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Murderer!” he said suddenly in a quiet but clear and distinct voice.Raskolnikov went on walking beside him. His legs felt suddenly weak, a cold shiver ran down his spine, and his heart seemed to stand still for a moment, then suddenly began throbbing as though it were set free. So they walked for about a hundred paces, side by side in silence. The man did not look at him.”What do you mean… what is… Who is a murderer?” muttered Raskolnikov hardly audibly.”You are a murderer,” the man answered still more articulately and emphatically, with a smile of triumphant hatred, and again he looked straight into Raskolnikov’s pale face and stricken eyes.

Fyodor Dostoyevsky
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One of the characters in our story, Gavril Ardalionovitch Ivolgin, belonged to the other category; he belonged to the category of "much cleverer" people; though head to toe he was infected with the desire to be original. But this class of person, as we have observed above, is far less happy than the first. The difficulty is that the intelligent "ordinary" man, even if he does imagine himself at times (and perhaps all his life) a person of genius and originality, nevertheless retains within his heart a little worm of doubt, which sometimes leads the intelligent man in the end to absolute despair. If he does yield in this belief, he is still completely poisoned with inward-driven vanity.
Fyodor Dostoyevsky
Fathers, provoke not your children to wrath.
Fyodor Dostoyevsky
Oh, tell me, who first declared, who first proclaimed that man only does nasty things because he does not know his own real interests; and that if he were enlightened, if his eyes were opened to his real normal interests, man would at once cease to do nasty things, would at once become good and noble because, being enlightened and understanding his real advantage, he would see his own advantage in the good and nothing else… . Oh, the babe! Oh, the pure, innocent child!
Fyodor Dostoyevsky
But here I should imagine the most terrible part of the whole punishment is, not the bodily pain at all—but the certain knowledge that in an hour, then in ten minutes, then in half a minute, then now—this very instant—your soul must quit your body and that you will no longer be a man—and that this is certain, certain!
Fyodor Dostoyevsky
Crime? What crime? ... My killing a loathsome, harmful louse, a filthy old moneylender woman ... and you call that a crime?
Fyodor Dostoyevsky
I am leaving now; but know, Katerina Ivanovna, that you indeed love only him. And the more he insults you, the more you love him. That is your strain. You precisely love him as he is, you love him insulting you. If he reformed, you would drop him at once and stop loving him altogether. But you need him in order to continually contemplate your high deed of faithfulness, and to reproach him for his unfaithfulness. And it all comes from your pride. Oh, there is much humility and humiliation in it, but all of it comes from pride.
Fyodor Dostoyevsky
You will say that that was in the comparatively barbarous times; that these are barbarous times too, because also, comparatively speaking, pins are stuck in even now; that though man has now learned to see more clearly than in barbarous ages, he is still far from having learnt to act as reason and science would dictate.
Fyodor Dostoyevsky
There are some people about whom it is difficult to say anything which would describe them immediately and fully in their most typical and characteristic aspects; these are the people who are usually called "ordinary" and accounted as "the majority," and who actually do make up the great majority of society. In their novels and stories writers most often try to choose and present vividly and artistically social types which are extremely seldom encountered in real life, and which are nevertheless more real than real life itself. Podkolyosin, viewed as a type, in perhaps exaggerated, but he is hardly unknown. How many clever people having learned from Gogol about Podkolyosin at once discover that great numbers of their friends bear a terrific resemblance to Podkolyosin. They knew before Gogol that their friends were like Podkolyosin, except they did not know yet that that was their name...Nevertheless the question remains before us: what is the novelist to do with the absolutely "ordinary" people, and how can he present them to readers so that they are at all interesting? To leave them out of a story completely is not possible, because ordinary people are at every moment, by and large, the necessary links in the chain of human affairs; leaving them out, therefore, means to destroy credibility. To fill a novel entirely with types or, simply for the sake of interest, strange and unheard-of people, would be improbable and most likely not even interesting. In our opinion the writer must try to find interesting and informative touches even among commonplace people. When, for example, the very nature of certain ordinary persons consists precisely of their perpetual and unvarying ordinariness, or, better still, when in spite of their most strenuous efforts to life themselves out of the rut of ordinariness and routine, then such persons acquire a certain character of their own-the typical character of mediocrity which refuses to remain what it is and desires at all costs to become original and independent, without having the slightest capacity for independence.
Fyodor Dostoyevsky
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