Modernity Quotes - Page 2

The novel is... the anti-form proper to modernity itself (which is to say, of capitalism and its cultural and epistemological categories, its daily life). This means... that the novel is also a vehicle of creative destruction. Its function, in some properly capitalist ‘cultural revolution’, is the perpetual undoing of traditional narrative paradigms and their replacement, not by new paradigms, but by something radically different. To use Deleuzian language for a moment, modernity, capitalist modernity, is the moment of passage from codes to axioms, from meaningful sequences, or indeed, if you prefer, from meaning itself, to operational categories, to functions and rules; or, in yet another language, this time more historical and philosophical, it is the transition from metaphysics to epistemologies and pragmatisms, we might even say from content to form.

Fredric Jameson

Words often bring with them the illusion of transparency, as though they allowed us to understand everything, control everything, put everything in order. Modernity is talkative because it is proud, unless the converse is true. Is our incessant talking perhaps what makes us proud?

Advances in communication technology foster a false fantasy of togetherness by transmitting the impression of contact- phone calls, faxes, e-mail- without its substance. And when a relationship is ailing from frank time deprivation, both parties often aver that nothing can be done. Every activity they spend time on (besides each other) has been classified as indispensable: cleaning the house, catching the news, balancing the checkbook. (205)

This was progress. This was modernity: you could cover over the past completely. You could bury the old under a relentless surface of new, stretched from corner to corner.

My biggest problem with modernity may lie in the growing separation of the ethical and the legal

Nassim Nicholas Taleb

One of the Christian's biggest fears is appearing 'too Christian'. God forbid, because that's often characterized as god-awful! We want to be one, but without being 'one of them'.

It had as many immoralities as the machine of today has virtues. After a year or two I found that it was degrading my character, so I thought I would give it to Howells.

The modern world has forgotten the necessity of encouraging men to be better. They speak of sick men or healthy men, of interesting people or uninteresting people; they never, or seldom, indicate that there is and must be an interior and spiritual improvement in man before any of the glowing coals of humanity can be reached. They have cultivated everything but the goodness of man. The result of such shallowness is everywhere apparent.

Francis Beauchesne Thornton

People don't want the truth,' he says, waving a hand at the streets around us. 'They want better-quality lies. High definition lies on fifty-inch screens.

In each generation, there is this certain wisdom of the ages that gets reburied in the fleeting drivels of modernity; then, like a diamond in the rough, it is yet again unearthed by a very small minority who not only restores it, but also polishes it and presents it as something new, something highly valuable and refreshing as understood by the current.

A strange fanaticism fills our time: the fanatical hatred of morality, especially of Christian morality.

G.K. Chesterton

Freud introduced the unconscious, which in effect dethroned man as the uncontested master of his own rational faculties. Instead , our lives and our decisions, our loves and our hates, are more often the result of forces working elsewhere than in our conscious mind, and we are the dupes of those forces, rather than their master. (...) Indeed, thinking, as Descartes conceived it, accounts for considerably less than half the story of our being in the world.

It is comforting, however, and a source of profound relief to think that man is only a recent invention, a figure not yet two centuries old, a new wrinkle in our knowledge, and that he will disappear again as soon as that knowledge has discovered a new form.

Michel Foucault

Every little thing makes a difference, whether you decide it yourself or whether it’s pure accident. So many people have had the whole course of their lives changed by something perfectly simple like, let’s say, crossing the street at one point instead of another.”“Yes, yes, yes, I know,” Stenham said with exaggerated weariness. “As far as I’m concerned that’s just as boring, and a lot more false, by the way. The point I’m trying to make is that he loves his world of Koranic law because it’s his, and at the same time he hates it because his intuition tells him it’s at the end of its rope. He can’t expect anything more from it. And our world, he hates that too, just on general principles, and yet it’s his only hope, the only way out—if there is one for him personally, which I doubt.

It seems more than a little patronizing for Westerners to lament the loss of the good old days when life in the Khumbu was so much simpler and more picturesque. Most of the people who live in this rugged country seem to have no desire to be severed from the modern world or the untidy flow of human progress. The last thing Sherpas want is to be preserved as specimens in an anthropological museum.

The loss of quality that is so evident at every level of spectacular language, from the objects it glorifies to the behavior it regulates, stems from the basic nature of a production system that shuns reality. The commodity form reduces everything to quantitative equivalence. The quantitative is what it develops, and it can develop only within the quantitative.

It seems the more we know, the less we believe.

The sacred dimension is not something that you can know through words and ideas any more than you can learn what an apple pie tastes like by eating the recipe. The modern age has forgotten that facts and information, for all their usefulness, are not the same as truth or wisdom, and certainly not the same as direct experience.

Miss Millick wondered just what had happened to Mr. Wran. He kept making the strangest remarks when she took dictation. Just this morning he had quickly turned around and asked, "Have you ever seen a ghost, Miss Millick?" And she had tittered nervously and replied, "When I was a girl there was a thing in white that used to come out of the closet in the attic bedroom when you slept there, and moan. Of course it was just my imagination. I was frightened of lots of things." And he had said, "I don't mean that traditional kind of ghost. I mean a ghost from the world today, with the soot of the factories in its face and the pounding of machinery in its soul. The kind that would haunt coal yards and slip around at night through deserted office buildings like this one. A real ghost. Not something out of books." And she hadn't known what to say. ("Smoke Ghost")

Haven't you noticed, too, on the part of nearly everyone you know, a growing rebellion against the present? And an increasing longing for the past? I have. Never before in all my long life have I heard so many people wish that they lived 'at the turn of the century,' or 'when life was simpler,' or 'worth living,' or 'when you could bring children into the world and count on the future,' or simply 'in the good old days.' People didn't talk that way when I was young! The present was a glorious time! But they talk that way now. For the first time in man's history, man is desperate to escape the present. Our newsstands are jammed with escape literature, the very name of which is significant. Entire magazines are devoted to fantastic stories of escape - to other times, past and future, to other worlds and planets - escape to anywhere but here and now. Even our larger magazines, book publishers and Hollywood are beginning to meet the rising demand for this kind of escape. Yes, there is a craving in the world like a thirst, a terrible mass pressure that you can almost feel, of millions of minds struggling against the barriers of time. I am utterly convinced that this terrible mass pressure of millions of minds is already, slightly but definitely, affecting time itself. In the moments when this happens - when the almost universal longing to escape is greatest - my incidents occur. Man is disturbing the clock of time, and I am afraid it will break. When it does, I leave to your imagination the last few hours of madness that will be left to us; all the countless moments that now make up our lives suddenly ripped apart and chaotically tangled in time.Well, I have lived most of my life; I can be robbed of only a few more years. But it seems too bad - this universal craving to escape what could be a rich, productive, happy world. We live on a planet well able to provide a decent life for every soul on it, which is all ninety-nine of a hundred human beings ask. Why in the world can't we have it? ("I'm Scared")

Magic begins in superstition, and ends in science. ... At every step the history of civilization teaches us how slight and superficial a structure civilization is, and how precariously it is poised upon the apex of a never-extinct volcano of poor and oppressed barbarism, superstition and ignorance. Modernity is a cap superimposed upon the Middle Ages, which always remain.

Modernity kills ghostly romance("The Undying Thing")

This is what made the difference, they used social networking for entertainment and I used it for business.

The great pagan sadness of modern man is largely due to his premonition of ultimate disaster.

Francis Stuart Campbell

If one is to deal with people on a large scale and say what one thinks, how can one avoid melancholy? I don’t admit to being hopeless, though: only the spectacle is a profoundly strange one; and as the current answers don’t do, one has to grope for a new one, and the process of discarding the old, when one is by no means certain what to put in their place, is a sad one.

Modern anxiety is expressed in the longing for what most people fear, even as modern grief is expressed in the unconsummated mourning for what they never really had.

The truth is rarely pure and never simple. Modern life would be very tedious if it were either, and modern literature a complete impossibility.

The stories we read in books, what's presented to us as being interesting - they have very little to do with real life as it's lived today. I'm not talking about straight-up escapism, your vampires, serial killers, codes hidden in paintings, and so on. I mean so-called serious literature. A boy goes hunting with his emotionally volatile father, a bereaved woman befriends an asylum seeker, a composer with a rare neurological disorder walks around New York, thinking about the nature of art. People looking back over their lives, people having revelations, people discovering meaning. Meaning, that's the big thing. The way these books have it, you trip over a rock you'll find some hidden meaning waiting there. Everyone's constantly on the verge of some soul-shaking transformation. And it's - if you'll forgive my language - it's bullshit. Modern people live in a state of distraction. They go from one distraction to the next, and that's how they like it. They don't transform, they don't stop to smell the roses, they don't sit around recollecting long passages of their childhood - Jesus, I can hardly remember what I was doing two days ago. My point is, people aren't waiting to be restored to some ineffable moment. They're not looking for meaning. That whole idea of the novel - that's finished.

In the white man's world, language, too -- and the way which the white man thinks of it--has undergone a process of change. The white man takes such things as words and literatures for granted, as indeed he must, for nothing in his world is so commonplace. On every side of him there are words by the millions, an unending succession of pamphlets and papers, letters and books, bills and bulletins, commentaries and conversations. He has diluted and multiplied the Word, and words have begun to close in on him. He is sated and insensitive; his regard for language -- for the Word itself -- as an instrument of creation has diminished nearly to the point of no return. It may be that he will perish by the Word.

N. Scott Momaday

Although we, as Christians, are living in Sodom, we are not to become citizens of Sodom. . The story of Sodom is God's reminder to the modern world

With an evermore increase of industrialisation machine stops being merely a tool, develops a life of its own and imposes its rhythm onto human. Operating it he moves mechanically, becomes part of the machine.

Heide Schönemann

Unfortunately, you are far more likely to be harmed or die prematurely as a direct result of modern society than you are from any form of terrorism.

Some skeptics believe religious people are religious because they fear Hell. It's about as fair as saying skeptics are skeptics because they fear the ridicule of modern society.

There is certainly no hope left of getting away. And it isn't even terrible; it's possibly funny, if even that. It's embarrassing. That's all. A little embarrassing to realize that I no longer control my life, that the major decisions have already been made, long before I was conscious that any change was occurring.

Extravagance of desire is the fundamental cause which has led the world into its present predicament. Fast rather than slow, more rather than less—this flashy "development" is linked directly to society's impending collapse.

Masanobu Fukuoka

The peculiar predicament of the present-day self surely came to pass as a consequence of the disappointment of the high expectations of the self as it entered the age of science and technology. Dazzled by the overwhelming credentials of science, the beauty and elegance of the scientific method, the triumph of modern medicine over physical ailments, and the technological transformation of the very world itself, the self finds itself in the end disappointed by the failure of science and technique in those very sectors of life which had been its main source of ordinary satisfaction in past ages.As John Cheever said, the main emotion of the adult Northeastern American who has had all the advantages of wealth, education, and culture is disappointment.Work is disappointing. In spite of all the talk about making work more creative and self-fulfilling, most people hate their jobs, and with good reason. Most work in modern technological societies is intolerably dull and repetitive.Marriage and family life are disappointing. Even among defenders of traditional family values, e.g., Christians and Jews, a certain dreariness must be inferred, if only from the average time of TV viewing. Dreary as TV is, it is evidently not as dreary as Mom talking to Dad or the kids talking to either.School is disappointing. If science is exciting and art is exhilarating, the schools and universities have achieved the not inconsiderable feat of rendering both dull. As every scientist and poet knows, one discovers both vocations in spite of, not because of, school. It takes years to recover from the stupor of being taught Shakespeare in English Lit and Wheatstone's bridge in Physics.Politics is disappointing. Most young people turn their backs on politics, not because of the lack of excitement of politics as it is practiced, but because of the shallowness, venality, and image-making as these are perceived through the media--one of the technology's greatest achievements.The churches are disappointing, even for most believers. If Christ brings us new life, it is all the more remarkable that the church, the bearer of this good news, should be among the most dispirited institutions of the age. The alternatives to the institutional churches are even more grossly disappointing, from TV evangelists with their blown-dry hairdos to California cults led by prosperous gurus ignored in India but embraced in La Jolla.Social life is disappointing. The very franticness of attempts to reestablish community and festival, by partying, by groups, by club, by touristy Mardi Gras, is the best evidence of the loss of true community and festival and of the loneliness of self, stranded as it is as an unspeakable consciousness in a world from which it perceives itself as somehow estranged, stranded even within its own body, with which it sees no clear connection. But there remains the one unquestioned benefit of science: the longer and healthier life made possible by modern medicine, the shorter work-hours made possible by technology, hence what is perceived as the one certain reward of dreary life of home and the marketplace: recreation.Recreation and good physical health appear to be the only ambivalent benefits of the technological revolution.

Walter Mignolo terms and articulates _critical cosmopolitanism, juxtaposing it with globalization, which is a process of "the homogeneity of the planet from above––economically, politically and culturally." Although _globalization from below_ is to counter _globalization from above_ from the experience and perspective of those who suffer from the consequences of _globalization from above_, cosmopolitanism differs, according to Mignolo, form these two types of globalization. Mignolo defines globalization as 'a set of designs to manage the world,' and cosmopolitanism as 'a set of projects toward planetary conviviality

Writing a modern novel in a national language hence means writing with the awareness that you inhabit the same world as others around the globe. You see the same world map and the same world history as your contemporaries elsewhere, though how each of you interprets and relates the same historical events may vary greatly.

In our age it is not sex that raises its ugly head, but love.

It was the Kojagar full moon, and I was slowly pacing the riverside conversing with myself. It could hardly be called a conversation, as I was doing all the talking and my imaginary companion all the listening. The poor fellow had no chance of speaking up for himself, for was not mine the power to compel him helplessly to answer like a fool?But what a night it was! How often have I tried to write of such, but never got it done! There was not a line of ripple on the river; and from away over there, where the farthest shore of the distant main stream is seen beyond the other edge of the midway belt of sand, right up to this shore, glimmers a broad band of moonlight. Not a human being, not a boat in sight; not a tree, nor blade of grass on the fresh-formed island sand-bank.It seemed as though a desolate moon was rising upon a devastated earth; a random river wandering through a lifeless solitude; a long-drawn fairy-tale coming to a close over a deserted world,—all the kings and the princesses, their ministers and friends and their golden castles vanished, leaving the Seven Seas and Thirteen Rivers and the Unending Moor, over which the adventurous princes fared forth, wanly gleaming in the pale moonlight. I was pacing up and down like the last pulse-beats of this dying world. Every one else seemed to be on the opposite shore—the shore of life—where the British Government and the Nineteenth Century hold sway, and tea and cigarettes.

Rabindranath Tagore

Those who might be tempted to give way to despair should realize that nothing accomplished in this order can ever be lost, that confusion, error and darkness can win the day only apparently and in a purely ephemeral way, that all partial and transitory disequilibrium must perforce contribute towards the greater equilibrium of the whole, and that nothing can ultimately prevail against the power of truth.

This capacity for living easily and familiarly at an extraordinary level of abstraction is the source of modern man's power. With it he has transformed the planet, annihilated space, and trebled the world's population. But it is also a power which has, like everything human, its negative side, in the desolating sense of rootlessness, vacuity, and the lack of concrete feeling that assails modern man in his moments of real anxiety.

William Barrett

It is not the victory of science that distinguishes our nineteenth century, but the victory of scientific method over science.

Friedrich Nietzsche

One time, on a pleasure cruise, he saw a young couple, fiancés, sitting and looking at the water--the boy had his right arm around the girl's shoulder and held her right wrist tight and she had put her left hand on his right hand, and they sat like that, pressed close together. The little poet looked at them, it's so lovely to see a nice young couple like that. That these children are excited because they want more, that they are only getting each other worked up for what they can't do and don't dare to do, that they never know where to stop--no one ever notices that or thinks about that. It was very lovely, and maybe the truth was that they had just recently gotten engaged and were still satisfied with being madly in love with each other.

Nescio

It is in the nature of man to want what he does not have. This modern concern for happiness seems a real testimony of its absence.

Modern civilisation is complicated and artificial. Simple folk live in a world of love and peace. Let no one hate another or harm another.

Sivananda Saraswati

The people's need to share has turned into a massive disease. It has taken them to the most private meaningless part of their lives. In such circumstance, values become redefined and what has been worthless in the past, has become the core value of the new age. The disaster starts where the essence of the discourse changes. The modern age, with all its technological advances, has taken human to the fast fall. We are going down faster than being trapped into a mire. The transition of the discourse has also given us a great gift, senselessness. Therefore, we have transitioned into piles of senseless machines, drained of human essentiality and drowning into a giant mire. The sad part is, due to the lack of true sense, we don't even feel it. Our only safety guard, which is entirely absurd and phantasmagoric, comes from following the majority of the world's population. As long as we feel belonged to preponderancy, our nonsense will absolutely make sense.

Kambiz Shabankare

Contemporary architects tend to impose modernity on something. There is a certain concern for history but it’s not very deep. I understand that time has changed, we have evolved. But I don’t want to forget the beginning. A lasting architecture has to have roots.

I.M. Pei

If God meant for people to fly, He would have given them brains.

Robert A. Heinlein

We've inherited many ideas about writing that emerged in the eighteenth century, especially an interest in literature as both an expression and an exploration of the self. This development part of what distinguishes the "modern" from the "early modern" has shaped the work of many of our most celebrated authors, whose personal experiences indelibly and visibly mark their writing. It's fair to say that the fiction and poetry of many of the finest writers of the past century or so and I'm thinking here of Conrad, Proust, Lawrence, Joyce, Woolf, Kafka, Plath, Ellison, Lowell, Sexton, Roth, and Coetzee, to name but a few have been deeply autobiographical. The link between the life and the work is one of the things we're curious about and look for when we pick up the latest book by a favorite author.

Those who like to interpret historical facts symbolically may recognize in this the spirit of a specifically "modern" conception of the world which permits the subject to assert itself against the object as something independent and equal; whereas classical antiquity did not as yet permit the explicit formulation of this contrast; and whereas the Middle Ages believed the subject as well as the object to be submerged in a higher unity.

Perhaps never before in history has the artist been so certain that the more daring, iconoclastic, absurd, and inaccessible he is, the more he will be recognized, praised, spoiled, idolatrized. In some countries the result has even been an academicism in reverse, the academicism of the “avant-garde” - to such a point that any artistic experience that makes no concessions to this new conformism is in danger of being stifled or ignored.

Modern art has to be what is called ‘intense.’ it is not easy to define being intense; but, roughly speaking, it means saying only one thing at a time, and saying it wrong.

G.K. Chesterton

When nations grow old the Arts grow coldAnd commerce settles on every tree

For better of for worse the church in the West bought modernity's claims. We were baptized in its story (even though it said it did not have one) and accepted its categories and definitions. But somewhere along the way we also began to believe that the ways in which we accessed knowledge about God or Jesus or the Spirit or Christianity were those things themselves.

Tim Keel

Alecto, have you noticed how downhill this little island is becoming?” Mandy questioned sadly. “All these organic food stores and yoga studios and cellular phone towers… Cape Breton was one of the only places left where it still had that nostalgic small town atmosphere but now… I’ve only been away for a year, how could things have changed so quickly? I mean, how can the world accept it?”“C'est la vie,” said Alecto, looking extremely tired as he stared out the window at the late November maple keys fluttering down from vibrantly red trees lining the streets on either side of the windshield.

People are always changing themselves and their world, dear. Very few of the changes are new. We rather confuse change and newness, I think. What is truly new never changes.""You speak in riddles, aged progenitor.""The world worships a certain kind of newness. People are always talking about a new car, or a new drink or p-p-play or house, but these things are not truly new, are they? They begin to get old the minute you acquire them. New is not in things. New is within us. The truly new is something that is new forever: you. Every morning of your life and every evening, every moment is new. You have never lived this moment before and you never will again. In this sense the new is also the eternal.

Modernity is kind of a tradition and tradition itself is not a rulebook. It's a dialogue and a dialectical process— just as tradition affects us, we too affect tradition and culture, and we change it.

Sharanya Haridas

I'm not a guru. I wish you wouldn't pose these things at me, man. Ask me about women or something.

Charles Bukowski

When they brought in communism it was for the people, so they killed the people. Now they've brought in capitalism, which is for the rich, so they only kill the rich. This time you and I have nothing to worry about.

Previous 1 2 3 Next