Eriksson

I am not a Sunday morning inside four wallswith clean bloodand organized drawers.I am the hurricane setting fire to the forestsat night when no one else is aliveor awakehowever you choose to see itand I live in my own flamessometimes burning too bright and too wildto make things lastor handlemyself or anyone elseand so I run.run run runfar and wideuntil my bones ache and lungs splitand it feels good.Hear that people? It feels goodbecause I am the slave and ruler of my own bodyand I wish to do with it exactly as I please

Charlotte Eriksson

you wanted it all to make senseand you wanted the most complicated answer, but the answer is simple.just be.

Ava

there is a difference betweenloneliness and solitude,one will empty you andone will fill you.you have the power to choose.

Ava

i am soft again.there is water and it surrounds me.there is feeling and i can feel it.i am awake and aliveand swollen and heavy with love.i am changingand i am loving change.

Ava

the opening,the breaking,the falling apartis always so quick.the hurting,the healing,the putting back togetheris always too long.

Ava

i can't hold onto love.i'm not gentle enough.i always end upcrushing the thingin between my fingertips.

Ava

Take a shower, wash off the day. Drink a glass of water. Make the room dark. Lie down and close your eyes.Notice the silence. Notice your heart. Still beating. Still fighting. You made it, after all. You made it, another day. And you can make it one more. You’re doing just fine.

Charlotte Eriksson

It's the smell of him in the bathroom, all I need to get ready for the day. Watching him get dressed, and the sound in the kitchen; a slow hum of a song and his movements, picking things to eat. The way I could observe him, for hours, just go on with his day – or as he sleeps – simply breathing in and out, in and out, and it's like the hymn that sings me to peace. I know the world is still out there and I know I'm not yet friendly to its pace, but as long as I know him with me, here, there, somewhere – us – I know I have a chance.

Charlotte Eriksson

Chainschains that hold me to the groundchains that keep me solidly boundchains that tether my heart to youchains that only one truth...

Muse

Take care of the sense and the sounds will take care of themselves.

I haven’t been very impressed lately.By people,or places,or the way someone said he loved me and then slowly changed his mind.

Charlotte Eriksson