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It is growing cold. Winter is putting footsteps in the meadow. What whiteness boasts that sun that comes into this wood! One would say milk-colored maidens are dancing on the petals of orchids. How coldly burns our sun! One would say its rays of light are shards of snow, one imagines the sun lives upon a snow crested peak on this day. One would say she is a woman who wears a gown of winter frost that blinds the eyes. Helplessness has weakened me. Wandering has wearied my legs.
Roman Payne
Somewhere I’d heard, or invented perhaps, that the only pleasures found during a waning moon are misfortunes in disguise. Superstition aside, I avoid pleasure during the waning or absent moon out of respect for the bounty this world offers me. I profit from great harvests in life and believe in the importance of seasons.
Roman Payne
What a face this girl possessed!—could I not gaze at it every day I would need to recreate it through painting, sculpture, or fatherhood until a second such face is born.
Roman Payne
The tragedy of Dionysus: Wear a black robe at night, and white you’ll wear by morning; but wear a purple robe to the midnight feast, and when you wake you’ll dress in black to mourn your soul deceased.
Roman Payne
Women are extraordinary creatures!
Roman Payne
I sat up in the strange bed fearing it had been a dream, afraid I would never see her again. Not because I wanted anything from her, only her presence. The disappearance of the presence of beauty is the most despairing of events on this time-wheel of ours that rolls onward towards death.
Roman Payne
In Sanskrit, there exists no word for ‘The Individual’ (L’Individu). En Grèce antique, il n’y avait aucun mot pour dire ‘Devoir’ (Duty). In French, the word for ‘Wife’ is the same as the word for ‘Woman.’ En anglais, nous n’avons aucun mot semblable à l’exquise ‘Jouissance!
Roman Payne
What a face this girl possessed!—could I not gaze at it every day I would need to recreate it through painting, sculpture, or fatherhood until a second such face is born. Her face, at once innocent and feral, soft and wild! Her mouth voluptuous. Eyes deep as oceans, her eyes as wide as planets. I likened her to the slender Psyché and judged that the perfection of her face ennobled everything unclean around her: the dusty hems of her bunched-up skirt, the worn straps of her nightshirt; the blackened soles of her tiny bare feet, the coal-stained balcony bricks upon which she sat, and that dusty wrought-ironwork that framed her perch. All this and the pungent air!—almost foul, with so many odors. Ô, that and the spicy night! …Pungency, spice, filth and night, dust and light; all things dark did blossom in sight; flower and bloom, the night has its pearl too—the moon! And once a month it will make the face of this tender girl bloom.
Roman Payne
A writer needs to ingest love to be passionate. Passion is a metabolite of love, and good writing is an active metabolite of passion.
Roman Payne
What a face this girl possessed!—Could I neither die then nor gaze at her face every day, I would need to recreate it through painting or sculpture, or through fatherhood, until a second such face could be born.
Roman Payne
After joyfully working each morning, I would leave off around midday to challenge myself to a footrace. Speeding along the sunny paths of the Jardin du Luxembourg, ideas would breed like aphids in my head—for creative invention is easy and sublime when air cycles quickly through the lungs and the body is busy at noble tasks.
Roman Payne
It’s not that we have to leave this life one day, it's how many things we have to leave all at once: holding hands, hotel rooms, wine, summertime, drunkenness, and the physics of falling leaves, clothing, myrrh, perfumed hair, flirting friends, two strangers' glance; the reflection of the moon, with words like, 'Soon' ... 'do you want me?' ... '...to lie enlaced' ... 'and sleep entwined' thinking ahead, with thoughts behind...?' Ô, Why!Why can’t we leave this life slowly?
Roman Payne
When I was younger, I would cling to life because life was at the top of the turning wheel. But like the song of my gypsy girl, the great wheel turns over and lands on a minor key. It is then that you come of age and life means nothing to you. To live, to die, to overdose, to fall in a coma in the street... it is all the same. It is only in the peach innocence of youth that life is at its crest on top of the wheel. And there being only life, the young cling to it, they fear death… And they should! ...For they are 'in' life.
Roman Payne
Never did the world make a queen of a girl who hides in houses and dreams without traveling.
Roman Payne
Ô, the wine of a woman from heaven is sent,more perfect than all that a man can invent.
Roman Payne
Ô, the wine of a womanfrom heaven is sent, more perfect than allthat a man can invent.When she came to my bed and begged me with sighsnot to tempt her towards passion nor actions unwise, tI told her I’d spare her and kissed her closed eyes, then unbraided her body of its clothing disguise.While our bodies were nude bathed in candlelight fineI devoured her mouth, tender lips divine;and I drank through her thighs her feminine wine.Ô, the wine of a woman from heaven is sent,more perfect than all that a man can invent.
Roman Payne
I regained my soul through literature after those times I'd lost it to wild-eyed gypsy girls on the European streets.
Roman Payne
I just wish moments weren’t so fleeting!' Isaac called to the man on the roof, 'They pass so quickly!' 'Fleeting?!' responded the tilling man, 'Moments? They pass quickly?! . . . Why, once a man is finished growing, he still has twenty years of youth. After that, he has twenty years of middle age. Then, unless misfortune strikes, nature gives him twenty thoughtful years of old age. Why do you call that quickly?' And with that, the tilling man wiped his sweaty brow and continued tilling; and the dejected Isaac continued wandering. 'Stupid fool!' Isaac muttered quietly to himself as soon as he was far enough away not to be heard.
Roman Payne
I care not that this moment’s lot was thin and sparsely dealt all pleasures sweet can be forgot the instant they are felt.
Roman Payne
The ‘Muse’ is not an artistic mystery, but a mathematical equation. The gift are those ideas you think of as you drift to sleep. The giver is that one you think of when you first awake.
Roman Payne
Fueled by my inspiration, I ran across the room to steal the cup of coffee the bookshelf had taken prisoner. Lapping the black watery brew like a hyena, I tossed the empty cup aside. I then returned to the chair to continue my divine act of creation. Hot blood swished in my head as my mighty pen stole across the page.
Roman Payne
English:Ô, take this eager dance you fool, don’t brandish your stick at me. I have several reasons to travel on, on to the endless sea: I have lost my love. I’ve drunk my purse. My girl has gone, and left me rags to sleep upon. These old man’s gloves conceal the hands with which I’ve killed but one!Francais: Idiot, prends cette danse ardente, au lieu de tendre ton bâton.J'en ai des raisons de voyager encore sur la mer infinie: J'ai perdu l'amour et j'ai bu ma bourse.Ma belle m'a quitté, j'ai ses haillons pour m'abriter. Mes gants de vieillard cachent les mains d'un fameux assassin!
Roman Payne
We made love outdoorsWithout a roof, I like most, Without stove, to make love, assuming the weather be fair and balmy, and the earth beneath be clean. Our souls intertwined and gushing of dew.
Roman Payne
Did I live the spring I’d sought?It’s true in joy, I walked along,took part in dance, and sang the song.and never tried to bind an hourto my borrowed garden bower;nor did I once entreata day to slumber at my feet.Yet days aren’t lulled by lyric song,like morning birds they pass along,o’er crests of trees, to none belong;o’er crests of trees of drying dew,their larking flight, my hands, eschewThus I’ll say it once and true…From all that I saw, and everywhere I wandered,I learned that time cannot be spent,It only can be squandered.
Roman Payne
Do we take less pride in the possession of our home because its walls were built by some unknown carpenter, its tapestries woven by some unknown weaver on a far Oriental shore, in some antique time? No. We show our home to our friends with the pride as if it were our home, which it is. Why then should we take less pride when reading a book written by some long-dead author? Is it not our book just as much, or even more so, than theirs? So the landowner says, ‘Look at my beautiful home! Isn’t it fine?’ And not, ‘Look at the home so-and-so has built.’ Thus we shouldn’t cry, ‘Look what so-and-so has written. What a genius so-and-so is!’ But rather, ‘Look at what I have read! Am I not a genius? Have I not invented these pages? The walls of this universe, did I not build? The souls of these characters, did I not weave?
Roman Payne
Ô, Muse of the Heart’s Passion,let me relive my Love’s memory,to remember her body, so brave and so free,and the sound of my Dreameress singing to me,and the scent of my Dreameress sleeping by me,Ô, sing, sweet Muse, my soliloquy!
Roman Payne
Our lips were for each other and our eyes were full of dreams. We knew nothing of travel and we knew nothing of loss. Ours was a world of eternal spring, until the summer came.
Roman Payne
Ô, Wanderess, WanderessWhen did you feel your most euphoric kiss? Was I the source of your greatest bliss?
Roman Payne
I ran across an excerpt today (in English translation) of some dialogue/narration from the modern popular writer, Paulo Coelho in his book: Aleph.(Note: bracketed text is mine.)... 'I spoke to three scholars,' [the character says 'at last.'] ...two of them said that, after death, the [sic (misprint, fault of the publisher)] just go to Paradise. The third one, though, told me to consult some verses from the Koran. [end quote]' ...I can see that he's excited. [narrator]' ...Now I have many positive things to say about Coelho: He is respectable, inspiring as a man, a truth-seeker, and an appealing writer; but one should hesitate to call him a 'literary' writer based on this quote. A 'literary' author knows that a character's excitement should be 'shown' in his or her dialogue and not in the narrator's commentary on it. Advice for Coelho: Remove the 'I can see that he's excited' sentence and show his excitement in the phrasing of his quote.(Now, in defense of Coelho, I am firmly of the opinion, having myself written plenty of prose that is flawed, that a novelist should be forgiven for slipping here and there.)Lastly, it appears that a belief in reincarnation is of great interest to Mr. Coelho ... Just think! He is a man who has achieved, (as Leonard Cohen would call it), 'a remote human possibility.' He has won lots of fame and tons of money. And yet, how his preoccupation with reincarnation—none other than an interest in being born again as somebody else—suggests that he is not happy!
Roman Payne
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