Home
Authors
Topics
Quote of the Day
Home
Authors
Topics
Quote of the Day
Home
Authors
Topics
Quote of the Day
Top 100 Quotes
Professions
Nationalities
Narrative Quotes
Popular Topics
Love Quotes
Life Quotes
Inspirational Quotes
Philosophy Quotes
Humor Quotes
Wisdom Quotes
God Quotes
Truth Quotes
Happiness Quotes
Hope Quotes
December 29, 1946: Snowing this morning. The year seems to be dying in a light white blanket. Only three more days of this year, then comes a new one. Then, what? No one knows. -- Diary of Bertha Kate Gaddis who passed away 6 months later, age 78, West Lafayette, IN.
Angie Klink
An undergraduate researching the "witch hunt" cases asked for evidence that there had been more than one hundred cases, noting that the major lists of such cases added up to about fifty. There was no reply that provided documentation to support the claim.[34] The members of the list were generally strong proponents of the witch-hunt narrative. They knew the answer to the question “Is there a child sex abuse witch hunt?” These “witch hunters,” as those on this list soon came to describe themselves, were increasingly activists who used the internet to exchange information and ideas. Jonathan Harris may have done more than anyone else to disseminate the witch-hunt narrative in the mid 1990s and beyond.[35]
Ross Cheit
I can't allow what we learned in English composition to disrupt the sound and rhythm of the narrative.
Elmore Leonard
A poet is someone who can use a single image to send a universal message.
Andrei Tarkovsky
Reading stories forces us to exercise our empathy and imagination muscles, and that helps us conceive what the Bible depicts or demands, helps us connect with others, helps us illustrate what the text teaches, and helps us apply the text’s truths.
James M. Hamilton Jr.
Discipline is aimed at formation for a specific end, and that end is determined by our founding narrative.
James K.A. Smith
Listen to what you have written. A dud rhythm in a passage of dialogue may show that you don't yet understand the characters well enough to write in their vo
Helen Dunmore
By calling into question the very ideal of a universal, autonomous reason (which was, in the Enlightenment, the basis for rejecting religious thought) and further demonstrating that all knowledge is grounded in narrative or myth, Lyotard relativizes (secular) philosophy's claim to autonomy and so grants the legitimacy of a philosophy that grounds itself in Christian faith. Previously such a distinctly Christian philosophy would have been exiled from the 'pure' arena of philosophy because of its 'infection' with bias and prejudice. Lyotard's critique, however, demonstrates that no philosophy - indeed, no knowledge - is untainted by prejudice or faith commitments. In this way the playing field is leveled, and new opportunities to voice a Christian philosophy are created. Thus Lyotard's postmodern critique of metanarratives, rather than being a formidable foe of Christian faith and thought, can in fact be enlisted as an ally in the construction of a Christian philosophy.
James K.A. Smith
The baby explodes into an unknown world that is only knowable through some kind of a story - of course that is how we all live, it's the narrative of our lives, but adoption drops you into the story after it has started. It's like reading a book with the first few pages missing. It's like arriving after curtain up. The feeling that something is missing never, ever leaves you - and it can't, and it shouldn't, because something IS missing. That isn't of its nature negative. The missing part, the missing past, can be an opening, not a void. It can be an entry as well as an exit. It is the fossil record, the imprint of another life, and although you can never have that life, your fingers trace the space where it might have been, and your fingers learn a kind of Braille.
Jeanette Winterson
The power of music, narrative and drama is of the greatest practical and theoretical importance. One may see this even in the case of idiots, with IQs below 20 and the extremest motor incompetence and bewilderment. Their uncouth movements may disappear in a moment with music and dancing—suddenly, with music, they know how to move. We see how the retarded, unable to perform fairly simple tasks involving perhaps four or five movements or procedures in sequence, can do these perfectly if they work to music—the sequence of movements they cannot hold as schemes being perfectly holdable as music, i.e. embedded in music. The same may be seen, very dramatically, in patients with severe frontal lobe damage and apraxia—an inability to do things, to retain the simplest motor sequences and programmes, even to walk, despite perfectly preserved intelligence in all other ways. This procedural defect, or motor idiocy, as one might call it, which completely defeats any ordinary system of rehabilitative instruction, vanishes at once if music is the instructor. All this, no doubt, is the rationale, or one of the rationales, of work songs.
Oliver Sacks
Berg was proud of his storytelling to the point where he collected stories about telling stories.
Nicholas Dawidoff
Without stories we end up with stereotypes -- a flat earth with flat cardboard figures that have no texture or depth, no INTERIOR.
Eugene H. Peterson
In liminal space, one meets the unknown, the marginalized, the synchronistic, the other, the unconscious edge of one's former narratives. At this point, the possibility to try out new narratives, to reframe one's story, becomes critical. Through narratives of participation the center of gravity shifts from fear and defensiveness to curiosity, creativity, and celebration. One begins to take a stand to validate one own's affects and doubts while at the same time interrogating them. The effect of such a shift is that the area of questioning about the self, the world, and the use of narrative language begins to widen noticeably. We can no longer assume there will be an outcome of homogeneous accounts through dialogue. The frames of narratives of participation anticipate heterogeneity rather than accord.
Helene Shulman
The reason stories have dramatic tension is because LIFE has dramatic tension.
Donald Miller
My thought is me: that's why I can't stop. I exist because I think...and I can't stop myself from thinking. At this very moment, it's frightful, if I exist, it is because I am horrified at existing. I am the one who pulls myself from the nothingness to which I aspire: the hatred, the disgust of existing, there are as many ways to make myself exist, to thrust myself into existence. Thoughts are born at the back of me, like sudden giddiness, I feel them being born behind my head...if I yield, they're going to come round in front of me, between my eyes, and I always yield, the thought grows and grows and there it is, immense, filling me completely and renewing my existence.
Jean-Paul Sartre
Christianity tells a big story. It allows us to see our own story in a new way.
Alister E. McGrath
Like many men who experience fatherhood relatively late in life, Martin Luther was a devoted parent. Luther wrote his children letters of touching intensity, patiently converting the joys of the Christian life into a language of storytelling fit for the very young. A home with children brought out the best in Luther in a way that theological disputation patently did not.
Andrew Pettegree
The trouble with life (the novelist will feel) is its amorphousness, its ridiculous fluidity. Look at it: thinly plotted, largely themeless, sentimental and ineluctably trite. The dialogue is poor, or at least violently uneven. The twists are either predictable or sensationalist. And it’s always the same beginning, and the same ending.
Martin Amis
If thinking wants to think God, then it must endeavor to tell stories.
Eberhard Jüngel
Too bad for the storytellers. Too bad for the sense makers, the apologists, that nothing, then or ever, nothing was inevitable. It's just too bad.
Jincy Willett
There will always be reservations, things one must leave out, events one can’t explain without handing over a full map of one’s life, unfolding it, making clear that all the lines and contours stand for long days and nights when things were bad or good, or when things were too small to be described at all: when things just were. This is a life.
Colm Tóibín
People don't think in terms of information. They think in terms of narratives. But while people focus on the story itself, information comes along for the ride.
Jonah Berger
Any story told is a lie cunningly told to hide the real world from the poor bastards who live in it.
Catherynne M. Valente
The Christian story, centered as it is on the death and Resurrection of Jesus Christ, is the only story for making sense of desire and loss.
Jen Pollock Michel
The Bible provocatively evokes desire.
Jen Pollock Michel
People naturally impose a narrative story-line upon their experiences. Autobiographical writing allows a person to cast their experiences into a narrative thread and organize their thoughts based not upon conjecture but with applied reason.
Kilroy J. Oldster
One of underestimated tasks in nonfiction writing is to impose narrative shape on an unwieldy mass of material.
William Zinsser
In my perception, the world wasn't a graph or formula or an equation. It was a story.
Cheryl Strayed
The question of the relation between modernity and postmodernity revolves around the issue of 'legitimation.' Modernity, then, appeals to science to legitimate its claim - and by 'science' we simply mean the notion of a universal, autonomous reason. Science, then, is opposed to narrative, which attempts not to prove its claims but rather to proclaim them within a story.
James K.A. Smith
Let us not take it for granted that life exists more in what is commonly thought big than in what is commonly thought small.
Virginia Woolf
The ability to see our lives as stories and share those stories with others is at the core of what it means to be human. We use stories to order and make sense of our lives, to define who we are, even to construct our realities: this happened, then this happened, then this. I was, I am, I will be. We recount our dreams, narrate our days and organize our memories into stories we tell others and ourselves. As natural-born storytellers, we respond to others’ stories because they are deeply, intimately familiar.
John Capecci and Timothy Cage
All men needed to hear their stories told. He was a man, but if he died without telling the story he would be something less than that, an albino cockroach, a louse. The dungeon did not udnerstand the idea of as tory. The dungeon was static, eternal, black and a story needed motion adn tiem and light. He felt his story slipping away from him, beocming inconsequential, ceasing to be. He has no story. There was no story. He was not a man. There was no man here. There was only the dungeon, and the slithering dark.
Salman Rushdie
What monster sleeps in the deep of your story? You need a monster. Without a monster there is no story.
Billy Marshall
An inclusive narrative structure provides the executive brain with the best template and strategy for the oversight and coordination of the functions of mind. A story well told, containing conflicts and resolutions, gestures and expressions, and thoughts flavored with emotion, connects people ad integrates neural networks
Louis Cozolino
Every story needs some sort of secret that impels it forward. Otherwise why would the reader bother to keep on turning the pages?
Deb Loughead
It is safe to assume that any individual or group you wish to influence has access to more wisdom than they currently use. It is also safe to assume that they also have considerably more facts than they can process effectively. Giving them even more facts adds to the wrong pile. They don't need more facts. They need help finding their wisdom. Contrary to popular belief, bad decisions are rarely made because people don't have all the facts.
Annette Simmons
Sometimes a homeland becomes a tale. We love the story because it is about our homeland and we love our homeland even more because of the story.
Refaat Alareer
Tell someone to do something, and you change their life–for a day; tell someone a story and you change their life.
N.T. Wright
If we possess narrative sympathy - enabling us to see the world from other's point of view - we cannot kill. If we do not, we cannot love.
Richard Kearney
Narratives are the primary way in which we make sense of our lives, as opposed to, for example schema,cognition, beliefs, constructs. Definition of narrative include the important element of giving meaning to events and experiences over time by connecting them as a developing, continuing story.
Jacqui Stedmon
I'd never had a mind for math. ... It was a logic that made little sense to me. In my perception, the world wasn't a graph or a formula or an equation. It was a story.
Cheryl Strayed
There are three points about stories: if told, they like to be heard; if heard, they like to be taken in; and if taken in, they like to be told.
Ciaran Carson
You can't love someone without imaginative sympathy, without beginning to see the world from another point of view. You can't be a good lover, a good artist or a good politician without this capacity (you can get away with it, but that's not what I mean). Show me the tyrants who have been great lovers.
Julian Barnes
As you might expect, the geographical location of the capital of Fairyland is fickle and has a rather short temper. I'm afraid the whole thing moves around according to the needs of narrative.'September put her persimmon down in the long grass. 'What in the world does that mean?''I ... I SUSPECT it means that if we ACT like the kind of folk who would find a Fairy city whilst on various adventures involving tricksters, magical shoes, and hooliganism, it will come to us.'September blinked. 'Is that how things are done here?''Isn't that how they're done in your world?'September thought for a long moment. She thought of how children who acted politely were often treated as good and trustworthy, even if they pulled your hair and made fun of your name when grownups weren't around. She thought of how her father acted like a soldier, strict and plain and organized -- and how the army came for him. She thought of how her mother acted strong and happy even when she was sad, and so no one offered to help her, to make casseroles or watch September after school or come over for gin rummy and tea. And she thought of how she had acted just like a child in a story about Fairyland, discontent and complaining, and how the Green Wind had come for her, too.'I suppose that is how things are done in my world. It's hard to see it, though, on the other side.
Catherynne M. Valente
I heard the stories of the storytellers, telling the stories people wanted to hear. Everyone finds the narrative that matches the narrative they already know and want. It wasn't that I didn't want to share the truth. It wasn't that I feared the response. It was that I no longer believed in a truth.
D.F. Lovett
Never miss an opportunity to be truly and deeply humiliated! The shame will carve you down to an individual of exquisite layering, and in the process, etch within you the arcs of exceptional narrative.
Ashim Shanker
Yeah, episodic doesn't work. Your coolest character needs something big and meaningful to do. Otherwise, well, it's just narrative shit.
Don Roff
Everyone listened to this amusing narrative with great interest, and the moment that Behemoth concluded it, they all shouted in unison: 'Lies!
Mikhail Bulgakov
The Legend of Robert HalseyThis article examines the criminal conviction of Robert Halsey for sexually abusing two young boys on his school-van route near Pittsfield, Massachusetts. Mr. Halsey's name has been invoked by academics, journalists, and activists as the victim of the “witch hunt” in this country over child sexual abuse. Based on a comprehensive examination of the trial transcript, this article details the overwhelming evidence of guilt against Mr. Halsey. The credulous acceptance of the “false conviction” legend about Robert Halsey provides a case study in the techniques and tactics used to minimize and deny sexual abuse, while promoting a narrative about “ritual abuse” and “witch hunts” that apparently requires little or no factual basis. The second part of this article analyzes how the erroneous “false conviction” narrative about Robert Halsey was constructed and how it gained widespread acceptance. The Legend of Robert Halsey provides a cautionary tale about how easy it is to wrap even the guiltiest person in a cloak of righteous “witch hunt” claims. Cases identified as “false convictions” by defense lawyers and political activists deserve far greater scrutiny from the media and the public.journal: Cheit, Ross E. "The Legend of Robert Halsey." Journal of child sexual abuse 9.3-4 (2002): 37-52.
Ross Cheit
I'm lying, yes, but why do you force me to give a linear explanation; linear explanations are almost always lies.
Elena Ferrante
Some may remain imprisoned in a gridlock of lies or keep on blurring the lines between facts and fables, expecting us to buy the debilitating and fake narrative of their life, until they eventually end up on the chopping block of the inexorable truth. Be that as it may, one can “fool people some of the time, but not all of the time”. (“Bribe payers' index »)
Erik Pevernagie
We want our children to know and believe the one good story. Every other story is a copy or shadow of this one. Some copies of it are quite good and shout the Truth. Others see only the faintest whisper of it, or, in its absence remind us of the Truth. We want our kids to know the one good story so well that when they see Luke Skywalker, Harry Potter, Frodo, Anne of Green Gables, Arielle, or Sleeping Beauty, they can recognize the strands of Truth and deception in them. Saturating our children in the one good story will enable them to discern Truth and error as it comes to them from the world.
Elyse M. Fitzpatrick
Anecdotes came with his DNA.
Chris Matthews
Enough anecdotes make a pattern.
George F. Will
Are you repeating someone else's narrative, taking it for granted? Talk therapy sessions and 12-step recovery shares help develop the ability to present a coherent life narrative through the safe structure of clear rules of communication that support healthy self-expression and self-awareness.
Alexandra Katehakis
The lively oral storytelling scene in Scots and Gaelic spills over into the majority English-speaking culture, imbuing it with a strong sense of narrative drive that is essential to the modern novel, screenplay and even non-fiction.
Sara Sheridan
As the language areas of the left hemisphere enter their sensitive period during the middle of the second year of life, grammatical language in the left integrates with the interpersonal and prosodic elements of communication already well developed in the right. As the cortical language centers mature, words are joined together to make sentences and can be used to express increasingly complex ideas flavored with emotion. As the frontal cortex continues to expand and connect with more neural networks, memory improves and a sense of time slowly emerges and autobiographical memory begins to connect the self with places and events, within and across time. The emerging narratives begin to organize the nascent sense of self and become the bedrock of our sense of self in interpersonal and physical space
Louis Cozolino
As anyone who has experienced it will know, war is many contradictory things. There is brutality and heroism, comedy and tragedy, friendship, hate, love and boredom. War is absurd yet fundamental, despicable yet beguiling, unfair yet with its own strange logic. Rarely are people 'back home' exposed to these contradictions — society tends only to highlight those qualities it needs, to construct its own particular narrative.
Tim Hetherington
one of the central themes associated with developing a sense of authenticity involves inventing plausible narratives of self. For instance, Charles Taylor (1992) argues that the modern desire for authenticity is often prompted by a feeling that our life is shattered and it is difficult, if not impossible, to piece our life together in a meaningful way. He suggests that reclaiming authenticity would entail the provision of a space where we can once again craft coherent narratives that bind our life together.
André Spicer
Our fundamental tactic of self-protection, self-control, and self-definition is not spinning webs or building dams, but telling stories, and more particularly connecting and controlling the story we tell others - and ourselves - about who we are.
Daniel C. Dennett
1
2
3
Next
Related Topics
Unsophisticated
Quotes
Acceptable
Quotes
Story Of Your Life
Quotes
Food For Thought
Quotes
Feminism
Quotes
Regeneration
Quotes
Unworldly
Quotes
Mastery
Quotes