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Search engines finds the information, not necessarily the truth.
Amit Kalantri
This gesture is one of the motifs of modernity's turn against the principle of imitating nature, that is to say, imitating predefined morphological expectations. It is still capable of perceiving message-totalities and autonomous thing-signals when no morphologically intact figures are left - indeed, precisely then. The sense for perfection withdraws from the forms of nature - probably because nature itself is in the process of losing its ontological authority. The popularization of photography also increasingly devalues the standard views of things. As the first edition of the visible, nature comes into discredit. It can no longer assert its authority as the sender of binding messages - for reasons that ultimately come from its disenchantment through being scientifically explored and technically outdone. After this shift, 'being perfect' takes on an altered meaning: it means having something to say that is more meaningful than the chatter of conventional totalities. Now the torsos and their ilk have their turn: the hour of those forms that do not remind us of anything has come. Fragments, cripples and hybrids formulate something that cannot be conveyed by the common whole forms and happy integrities; intensity beats standard perfection.
Peter Sloterdijk
In the imposition of a unitary and homogeneous popular culture, disseminated now throughout the world by the spread of Western technology and communications, is to be found one of the central features of modernity's distinctive way of achieving the priority of the one over the many. Homogeneity derives from the creation of an undifferentiated social or other reality...It is not therefore the priority of the many that distinguishes modernity from other cultures, but the shape the priority of the one takes in practice. Thus both the ancient and modern eras, in so far as they can be distinguished in the way often attempted, share in a tendency to elevate the one over the many: to enslave the many to the heteronomous rule of the one. The pathos of the modern condition is that, after rejecting what it rightly sees to be the oppressive forms of unity deriving from the past, it has itself succumbed to various false universals that replicate or even exacerbate the bondage from which it had hoped to free itself.
Colin E. Gunton
Although we, as Christians, are living in Sodom, we are not to become citizens of Sodom. . The story of Sodom is God's reminder to the modern world
Sunday Adelaja
With an evermore increase of industrialisation machine stops being merely a tool, develops a life of its own and imposes its rhythm onto human. Operating it he moves mechanically, becomes part of the machine.
Heide Schönemann
Some skeptics believe religious people are religious because they fear Hell. It's about as fair as saying skeptics are skeptics because they fear the ridicule of modern society.
Criss Jami
Walter Mignolo terms and articulates _critical cosmopolitanism, juxtaposing it with globalization, which is a process of "the homogeneity of the planet from above––economically, politically and culturally." Although _globalization from below_ is to counter _globalization from above_ from the experience and perspective of those who suffer from the consequences of _globalization from above_, cosmopolitanism differs, according to Mignolo, form these two types of globalization. Mignolo defines globalization as 'a set of designs to manage the world,' and cosmopolitanism as 'a set of projects toward planetary conviviality
Namsoon Kang
What could be more fundamental to our sense of meaning and purpose than a conception of whether the strivings of the human race over long stretches of time have left us better or worse off? How, in particular, are we to make sense of modernity—of the erosion of family, tribe, tradition, and religion by the forces of individualism, cosmopolitanism, reason, and science?
Steven Pinker
Before this generation lose the wisdom, one advice - read books.
Amit Kalantri

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