Journalism Quotes - Page 2

Soon, challenges against the Post's ownership of two television stations in Florida were filed with the Federal Communications Commission. The price of Post stock on the American Exchange dropped by almost 50 percent. Among the challengers - forming the organizations of 'citizens' who proposed to become the new FCC licensees - were several persons long associated with the President.-- Carl Bernsein, Bob Woodward

Carl Bernstein

Deep Throat stamped his foot. 'A conspiracy like this...a conspiracy investigation...the rope has to tighten slowly around everyone's neck. You build convincingly from the outer edges in, you get ten times the evidence you need against the Hunts and the Liddys. They feel hopelessly finished - they may not talk right away, but the grip is on them. Then you move up and do the same thing at the next level. If you shoot too high and miss, the everyone feels more secure. Lawyers work this way. I'm sure smart reporters must, too. You've put the investigation back months. It puts everyone on the defensive - editors, FBI agents, everybody has to go into a crouch after this.'Woodward swallowed hard. He deserved the lecture.-- Carl Bernstein, Bob Woodward

Carl Bernstein

Journalism is an act of faith in the future

Ann Curry

June 17, 1972. Nine o'clock Saturday morning. Early for the telephone. Woodward fumbled for the receiver and snapped awake. The city editor of the Washington Post was on the line. Five men had been arrested earlier that morning in a burglary attempt at Democratic headquarters, carrying photographic equipment and electronic gear. Could he come in?

Carl Bernstein

Like so many others of my tenure and temperament—stubborn ancients, I suppose—web reporting is anathema to everything I love about newspapering: getting a tip, developing leads, fleshing-out the details, then telling the story. Now it stops with the tip. Just verify (hopefully!) and post it. I didn’t write stories anymore; I 'produced content.

Chris Rose

A short story is a writer's way of thinking through experience... Journalism aims at accuracy, but fiction's aim is truth. The writer distorts reality in the interest of a larger truth.

John L'Heureux

Bernstein looked like one of those counterculture journalists that Woodward despised. Bernstein thought that Woodward's rapid rise at the Post had less to do with his ability than his Establishment credentials.They had never worked on a story together. Woodward was 29, Bernstein 28.-- Carl Bernstein, Bob Woodward

Carl Bernstein

It was 9:30 P.M., just an hour from deadline for the second edition. Woodward began typing:A $25,000 cashier's check, apparently earmarked for the campaign chest of President Nixon, was deposited in April in the bank account of Bernard L. Barker, one of the five men arrested at the break-in and alleged bugging attempt at Democratic National Committee headquarters here June 17.The last page of copy was passed to Sussman just at the deadline. Sussman set his pen and pipe down on his desk and turned to Woodward. 'We've never had a story like this,' he said. 'Just never.'-- Carl Bernstein, Bob Woodward

Carl Bernstein

At heart, Sussman was a theoretician. In another age, he might have been a Talmudic scholar. He had cultivated a Socratic method, zinging question after question at the reporters: Who moved over from Commerce to CRP with Stans? What about Mitchell's secretary? Why won't anybody say when Liddy went to the White House or who worked with him there? Mitchell and Stans both ran the budget committee, right? What does that tell you? Then Sussman would puff on his pipe, a satisfied grin on his face.

Carl Bernstein

The August 1 story had carried their joint byline; the day afterward, Woodward asked Sussman if Bernstein's name could appear with his on the follow-up story - though Bernstein was still in Miami and had not worked on it. From the on, any Watergate story would carry both names. Their colleagues melded the two into one and gleefully named their byline Woodstein.-- Carl Bernstein, Bob Woodward

Carl Bernstein

The invariable question, asked only half-mockingly of reporters by editors at the Post (and then up the hierarchical line of editors) was 'What have you done for me today?' Yesterday was for the history books, not newspapers.-- Carl Bernstein, Bob Woodward

Carl Bernstein

Woodward, a registered Republican, did not vote. He couldn't decide whether he was more uneasy with the disorganization and naïve idealism of McGovern's campaign or with Richard Nixon's conduct. And he believed that not voting enabled him to be more objective in reporting on Watergate - a vier Bernstein regarded as silly. Bernstein voted for McGovern, unenthusiastically and unhesitatingly, then bet in the office pool that Nixon would win with 54 percent.-- Carl Bernstein, Bob Woodward

Carl Bernstein

Sussman had the ability to seize facts and lock them in his memory, where they remained poised for instants recall. More than any other editor at the Post, or Bernstein and Woodward, Sussman became a walking compendium of Watergate knowledge, a reference source to be summoned when even the library failed. On a deadline, he would pump these facts into a story in a constant infusion, working up a body of significant information to support what otherwise seemed like the weakest of revelations. In Sussman's mind, everything fitted. Watergate was a puzzle and he was a collector of the pieces.-- Carl Bernstein, Bob Woodward

Carl Bernstein

Bradlee had been recruited with the idea that the New York Times need nod exercise absolute preeminence in American journalism.That vision had suffered a setback in 1971 when the Times published the Pentagon Papers. Though the Post was the second news organization to obtain a copy of the secret study of the Vietnam war, Bradlee noted that 'there was blood on every word' of the Times' initial stories. Bradlee could convey his opinions with a single disgusted glance at an indolent reporter or editor.-- Carl Bernstein, Bob Woodward

Carl Bernstein

During discussions in his office, Bradlee frequently picked up an undersize sponge-rubber basketball from the table and tossed it toward a hoop attached by suction cups to the picture window. The gesture was indicative both of the editor's short attention span and of a studied informality. There was an alluring combination of aristocrat and commoner about Bradlee: Boston Brahmin, Harvard, the World War II Navy, press attaché at the U.S. Embassy in Paris, police-beat reporter, news-magazine political reporter and Washington bureau chief of Newsweek.-- Carl Bernstein, Bob Woodward

Carl Bernstein

Until the August 1 story about the Dahlberg check, the working relationship between Bernstein and Woodward was more competitive than anything else. Each had worried that the other might walk off with the remainder of the story by himself. If one had gone chasing after a lead at night or on a weekend, the other felt compelled to do the same.-- Carl Bernstein, Bob Woodward

Carl Bernstein

Hardly unaware of his image, Bradlee even cultivated it. He delighted in displaying his street savvy, telling a reporter to get his ass moving and talk to some real cops, not lieutenants and captains behind a desk; then rising to greet some visiting dignitary from Le Monde or L'Express in formal, flawless French, complete with a peck on each cheek.-- Carl Bernstein, Bob Woodward

Carl Bernstein

The Post is famous for its investigative journalism. It pours energy and investment and sweat and dollars into uncovering important stories. And then a bunch of websites summarize that [work] in about four minutes and readers can access that news for free. One question is, how do you make a living in that kind of environment? If you can't, it's difficult to put the right resources behind it. ... Even behind a paywall, websites can summarize your work and make it available for free. From a reader point of view, the reader has to ask, 'Why should I pay you for all that journalistic effort when I can get it for free from another site?'

Jeff Bezos

The prose,” Robespierre said. “It’s so clean, no conceits, no show, no wit. He means every word. Formerly, you see, he meant every other word. That was his style.

Hilary Mantel

No foundation that I am aware of has hired ex-journalists to promote a thoroughgoing inquiry.

Alexander Cockburn

...Leggett feels that to be excitingly right in general is better than to be dully accurate in particular. That is why he is such an effective journalist.

Gore Vidal

Lazareff believed that "a journalists first duty is to be read," but Camus felt it was to tell the truth as much as possible, with as much style as possible. Camus saw "Lazareffism" as unacceptable journalism, a mixture of political submissiveness, raw crime, and nonsense. Pia and Camus hated the spineless large-circulation press, which followed orders and catered to its readers' lower instincts.

Olivier Todd

Why did you become a journalist?”“Better than working for a living.

Leslie Cockburn

Journalists should be watchdogs, not lapdogs.

Newton Lee

When journalists are 'accused' of being 'advocates', that means: challenging and deviating from DC orthodoxies.

Glenn Greenwald

He reads every book in his home but it is not enough. The country boy craves stories. He devours every poem and fable in his school and library. Still he hungers. For stories.

Jennifer Lanthier

A bug lies in quiet repose;when he passed no one knows.Did he suffer, was he pained?Before he died, was knowledge gained?Were all life’s pressures much too great.To put upon so small a weight?Although not one for pessimism,I think he died of journalism!

Nikhil Sharda

Countless generations have set out convinced that they would succeed where other had failed – that's where lawyers and reporters come from, you know. They're the cynical corpses of idealistic young people who thought the system could be reformed.

CrimethInc.

With the development of the printing press, not only could text be mass-produced quickly, it could also be mass-produced quickly and incorrectly.

The Bureau Chiefs

As an editor, you develop a B.S. meter—an internal warning system that signals caution about journalism that doesn't feel trustworthy. Sometimes it's a quote or incident that's too perfect —a feeling I always had when reading stories by Stephen Glass in the New Republic. Sometimes it's too many errors of fact, the overuse of anonymous sources, or signs that a reporter hasn't dealt fairly with people or evidence. And sometimes it's a combination of flaws that produces a ring of falsity, the whiff of a bad egg. There's no journalist who sets off my bullshit alarm like Ron Suskind.

Jacob Weisberg

One of the cardinal rules of journalism: Once you have cabled a story you must stick by it and back it up, unless something completely overwhelming proves you to have been wrong. In such a case, just drop the matter.

Wynant Davis Hubbard

They walked across 15th Street to the Madison Hotel's Montpelier Room, an opulent French restaurant. Bradlee asked for a corner table, and began the conversation. 'You'd better bring me up to date because...' He turned to order lunch in perfect French, and then turned back to Woodward. '...our cocks are on the chopping block now and I just want to know a little bit more about this.

Carl Bernstein

Simons, as restrained as Bradlee could be hard-charging and obstreperous, liked to tell of watching Bradlee grind his cigarrettes out in a demitasse cup during a formal dinner party. Bradlee was one of the few persons who could pull that kind of thing off and leave the hostess saying how charming he was.-- Carl Bernstein, Bob Woodward

Carl Bernstein

A prize-winning science reporter, Simons had become the number-two editor at the Post a year before. An intent, sensitive man with a large nose, thin face and deep-set eyes, he looks like the kind of Harvard teaching assistant who carries a slide ruler strapped to his belt. But he is skillful with fragile egos, and also the perfect counterpoint to Bradlee. Bradlee is more like Woodward: he wants hard information first and is impatient with theories.-- Carl Bernstein, Bob Woodward

Carl Bernstein

The managing editor shared Bernstein's fondness for doping things out on the basis of sketchy information. At the same time, he was cautious about what eventually went into print. On more than one occasion, he told Bernstein and Woodward to consider delaying a story or, if necessary, to pull it at the last minute if they had any doubts. 'I don't care if it's a word, a phrase, a sentence, a paragraph, a whole story or an entire series of stories,' he said. 'When in doubt, leave it out.'-- Carl Bernstein, Bob Woodward

Carl Bernstein

Aware that much of the story was out of his hands, he tried to exercise what control he could: he hovered around the reporters' typewriters as they wrote, passed them questions as they talked on the phone to sources, demanded to be briefed after they hung up or returned from a meeting. Now, gulping down antacid tablets, Rosenfeld grilled Bernstein and Woodward to find out how solid this latest story was.

Carl Bernstein

Rosenfeld went to work for the Herald Tribune after his graduation from Syracuse University and has always been an editor, never a reporter. He was inclined to worry that too many reporters on the metropolitan staff were incompetent, and thought even the best reporters could be saved from self-destruction only by the skills of an editor. His natural distrust of reporters was particularly acute on the Watergate story, where the risks were very great, and he was in the uncomfortable position of having to trust Bernstein and Woodward more than he had ever trusted any reporters.-- Carl Bernstein, Bob Woodward

Carl Bernstein

Journalists justify their treachery in various ways according to their temperaments. The more pompous talk about freedom of speech and "the public's right to know"; the least talented talk about Art; the seemliest murmur about earning a living.

Janet Malcolm

Journalism justifies its own existence by the great Darwinian principle of the survival of the vulgarist.

Oscar Wilde

Style and voice are different. Style is standard conventions of writing; voice is the distinct way an individual puts words together. All good writers have a near-uniform understanding of style, but a voice all their own.

Naveed Saleh

Commenting on print journalism at the Commenting on print journalism at the White House Correspondents’ Dinner: “Thanks to Obamacare, millions of Americans can visit a doctor’s office and see what a print magazine actually looks like.

Joel McHale

It’s true that journalism in reality is not the journalism that we learnt in the university. It is far from it.

Nilantha Ilangamuwa

We have to defend views we don't share and impose them on the public; deal with questions we don't understand and vulgarize them for the gallery. We can't have ideas of our own, we have to have those of the editor; and even the editor doesn't have the right to think with his own head, because when he's sent for by the board of directors he has to stifle his own views, if he has any, and support those of the shareholders.

Pitigrilli

Quit your bitching, if you're not pitching

Rebecca Aguilar

If you're not pitching, stop bitching

Rebecca Aguilar

I got a call froma cynical young American journalist...You know the sort. He's lived in the Middle East for a little over five minutes so assumes he knows us natives well. I sip at a skinny mocha frappe while he fires off big important questions about 'the political landscape' and 'Islamic thought'. I stare at him blankly.

Amy Mowafi

Style and voice are different. Style is standard conventions of writing. Voice is the distinct way an individual puts words together. All good writers have a near-uniform understanding of style but a voice all their own.

Naveed Saleh

Reading usually precedes writing. And the impulse to write is almost always fired by reading. Reading, the love of reading, is what makes you dream of becoming a writer.

Susan Sontag

We are hurtling back into a Soviet abyss, into an information vacuum that spells death from our own ignorance. All we have left is the internet, where information is still freely available. For the rest, if you want to go on working as a journalist, it's total servility to Putin. Otherwise, it can be death, the bullet, poison, or trial—whatever our special services, Putin's guard dogs, see fit.

Anna Politkovskaya

From: Beth Fremont To: Jennifer Scribner-Snyder Sent: Thurs, 09/30/1999 3:42 PM Subject: If you were Superman … … and you could choose any alter ego you wanted, why the hell would you choose to spend your Clark Kent hours — which already suck because you have to wear glasses and you can’t fly — at a newspaper? Why not pose as a wealthy playboy like Batman? Or the leader of a small but important nation like Black Panther? Why would you choose to spend your days on deadline, making crap money, dealing with terminally crabby editors?

Rainbow Rowell

Journalism classes teach us that one must extract oneself from the story in order to report without bias, but often we need to be in the story in order to understand, to connect, to help the audience identify or else it has no heart; it could be a robot telling the story, for all anyone cares.

Cecelia Ahern

Believe nothing until it has been officially denied.

Claud Cockburn

Journalism can be lethal

Robert Fisk

Fearlessness can be its own form of power.

Glenn Greenwald

An editor is someone who is paid to tell a writer what she thinks about how he wrote what he thinks about.

Mokokoma Mokhonoana

Of real sensational journalism, as it exists in France, in Ireland, and in America, we have no trace in this country. When a journalist in Ireland wishes to create a thrill, he creates a thrill worth talking about. He denounces a leading Irish member for corruption, or he charges the whole police system with a wicked and definite conspiracy. When a French journalist desires a frisson there is a frisson; he discovers, let us say, that the President of the Republic has murdered three wives. Our yellow journalists invent quite as unscrupulously as this; their moral condition is, as regards careful veracity, about the same. But it is their mental calibre which happens to be such that they can only invent calm and even reassuring things. The fictitious version of the massacre of the envoys of Pekin was mendacious, but it was not interesting, except to those who had private reasons for terror or sorrow. It was not connected with any bold and suggestive view of the Chinese situation. It revealed only a vague idea that nothing could be impressive except a great deal of blood. Real sensationalism, of whichI happen to be very fond, may be either moral or immoral. But even when it is most immoral, it requires moral courage. For it is one of the most dangerous things on earth genuinely to surprise anybody. If you make any sentient creature jump, you render it by no means improbable that it will jump on you. But the leaders of this movement have no moral courage or immoral courage; their whole method consists in saying, with large and elaborate emphasis, the things which everybody else says casually, and without remembering what they have said. When they brace themselves up to attack anything, they never reach the point of attacking anything which is large and real, and would resound with the shock. They do not attack the army as men do in France, or the judges as men do in Ireland, or the democracy itself as men did in England a hundred years ago. They attack something like the War Office--something, that is, which everybody attacks and nobody bothers to defend, something which is an old joke in fourth-rate comic papers

G.K. Chesterton

Sometimes, when I look at my work at the newspaper and squint in just the right way, I can even see it as a microcosm of democracy itself. After all, every staff member participates in the creation of each issue. I solicit their ideas. I value the contributions of women and minorities. Of course, I wasn't democratically elected, but what newspaper chief ever was?

Jennifer Steil

How we react to the tragedy of one small person accurately reflects our attitude towards a whole nationality, and increasing the numbers doesn't change much.

Anna Politkovskaya

These empty pages are your future, soon to become your past. They will read the most personal tale you shall ever find in a book.

Anonymous

The only way to write honestly about the scene is to be part of it. If there is one quick truism about psychedelic drugs, it is that anyone who tries to write about them without first-expierience is a fool and a fraud.

Hunter S. Thompson

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Journalism Quotes - Page 2

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