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Image of the quote is loading... SaveSave Language is rich, and malleable. It is a living, vibrant material, and every part of a poem works in conjunction with every other part - the content, the place, the diction, the rhythm, the tone-as well as the very sliding, floating, thumping, rapping sounds of it. - Quote by Mary Oliver

Language is rich, and malleable. It is a living, vibrant material, and every part of a poem works in conjunction with every other part – the content, the place, the diction, the rhythm, the tone-as well as the very sliding, floating, thumping, rapping sounds of it.

Mary Oliver
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Why should I have been surprised?Hunters walk the forestwithout a sound.The hunter, strapped to his rifle,the fox on his feet of silk,the serpent on his empire of muscles—all move in a stillness,hungry, careful, intent.Just as the cancerentered the forest of my body,without a sound.
Mary Oliver
Sometimes breaking the rules is just extending the rules
Mary Oliver
All night my heart makes its wayhowever it can over the rough groundof uncertainties, but only until nightmeets and then is overwhelmed bymorning, the light deepening, thewind easing and just waiting, as Itoo wait (and when have I ever beendisappointed?) for redbird to sing
Mary Oliver
This is what I have. The dull hangover of waiting, the blush of my heart on the damp grass,the flower-faced moon. A gull broods on the shore where a moment ago there were two. Softly my right hand fondles my left hand as though it were you.
Mary Oliver
When it’s over, I want to say: all my lifeI was a bride married to amazement.I was a bridegroom, taking the world into my arms.When it’s over, I don’t want to wonderif I have made of my life something particular, and real.I don’t want to find myself sighing and frightenedor full of argument.I don’t want to end up simply having visited this world.
Mary Oliver
This morning the green fists of the peonies are getting readyto break my heartas the sun rises, as the sun strokes them with his old, buttery fingersand they open —pools of lace, white and pink —and all day the black ants climb over them,boring their deep and mysterious holesinto the curls, craving the sweet sap, taking it awayto their dark, underground cities —and all dayunder the shifty wind, as in a dance to the great wedding,the flowers bend their bright bodies, and tip their fragrance to the air, and rise, their red stems holdingall that dampness and recklessness gladly and lightly, and there it is again — beauty the brave, the exemplary,blazing open. Do you love this world? Do you cherish your humble and silky life? Do you adore the green grass, with its terror beneath?Do you also hurry, half-dressed and barefoot, into the garden, and softly, and exclaiming of their dearness, fill your arms with the white and pink flowers,with their honeyed heaviness, their lush trembling, their eagernessto be wild and perfect for a moment, before they arenothing, forever?
Mary Oliver
Winter walks up and down the town swinging his censer, but no smoke or sweetness comes from it, only the sour, metallic frankness of salt and snow.
Mary Oliver
The sea can do craziness, it can do smooth, it can lie down like silk breathing or toss havoc shoreward; it can give gifts or withhold all; it can rise, ebb, froth like an incoming frenzy of fountains, or it can sweet-talk entirely. As I can too, and so, no doubt, can you, and you.
Mary Oliver
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