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Image of the quote is loading... SaveSave She collapsed. I stepped forward and caught her. I thought of two trees nearly unrooted and leaning against each other. - Quote by Peter Heller

She collapsed. I stepped forward and caught her. I thought of two trees nearly unrooted and leaning against each other.

Peter Heller
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Rock rock. Back and forth. Lull. Push. Release. Swing back. The stars, the leaves, even the sound of the creek throbbing back and forth. Of a boat. Of a hammock. Of a child's swing. Of a womb. Back and forth. Rock rock. Smell of cold current, of stone, manure, blossom. Sleep.
Peter Heller
He's a cocky SOB. He knew the Nick Adams Stories. Probably a frustrated English major who graduated from college qualified to drive a cab.
Peter Heller
Happiness was not a word that seemed to apply anymore, when she had lost so many close to her. There was a contentment that felt deeper, that acknowledged and accepted the quieter offerings of small joys-- of love and occasional peace in a life that was full of pain.
Peter Heller
Missing what most of the time? The babbling faceless agora, the fame, the parties, the pop of flash bulbs? The lovers, the gaiety, the champagne? The solitude carved out of celebrity, poring over charts by a single lamp on a wide desk in a venerable hotel? Room service, coffee before dawn? The company of one friend, two? The choice: All of it or not? Some or none? Now, not now, maybe later?
Peter Heller
The reason people are so moved by art and why artists tend to take it all so seriously is that if they are real and true they come to the painting with everything they know and feel and live, and all the things they don't know, and some of the things they hope, and they are honest about them all and put them on the canvas. What can be more serious?
Peter Heller
Nobody, not even artists, understood art. What speed has to do with it. How much work it takes, year after year, building the skills, the trust in the process, more work probably than any Olympic athlete ever puts in because it is twenty-four hours a day, even in dreams, and then when the skills and the trust are in place, the best work usually takes the least effort. Usually, it comes fast, it comes without thought, it comes like a horse running you over at night. But. Even if people understand this, they don't understand that sometimes it is not like that at all. Because the process has always been: craft, years and years; then faith; then letting go. But now, sometimes the best work is agony. Pieces put together, torn apart, rebuilt. Doubt in everything that has been learned, terrible crisis of faith, the faith that allowed it all to work. Oh God. And even then, through this, if you survive the halting pace and the fever, sometimes you make the best work you have ever made. That is the part none of us understand.
Peter Heller
Maybe freedom really is nothing left to lose. You had it once in childhood, when it was okay to climb a tree, to paint a crazy picture and wipe out on your bike, to get hurt. The spirit of risk gradually takes its leave. It follows the wild cries of joy and pain down the wind, through the hedgerow, growing ever fainter. What was that sound? A dog barking far off? That was our life calling to us, the one that was vigorous and undefended and curious.
Peter Heller
Still, some nights I grieved. I grieved as much at what I knew must be the fleeting nature of my present happiness as any loss, any past. We lived on some edge, if we ever lived on a rolling plain. Who knew what attack, what illness. That doubleness again. Like flying: the stillness and speed, serenity and danger.
Peter Heller
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