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Have I been conditioned to believe that if I am not solicitous, if I am not forthcoming, if I am not a never-ending cornicopia of entertaining delights, they will take their collections of milk-bottle tops and their mangy one-eared teddy bears and go away into the woods by themselves to play snipers? Probably. What my mother things was merely cute may have been lethal.
Margaret Atwood
God, He didn't write the scripts for the puny little players downhere.We wrote them ourselves-with each day we lived, each word we spoke,each thought we etched on our brains. And Momma had written herscript, too.And a sorry one it was.
V.C. Andrews
Pitiful and pitied by no one, why have I come to the ignominy of this detestable old age, who was ruler of two kingdoms, mother of two kings? My guts are torn from me, my family is carried off and removed from me. The young king [crown prince Henry, †1183] and the count of Britanny [prince Geoffrey, †1186] sleep in dust, and their most unhappy mother is compelled to be irremediably tormented by the memory of the dead. Two sons remain to my solace, who today survive to punish me, miserable and condemned. King Richard [the Lionheart] is held in chains [in captivity with Emperor Henry VI of Germany]. His brother, John, depletes his kingdom with iron [the sword] and lays it waste with fire. In all things the Lord has turned cruel to me and attacked me with the harshness of his hand. Truly his wrath battles against me: my sons fight amongst themselves, if it is a fight where where one is restrained in chains, the other, adding sorrow to sorrow, undertakes to usurp the kingdom of the exile by cruel tyranny. Good Jesus, who will grant that you protect me in hell and hide me until your fury passes, until the arrows which are in me cease, by which my whole spirit is sucked
Eleanor of Aquitaine
My special possessions are my sacred family.
Lailah Gifty Akita
From her thighs, she gives you lifeAnd how you treat she who gives you lifeShows how much you value the life given to you by the Creator.And from seed to dustThere is ONE soul above all others --That you must always show patience, respect, and trustAnd this woman is your mother.And when your soul departs your bodyAnd your deeds are weighed against the featherThere is only one soul who can save yoursAnd this woman is your mother.And when the heart of the universeAsks her hair and mind,Whether you were gentle and kind to herHer heart will be forced to remain silentAnd her hair will speak freely as a separate entity,Very much like the seaweed in the sea --It will reveal all that it has heard and seen.This woman whose heart has seen yours,First before anybody else in the world,And whose womb had opened the doorFor your eyes to experience light and more --Is your very own MOTHER.So, no matter whether your mother has been cruel,Manipulative, abusive, mentally sick, or simply childishHow you treat her is the ultimate test.If she misguides you, forgive her and show her the right wayWith simple wisdom, gentleness, and kindness.And always remember,That the queen in the Creator's kingdom,Who sits on the throne of all existence,Is exactly the same as in yours.And her name is,THE DIVINE MOTHER.
Suzy Kassem
Not a few millions of parents strongly hope that their own children will step in by instantly becoming their own parents’ foster parents, if and when the parents reach their second childhood.
Mokokoma Mokhonoana
In the case of Michel Angelo we have an artist who with brush and chisel portrayed literally thousands of human forms; but with this peculiarity, that while scores and scores of his male figures are obviously suffused and inspired by a romantic sentiment, there is hardly one of his female figures that is so,—the latter being mostly representative of woman in her part as mother, or sufferer, or prophetess or poetess, or in old age, or in any aspect of strength or tenderness, except that which associates itself especially with romantic love. Yet the cleanliness and dignity of Michel Angelo's male figures are incontestable, and bear striking witness to that nobility of the sentiment in him, which we have already seen illustrated in his sonnets.
Edward Carpenter
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