Draw Quotes

So I draw because I feel like it might be my only real chance to escape the reservation.

Going in the company of negative people is just like having thick muddy soil underfoot... They will only draw you back if you don't tear them off! Move out of your current disposal with the intention of getting to your true destination!

Israelmore Ayivor

25. Whenever two human beings spend time together, sooner or later they will probably irritate one another. This is true of best friends, married couples, parents and children, or teachers and students. The question is: How do they respond when friction occurs? There are four basic ways they can react:•tThey can internalize the anger and send it downward into a memory bank that never forgets. This creates great pressure within and can even result in disease and other problems.•tThey can pout and be rude without discussing the issues. This further irritates the other person and leaves him or her to draw his or her own conclusions about what the problem may be.•tThey can blow up and try to hurt the other person. This causes the death of friendships, marriages, homes, and businesses.•tOr they can talk to one another about their feelings, being very careful not to attack the dignity and worth of the other person. This approach often leads to permanent and healthy relationships.

James C. Dobson

Your mind is the canvas upon which you are the artist. What will you paint on your canvas today? Will you draw a stick figure or create a masterpiece...?

James A. Murphy

He sank back into his black-and-white world, his immobile world of inanimate drawings that had been granted the secret of motion, his death-world with its hidden gift of life. But that life was a deeply ambiguous life, a conjurer's trick, a crafty illusion based on an accidental property of the retina, which retained an image for a fraction of a second after the image was no longer present. On this frail fact was erected the entire structure of the cinema, that colossal confidence game. The animated cartoon was a far more honest expression of the cinematic illusion than the so-called realistic film, because the cartoon reveled in its own illusory nature, exulted in the impossible--indeed it claimed the impossible as its own, exalted it as its own highest end, found in impossibility, in the negation of the actual, its profoundest reason for being. The animated cartoon was nothing but the poetry of the impossible--therein lay its exhilaration and its secret melancholy. For this willful violation of the actual, while it was an intoxicating release from the constriction of things, was at the same time nothing but a delusion, an attempt to outwit mortality. As such it was doomed to failure. And yet it was desperately important to smash through the constriction of the actual, to unhinge the universe and let the impossible stream in, because otherwise--well, otherwise the world was nothing but an editorial cartoon.

Steven Millhauser

When we step onto the bridge, Nathan turns and spreads his arms out wide. ‘Welcome to Pont des Arts, a.k.a. The Lock Bridge.

The boy took my sketchbook.

I head in the direction of the Eiffel Tower when I exit the alley, relieved to be out of the dark.

He smirks, shaking his head and letting his eyes wander. I watch him carefully, wondering what I can say to get him to leave. “I’m not leaving until you answer some questions. Plus, I’m holding your sketchbook hostage, so you might want to cooperate.” I raise an eyebrow at him. I guess there isn’t much I can say. “This isn’t a hostage negotiation.” He chuckles half-heartedly as his eyes take me in, almost sizing me up. “I guess I should introduce myself.” He holds a hand out for me to shake. “I’m Nathan.” I stare at his hand for a moment. “Taylor,” I reply, meeting his eyes again without taking his hand. He lets his hand fall back to his side. “At least I got you to say something non-hostile.” “I haven’t been hostile,” I object. His eyebrows shoot up. “Oh, haven’t you?” “Why don’t you leave me alone?” I snap. “Leave and don’t come back.” I move passed him, heading for my apartment. He can’t follow and annoy me if I lock the door. “Where are you going?” he demands. I look back over my shoulder and roll my eyes at him, indicating the answer should be obvious: anywhere he isn’t. Once inside, I slam the door behind me. “That was totally not hostile!” he calls after me, sarcastically. I quickly head for my bedroom door, slamming it, too.

I grab the nearest lamppost when my knees threaten to give out, panting for breath as the words rip through me

One of his hands move away from my face to flatten against my back, pulling me closer to him as he deepens the kiss. He parts my lips under his as my mind seems to sign quietly in content. I kiss him back as fiercely as he kisses me, unable to control the infatuation that rushes through me - feeling almost like fireworks. Not so careful anymore.Little shivers of urgency shoot through me. I push off the window, pressing closer to him. The rush of sensation that is coursing through me feels like I've drunk a gallon of coffee. It feels like an electric buzz is flooding between us.

He drinks his coffee tentatively, glancing at me every few seconds, watching me. Every time he glances in my direction, I quickly turn away though he obviously knows I'm watching him. I know he's wondering why I'm staring at him, but he doesn't ask.I finally take a sip of coffee, set the mug back on the table, and voice what's on my mind, "I want to draw you.

A tie is what you get after ice cubes have wrestled with hot water.

Mokokoma Mokhonoana