Film Quotes

I submit that the real reason we criticized and disliked Lynch's Laura's muddy bothness is that it required of us an empathetic confrontation with the exact same muddy bothness in ourselves and our intimates that makes the real world of moral selves so tense and uncomfortable, a bothness we go to the movies to get a couple hours' fucking relief from.

David Foster Wallace

Borges is particularly stimulating to a man who works in the cinema, because the unusual thing about his writing is that it is like a dream, extraordinarily farsighted in calling up from the unconscious complete images in which the thing itself, and its meaning, coexist - exactly as happens in a film. And, just as happens in dreams, in Borges the incongruous, the absurd, the contradictory, the arcane and the repetitive, although as powerfully imaginative as ever, are at the same time illumined like the careful details of something larger, something unknown, and are the faultless elements of a cruelly perfect, indifferent mosaic. Even the fact that Borges's work is strangely fragmentary makes me think of a broken dreamlike flow; and the heterogeneous quality of his work - stories, essays, poems - I prefer to see not as the union of the multiple threads in a greedy, impatient talent, but as a mysterious sign of unending change.

Federico Fellini

I admire nudity and I like sex, and so did a lot of people in the Thirties. But, to me, overexposure blunts the fun…Sex as something beautiful may soon disappear. Once it was a knife so finely honed the edge was invisible until it was touched and then it cut deep. Now it is so blunt that it merely bruises and leaves ugly marks. Nudity is fine in the privacy of my own bedroom with the appropriate partner. Or for a model in life class at art school. Or as portrayed in stone and paint. But I don’t like it used as a joke or to titillate. Or be so bloody frank about.

Mary Astor

The function of camera movement is to assist the storytelling. That's all it is. It cannot be there just to demonstrate itself.

Mike Figgis

Films are not primarily an entertainment medium. They are weapons. If you understand that, then you are ready to pursue filmmaking as a vocation.

Isaac Botkin

Out of the ugliness of the ironworks lepers will eat, children will be born, their parents will grow old.

Helen McCarthy

For the casual viewer, Kurosawa’s films can be an exercise in endurance.

Jerry White

A brick is a biographical film in which a young orphan brick from the wrong side of the track grows up to be one of the most important bricks in all brick kind, as it is now quite literally the cornerstone of one of America’s greatest ballparks.(Fenway)

Nicole McKay

In drama, the characters should determine the story. In melodrama, the story determines the characters.

Sidney Lumet

Just watch any husband arguing with his wife about something insignificant; listen to what they say and watch how their residual emotions manifest when the fight is over. It’s so formulaic and unsurprising that you wouldn’t dare re-create it in a movie. All the critics would mock it. They’d all say the screenwriter was a hack who didn’t even try. This is why movies have less value than we like to pretend — movies can’t show reality, because honest depictions of reality offend intelligent people.

Chuck Klosterman

In this business, until you're known as a monster, you're not a star

Bette Davis

I'm lucky enough to be able to make films and so I don't need a psychiatrist. I can sort out my fears and all those things with my work. That's an enormous privilege. That's the privilege of all artists, to be able to sort out their unhappiness and their neuroses in order to create something.

Michael Haneke

Yet in recent years I have witnessed a new phenomenon among filmgoers, especially those considered intelligent and perceptive. I have a name for this phenomenon: the Instant White-out. People are closeted in cozy darkness; they turn off their mobile phones and willingly give themselves, for ninety minutes or two hours, to a new film that got a fourstar rating in the newspaper. They follow the pictures and the plot, understand what is spoken either in the original tongue or via dubbing or subtitles, enjoy lush locations and clever scenes, and even if they find the story superficial or preposterous, it is not enough to pry them from their seats and make them leave the theatre in the middle of the show.But something strange happens. After a short while, a week or two, sometimes even less, the film is whitened out, erased, as if it never happened. They can’t remember its name, or who the actors were, or the plot. The movie fades into the darkness of the movie house, and what remains is at most a ticket stub left accidentally in one’s pocket.

A.B. Yehoshua

Good film, television, or music keeps you awake, anxious for the next movement or act, and wanting more when it is finished.

John Grooters

OK, publishing a book and releasing a movie is all very well, but Tottenham beating Man. U. 3-2... priceless.

Salman Rushdie

And we hate this possibility in movies; we hate this "both" shit. "Both" comes off as sloppy characterization, muddy filmmaking, lack of focus. ... But I submit that the real reason we criticized and disliked Lynch's Laura's muddy bothness is that it required of us an empathetic confrontation with the exact same muddy bothness in ourselves and our intimates that makes the real world of moral selves so tense and uncomfortable, a bothness we go to the movies to get a couple hours' fucking relief from.

David Foster Wallace

A film which followed the code of the Hays Office to the strictest letter might succeed in being a great work of art, but not in a world in which a Hays Office exists.

Theodor W. Adorno

The varying physical characteristics of the actors may also necessitate changes. Sean Connery is six feet four. Dustin Hoffman isn't.

Sidney Lumet

Her first really great role, the one that cemented the “Jean Arthur character,” was as the wisecracking big-city reporter who eventually melts for country rube Gary Cooper in Frank Capra’s Mr. Deeds Goes to Town (1936). It was the first of three terrific films for Capra: Jean played the down-to-earth daughter of an annoyingly wacky family in Capra’s rendition of Kaufman and Hart’s You Can’t Take It With You (1938), and she was another hard-boiled city gal won over by a starry-eyed yokel in Mr. Smith Goes to Washington (1939). “Jean Arthur is my favorite actress,” said Capra, who had successfully worked with Stanwyck, Colbert and Hepburn. “. . . push that neurotic girl . . . in front of the camera . . . and that whining mop would magically blossom into a warm, lovely, poised and confident actress.” Capra obviously recognized that Jean was often frustrated in her career choice.

Eve Golden

Painting, by its nature, cannot provide an object of simultaneous collective reception... as film is able to do today... And while efforts have been made to present paintings to the masses in galleries and salons, this mode of reception gives the masses no means of organizing and regulating their response. Thus, the same public which reacts progressively to a slapstick comedy inevitably displays a backward attitude toward Surrealism.

Walter Benjamin

Today’s youngsters will unfortunately never know the thrills we experienced dubbing movies in the era of Rashomon.

Teruyo Nogami

You see, the interesting thing about books, as opposed, say, to films, is that it's always just one person encountering the book, it's not an audience, it's one to one.

Paul Auster

Stahl trailed him upstairs, across a mezzanine, and out into the darkness of the sloping balcony. Tom gave the aisle his torch so his guest could see. On the screen below a woman's head was wavering, two or three times larger than life. A metallic voice clanged out, echoing sepulchrally all over the house, like a modern Delphic Oracle. 'Go back, go back!' she said. 'This is no place for you!'Her big luminous eyes seemed to be looking right at Lew Stahl as she spoke. Her finger came out and pointed, and it seemed to aim straight at him and him alone. It was weird; he almost stopped in his tracks, then went on again. He hadn't eaten all day; he figured he must be woozy, to think things like that. ("Dusk To Dawn")

Cornell Woolrich

While the characters drive the epic story of Robotech, it’s the robotic mecha that capture the imagination.

Tommy Yune

In America, film is the highest form of art that the public aspires to. People will come to me and say ‘Oh, your book was so good, they ought to make a movie out of it!’ To which I reply ‘Well, why? It’s already a book.

Orson Scott Card

Kon’s films present a fractured, multifaceted world in which everyone has their own different reality.

Andrew Osmond

Summer movie idea: take all the sequels that are out right now, and make movies about their backstories.

Stephen Colbert

In order to get [Mean Streets] made I had to learn how to make a movie," says Scorsese. "I didn't learn how to make a movie in film school. What you learned in film school was to express yourself with pictures and sound. But learning to make a movie is totally different.

Peter Biskind

Or take this girl, for example. At a meeting just outside Paris, a fifteen-year-old girl came up to me and said that she'd been to see [The Double Life of] Véronique. She'd gone once, twice, three times and only wanted to say one thing really - that she realized that there is such a thing as a soul. She hadn't known before, but now she knew that the soul does exist. There's something very beautiful in that. It was worth making Véronique for that girl. It was worth working for a year, sacrificing all that money, energy, time, patience, torturing yourself, killing yourself, taking thousands of decisions, so that one young girl in Paris should realize that there is such a thing as a soul. It's worth it.

Krzysztof Kieślowski

My movie is born first in my head, dies on paper; is resuscitated by the living persons and real objects I use, which are killed on film but, placed in a certain order and projected onto a screen, come to life again like flowers in water.

Robert Bresson

You have to want to make a film for other reasons - to say something, to tell a story, to show somebody's fate - but you can't want to make a film simply for the sake of it.

Krzysztof Kieślowski

Hey, I got an idea, let’s go to the movies. I wanna go to the movies, I want to take you all to the movies. Let’s go and experience the art of the cinema. Let’s begin with the Scream Of Fear, and we are going to haunt us for the rest of our lives. And then let’s go see The Great Escape, and spend our summer jumping our bikes, just like Steve McQueen over barb wire. And then let’s catch The Seven Samurai for some reason on PBS, and we’ll feel like we speak Japanese because we can read the subtitles and hear the language at the same time. And then let’s lose sleep the night before we see 2001: A Space Odyssey because we have this idea that it’s going to change forever the way we look at films. And then let’s go see it four times in one year. And let’s see Woodstock three times in one year and let’s see Taxi Driver twice in one week. And let’s see Close Encounters of the Third Kind just so we can freeze there in mid-popcorn. And when the kids are old enough, let’s sit them together on the sofa and screen City Lights and Stage Coach and The Best Years of Our Lives and On The Waterfront and Midnight Cowboy and Five Easy Pieces and The Last Picture Show and Raging Bull and Schindler’s List… so that they can understand how the human condition can be captured by this amalgam of light and sound and literature we call the cinema.

Tom Hanks

The most interesting of the classic movie genres to me are the indigenous ones: the Western, which was born on the Frontier, the Gangster Film, which originated in the East Coast cities, and the Musical, which was spawned by Broadway. They remind me of jazz: they allowed for endless, increasingly complex, sometimes perverse variations. When these variations were played by the masters, they reflected the changing times; they gave you fascinating insights into American culture and the American psyche.

Martin Scorsese

The lasting and ultimately most important reputation of a film is not based on reviews, but on what, if anything, people say about it over the years, and on how much affection for it they have.

Stanley Kubrick

I’m very worried about the depiction of women on the screen. It’s gotten worse than ever and it’s related to their being either high- or low-class concubines, and the only question is when or where they will go to bed, with whom, and how many. There’s nothing to do with the dreams of women, or of woman as the dream, nothing to do with the quirky part of her, the wonder of her.

John Cassavetes

A director must be a policeman, a midwife, a psychoanalyst, a sycophant and a bastard.

Billy Wilder

Far from being a pack of baying butchers,critics sometimes have a perverse habit of tending to the sick and wounded on the cinematic field of battle, rushing in where angels fear to tread, even when the patient is clearly without a pulse.

Mark Kermode

I don't think there's anything man wasn't meant to know. There are just some stupid things that people shouldn't do.

David Cronenberg

Jaws 4 is so bad it makes Jaws 3 look like Jaws 2.

Neil Perryman

The collective sign of relief heaved on V-J Day ought to have inspired Hollywood to release a flood of "happily ever after" films. But some victors didn't feel too good about their spoils. They'd seen too much by then. Too much warfare, too much poverty, too much greed, all in the service of rapacious progress. A bundle of unfinished business lingered from the Depression — nagging questions about ingrained venality, mean human nature, and the way unchecked urban growth threw society dangerously out of whack. Writers and directors responded by delivering gritty, bitter dramas that slapped our romantic illusions in the face and put the boot to the throat of the smug bourgeoisie. Still, plenty of us took it — and liked it.

Eddie Muller

In all of its operations, cinema ceaselessly strives, and fails, to make present a world hopelessly beyond grasp. For this reason cinema is, in its very nature, a nihilistic medium.

John Marmysz

Kenji Mizoguchi is to the cinema what Bach is to music, Cervantes is to literature, Shakespeare is to theatre, Titian is to painting: the very greatest.

Jean Douchet

How may a mortal, face and defeat the Kraken

Beverley Cross

But I reckon that this realm of higher needs, of something more than just forgetting about everyday life, of mere recreation, this realm of needs has been clearly neglected by us.

Krzysztof Kieślowski

The longing for improvement and the fear of waste and worse - it is a pattern still with us, and maybe it speaks to the medium's essential marriage of light and dark, or as Mary Pickford put it in her autobiography (published in 1955), Sunshine and Shadow. Light and dark were the elements of film, and they had their chemistry in film's emulsion. They had a moral meaning, too. But not everyone appreciated that prospect, or credited how it might make your fortune.

David Thomson

The only real failure is the failure to try, and the measure of success is how we cope with disappointment.

Deborah Moggach

Three films a day, three books a week and records of great music would be enough to make me happy to the day I die.

François Truffaut

The mole is an animal that digs passages searching for the sun. Sometimes he reaches the surface. When he looks at the sun he goes blind.

Alejandro Jodorowsky

Outside the cinema I had not yet learned to live, but within it I had most certainly learned to die. I could die for you in every way known to man, and in a few ways known only to scriptwriters. I could see now that provided that I remained fit, the future held many more deaths yet. I could only hope that they would serve some purpose, and that perhaps a reputation may come in the same way as a coral formation, which is made up of a deposit of countless tiny corpses.

Christopher Lee

Didn't open the box? What was it last time? Didn't know what it was? And yet we do keep finding each other, don't we? - Cenobite

Clive Barker

People see a Macbeth film. They imagine they have seen Macbeth, and don't want to see it again; so when your Mr. Hackett or somebody comes round to act the play, he finds the house empty. That is what has happened to dozens of good plays whose authors have allowed them to be filmed. It shall not happen to mine if I can help it.

George Bernard Shaw

Our film industry, must cease portraying us as a nation of decayed values, fallen moralities and juju-obsessed people.

Sunday Adelaja

14 years ago I was born in the shadow of this mountain, given the name Mary Call. - Mary Call in Where the Lilies Bloom.

Where the Lilies Bloom film adaptation.

It doesn't do any good to say, 'This is what it means.' When you are spoon fed a film, people instantly know what it is. I like films that leave room to dream.

David Lynch

An actor is just a part of a movie, but director - he is the movie.

Amit Kalantri

Piracy begins where creativity ends.

Kalyan C. Kankanala

Adolescence is a marketing tool.

Cameron Crowe

A lot of film people are like that– especially the ones below the line, the blue-collar guys, the grunts. They like putting their hands on the equipment and getting it to do things for them. It's not about art or ideas. It's about working at something and making it come out right.

Paul Auster

[Cinema]… obeys the laws of the mind rather than those of the outer world.

Hugo Munsterberg

For such an advanced civilization as ours to be without images that are adequate to it is as serious a defect as being without memory.

Werner Herzog

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