Mary Oliver Quotes

Why should I have been surprised?Hunters walk the forestwithout a sound.The hunter, strapped to his rifle,the fox on his feet of silk,the serpent on his empire of muscles—all move in a stillness,hungry, careful, intent.Just as the cancerentered the forest of my body,without a sound.
Mary Oliver
Sometimes breaking the rules is just extending the rules
Mary Oliver
All night my heart makes its wayhowever it can over the rough groundof uncertainties, but only until nightmeets and then is overwhelmed bymorning, the light deepening, thewind easing and just waiting, as Itoo wait (and when have I ever beendisappointed?) for redbird to sing
Mary Oliver
This is what I have. The dull hangover of waiting, the blush of my heart on the damp grass,the flower-faced moon. A gull broods on the shore where a moment ago there were two. Softly my right hand fondles my left hand as though it were you.
Mary Oliver
When it’s over, I want to say: all my lifeI was a bride married to amazement.I was a bridegroom, taking the world into my arms.When it’s over, I don’t want to wonderif I have made of my life something particular, and real.I don’t want to find myself sighing and frightenedor full of argument.I don’t want to end up simply having visited this world.
Mary Oliver
This morning the green fists of the peonies are getting readyto break my heartas the sun rises, as the sun strokes them with his old, buttery fingersand they open —pools of lace, white and pink —and all day the black ants climb over them,boring their deep and mysterious holesinto the curls, craving the sweet sap, taking it awayto their dark, underground cities —and all dayunder the shifty wind, as in a dance to the great wedding,the flowers bend their bright bodies, and tip their fragrance to the air, and rise, their red stems holdingall that dampness and recklessness gladly and lightly, and there it is again — beauty the brave, the exemplary,blazing open. Do you love this world? Do you cherish your humble and silky life? Do you adore the green grass, with its terror beneath?Do you also hurry, half-dressed and barefoot, into the garden, and softly, and exclaiming of their dearness, fill your arms with the white and pink flowers,with their honeyed heaviness, their lush trembling, their eagernessto be wild and perfect for a moment, before they arenothing, forever?
Mary Oliver
Winter walks up and down the town swinging his censer, but no smoke or sweetness comes from it, only the sour, metallic frankness of salt and snow.
Mary Oliver
The sea can do craziness, it can do smooth, it can lie down like silk breathing or toss havoc shoreward; it can give gifts or withhold all; it can rise, ebb, froth like an incoming frenzy of fountains, or it can sweet-talk entirely. As I can too, and so, no doubt, can you, and you.
Mary Oliver
Do you think the wren ever dreams of a better house?
Mary Oliver
Come with me into the woods where spring isadvancing, as it does, no matter what,not being singular or particular, but oneof the forever gifts, and certainly visible.
Mary Oliver
The Pond"August of another summer, and once again I am drinking the sunand the lilies again are spread across the water. I know now what they want is to touch each other. I have not been here for many yearsduring which time I kept living my life. Like the heron, who can only croak, who wishes he could sing, I wish I could sing. A little thanks from every throat would be appropriate. This is how it has been, and this is how it is: All my life I have been able to feel happiness, except whatever was not happiness, which I also remember. Each of us wears a shadow. But just now it is summer againand I am watching the lilies bow to each other, then slide on the wind and the tug of desire, close, close to one another, Soon now, I'll turn and start for home. And who knows, maybe I'll be singing.
Mary Oliver
The man who has many answersis often foundin the theaters of informationwhere he offers, graciously,his deep findings.While the man who has only questions,to comfort himself, makes music.
Mary Oliver
Because of the dog's joyfulness, our own is increased. It is no small gift. It is not the least reason why we should honor as well as love the dog of our own life, and the dog down the street, and all the dogs not yet born. What would the world be like without music or rivers or the green and tender grass? What would this world be like without dogs?
Mary Oliver
And it is exceedingly short, his galloping life. Dogs die so soon. I have my stories of that grief, no doubt many of you do also. It is almost a failure of will, a failure of love, to let them grow old—or so it feels. We would do anything to keep them with us, and to keep them young. The one gift we cannot give.
Mary Oliver
It does no good to bark at the television,I said. I’ve tried it too. So he stopped.
Mary Oliver
LITTLE DOGS RHAPSODY IN THE NIGHT(PERCY THREE)He puts his cheek against mineand makes small, expressive sounds.And when I'm awake, or awake enoughhe turns upside down, his four pawsin the airand his eyes dark and fervent.Tell me you love me, he says.Tell me again.Could there be a sweeter arrangement?Over and overhe gets to ask it.I get to tell.
Mary Oliver
I have a little dog who likes to nap with me.He climbs on my body and puts his face in my neck.He is sweeter than soap.He is more wonderful than a diamond necklace,which can't even bark...
Mary Oliver
Love, love, love, says Percy.And hurry as fast as you canalong the shining beach, or the rubble, or the dust.Then, go to sleep.Give up your body heat, your beating heart.Then, trust.
Mary Oliver
MYSTERIES, YES Truly, we live with mysteries too marvelous to be understood. How grass can be nourishing in the mouths of the lambs. How rivers and stones are forever in allegiance with gravity while we ourselves dream of rising. How two hands touch and the bonds will never be broken. How people come, from delight or the scars of damage, to the comfort of a poem. Let me keep my distance, always, from those who think they have the answers. Let me keep company always with those who say "Look!" and laugh in astonishment, and bow their heads.
Mary Oliver
Look, hasn't my body already felt like the body of a flower?
Mary Oliver
But very little of it can do morethan start you on your way to the real, unimaginablydifficult goal of writing memorably. That work is doneslowly and in solitude, and it is as improbable as carryingwater in a sieve.
Mary Oliver
Athletes take care of their bodies. Writers must similarly take care of the sensibility that houses the possibility of poems. There is nourishment in books, other art, history, philosophies—in holiness and in mirth. It is in honest hands-on labor also; I don't mean to indicatea preference for the scholarly life. And it is in the green world—among people, and animals, and trees for that matter, if one genuinely cares about trees.
Mary Oliver
EVERY DOG’S STORYI have a bed, my very own.It’s just my size.And sometimes I like to sleep alonewith dreams inside my eyes.But sometimes dreams are dark and wild and creepyand I wake and am afraid, though I don’t know why.But I’m no longer sleepyand too slowly the hours go by.So I climb on the bed where the light of the moonis shining on your faceand I know it will be morning soon.Everybody needs a safe place.
Mary Oliver
Be prepared. A dog is adorable and noble.A dog is a true and loving friend. A dogis also a hedonist.
Mary Oliver
But I want to extol not the sweetness nor the placidity of the dog, but the wilderness out of which he cannot step entirely, and from which we benefit. For wilderness is our first home too, and in our wild ride into modernity with all its concerns and problems we need also all the good attachments to that origin that we can keep or restore. Dog is one of the messengers of that rich and still magical first world. The dog would remind us of the pleasures of the body with its graceful physicality, and the acuity and rapture of the senses, and the beauty of forest and ocean and rain and our own breath. There is not a dog that romps and runs but we learn from him.The other dog—the one that all its life walks leashed and obedient down the sidewalk—is what a chair is to a tree. It is a possession only, the ornament of a human life. Such dogs can remind us of nothing large or noble or mysterious or lost. They cannot make us sweeter or more kind.Only unleashed dogs can do that. They are a kind of poetry themselves when they are devoted not only to us but to the wet night, to the moon and the rabbit-smell in the grass and their own bodies leaping forward.
Mary Oliver
To interrupt the writer from the line of thought is to wake the dreamer from the dream. The dreamer cannot enter that dream, precisely as it was unfolding, ever again.
Mary Oliver
It's not a competition, it's a doorway.
Mary Oliver
I would like people to remember of me, howinexhaustible was her mindfulness.
Mary Oliver
I mean, by such flightiness, something that feels unsatisfied at the center of my life — that makes me shaky, fickle, inquisitive, and hungry. I could call it a longing for home and not be far wrong. Or I could call it a longing for whatever supersedes, if it cannot pass through, understanding. Other words that come to mind: faith, grace, rest. In my outward appearance and life habits I hardly change — there’s never been a day that my friends haven’t been able to say, and at a distance, “There’s Oliver, still standing around in the weeds. There she is, still scribbling in her notebook.” But, at the center: I am shaking; I am flashing like tinsel. Restless. I read about ideas. Yet I let them remain ideas. I read about the poet who threw his books away, the better to come to a spiritual completion. Yet I keep my books. I flutter; I am attentive, maybe I even rise a little, balancing; then I fall back.
Mary Oliver
Listen, whatever you see and love—that’s where you are.
Mary Oliver
Language is rich, and malleable. It is a living, vibrant material, and every part of a poem works in conjunction with every other part - the content, the place, the diction, the rhythm, the tone-as well as the very sliding, floating, thumping, rapping sounds of it.
Mary Oliver
I learned from Whitman that the poem is a temple--or a green field--a place to enter, and in which to feel.
Mary Oliver
DAISIESIt is possible, I suppose that sometimewe will learn everythingthere is to learn: what the world is, for example,and what it means. I think this as I am crossingfrom one field to another, in summer, and themockingbird is mocking me, as one who eitherknows enough already or knows enough to beperfectly content not knowing. Song being bornof quest he knows this: he must turn silentwere he suddenly assaulted with answers. Insteadoh hear his wild, caustic, tender warbling ceaselesslyunanswered. At my feet the white-petalled daisies displaythe small suns of their center piece, their -- if you don'tmind my saying so -- their hearts. Of courseI could be wrong, perhaps their hearts are pale andnarrow and hidden in the roots. What do I know?But this: it is heaven itself to take what is given,to see what is plain; what the sun lights up willingly;for example -- I think thisas I reach down, not to pick but merely to touch --the suitability of the field for the daisies, and thedaisies for the field.
Mary Oliver
After a cruel childhood, one must reinvent oneself. Then reimagine the world.
Mary Oliver
It's very important to write things down instantly, or you can lose the way you were thinking out a line. I have a rule that if I wake up at 3 in the morning and think of something, I write it down. I can't wait until morning -- it'll be
Mary Oliver
Of course! the path to heavendoesn't lie down in flat miles.It's in the imaginationwith which you perceive this world,and the gestureswith which you honor it.-from The Swan
Mary Oliver
Imagination is better than a sharp instrument. To pay attention, this is our endless and proper work.
Mary Oliver
I believe you did not have a happy life.I believe you were cheated.I believe your best friends were loneliness and misery.I believe your busiest enemies were anger and depression.I believe joy was a game you could never play without stumbling.I believe comfort, though you craved it, was forever a stranger.I believe music had to be melancholy or not at all.I believe no trinket, no precious metal, shone so bright as your bitterness.I believe you lay down at last in your coffin none the wiser and unassuaged.Oh, cold and dreamless under the wild, amoral, reckless, peaceful flowers of the hillsides.
Mary Oliver
No, I mean really listen. Here's a story, and you don't have to visit manyhouses to find it. One person is talking,the other one is not really listening.someone can look like they are but they'reactually thinking about something they want to say, or their minds are justwandering. Or they're looking at thatlittle box people hold in their hands thesedays. And people get discouraged, so theyquit trying. And the very quiet people,you may have noticed, are often the sadpeople.
Mary Oliver
I want to write something so simply about love or about pain that even as you are reading you feel it and as you read you keep feeling it and though it be my story it will be common, though it be singular it will be known to you so that by the end you will think—no, you will realize—that it was all the while yourself arranging the words, that it was all the time words that you yourself, out of your heart had been saying.
Mary Oliver
You are young. So you know everything. You leap into the boat and begin rowing. But, listen to me. Without fanfare, without embarrassment, without doubt,I talk directly to your soul. Listen to me.
Mary Oliver
Oh Lord of melons, of mercy, though I am not ready, nor worthy, I am climbing towards you.
Mary Oliver
The Fourth Sign of The Zodiac (Part 3) by Mary OliverI know, you never intended to be in this world.But you’re in it all the same.So why not get started immediately.I mean, belonging to it.There is so much to admire, to weep over.And to write music or poems about.Bless the feet that take you to and fro.Bless the eyes and the listening ears.Bless the tongue, the marvel of taste.Bless touching.You could live a hundred years, it’s happened.Or not.I am speaking from the fortunate platformof many years,none of which, I think, I ever wasted.Do you need a prod?Do you need a little darkness to get you going?Let me be as urgent as a knife, then,and remind you of Keats,so single of purpose and thinking, for a while,he had a lifetime.Mary oliver
Mary Oliver
That timeI thought I could notgo any closer to griefwithout dyingI went closer,and I did not die.Surely Godhad his hand in this,as well as friends.Still, I was bent,and my laughter,as the poet said,was nowhere to be found.Then said my friend Daniel,(brave even among lions),“It’s not the weight you carrybut how you carry it -books, bricks, grief -it’s all in the wayyou embrace it, balance it, carry itwhen you cannot, and would not,put it down.”So I went practicing.Have you noticed?Have you heardthe laughterthat comes, now and again,out of my startled mouth?How I lingerto admire, admire, admirethe things of this worldthat are kind, and maybealso troubled -roses in the wind,the sea geese on the steep waves,a loveto which there is no reply?
Mary Oliver
And now you'll be telling storiesof my coming backand they won't be false, and they won't be truebut they'll be real
Mary Oliver
A carpenter is hired- a roof repaired, a porch built. Everything that can be fixed. June, July, August. Everyday we hear their laughter. I think of the painting by van Gogh, the man in the chair. Everything wrong, and nowhere to go. His hands over his eyes.
Mary Oliver
Wild GeeseYou do not have to be good.You do not have to walk on your kneesfor a hundred miles through the desert, repenting.You only have to let the soft animal of your body love what it loves.Tell me about despair, yours, and I will tell you mine.Meanwhile the world goes on.Meanwhile the sun and the clear pebbles of the rainare moving across the landscapes,over the prairies and the deep trees,the mountains and the rivers.Meanwhile the wild geese, high in the clean blue air,are heading home again.Whoever you are, no matter how lonely,the world offers itself to your imagination,calls to you like the wild geese, harsh and exciting –over and over announcing your placein the family of things.
Mary Oliver
You do not have to be good.You do not have to walk on your kneesfor a hundred miles through the desert, repenting.You only have to let the soft animal of your body love what it loves.
Mary Oliver
I could not be a poet without the natural world. Someone else could. But not me. For me the door to the woods is the door to the temple.
Mary Oliver
I stood like Adam in his lonely gardenOn that first morning, shaken out of sleep,Rubbing his eyes, listening, parting the leaves,Like tissue on some vast, incredible gift.
Mary Oliver
Every springI hear the thrush singingin the glowing woodshe is only passing through.His voice is deep,then he lifts it until it seemsto fall from the sky.I am thrilled.I am grateful.Then, by the end of morning,he's gone, nothing but silenceout of the treewhere he rested for a night.And this I find acceptable.Not enough is a poor life.But too much is, well, too much.Imagine Verdi or Mahlerevery day, all day.It would exhaust anyone.
Mary Oliver
Intellectual work sometimes, spiritual work certainly, artistic work always — these are forces that fall within its grasp, forces that must travel beyond the realm of the hour and the restraint of the habit. Nor can the actual work be well separated from the entire life. Like the knights of the Middle Ages, there is little the creatively inclined person can do but to prepare himself, body and spirit, for the labor to come — for his adventures are all unknown. In truth, the work itself is the adventure. And no artist could go about this work, or would want to, with less than extraordinary energy and concentration. The extraordinary is what art is about.
Mary Oliver
There are things you can’t reach. ButYou can reach out to them, and all day long.The wind, the bird flying away. The idea of god.And it can keep you busy as anything else, and happier.I look; morning to night I am never done with looking.Looking I mean not just standing around, but standing aroundAs though with your arms open.
Mary Oliver
How perfect to be aboard a ship withmaybe a hundred years still in my pocket.But it's late, for all of us,and in truth the only ship there isis the ship we are all onburning the world as we go.
Mary Oliver
Things take the time they take.Don't worry.How many roads did St. Augustine follow before he became St. Augustine?
Mary Oliver
Instructions for living a life. Pay attention. Be astonished. Tell about it.
Mary Oliver
I read the way a person might swim, to save his or her life. I wrote that way too.
Mary Oliver
How heron comesIt is a negligence of the mindnot to notice how at duskheron comes to the pond andstands there in his death robes, perfectservant of the system, hungry, his eyesfull of attention, his wingspure light
Mary Oliver
Tom Dancer’s gift of a whitebark pine coneYou never knowtWhat opportunityttIs going to travel to you,tttOr through you.Once a friend gave metA small pine cone-ttOne of a fewtttHe found in the scatOf a grizzlytIn Utah maybe,ttOr Wyoming.tttI took it homeAnd did what I supposedtHe was sure I would do-ttI ate it,tt ThinkingHow it had traveled tThrough that roughttAnd holy body.tttIt was crisp and sweet.It was almost a prayertWithout words.ttMy gratitude, Tom Dancer, tttFor this gift of the worldtttI adore so muchttt And want to belong to.ttttAnd thank you too, great bear
Mary Oliver
The poet dreams of the mountainSometimes I grow weary of the days, with all their fits and starts.I want to climb some old gray mountains, slowly, takingThe rest of my lifetime to do it, resting often, sleepingUnder the pines or, above them, on the unclothed rocks.I want to see how many stars are still in the skyThat we have smothered for years now, a century at least.I want to look back at everything, forgiving it all,And peaceful, knowing the last thing there is to know.All that urgency! Not what the earth is about!How silent the trees, their poetry being of themselves only.I want to take slow steps, and think appropriate thoughts.In ten thousand years, maybe, a piece of the mountain will fall.
Mary Oliver