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November 11, 1821
Russian
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Author
November 11, 1821
One of the characters in our story, Gavril Ardalionovitch Ivolgin, belonged to the other category; he belonged to the category of "much cleverer" people; though head to toe he was infected with the desire to be original. But this class of person, as we have observed above, is far less happy than the first. The difficulty is that the intelligent "ordinary" man, even if he does imagine himself at times (and perhaps all his life) a person of genius and originality, nevertheless retains within his heart a little worm of doubt, which sometimes leads the intelligent man in the end to absolute despair. If he does yield in this belief, he is still completely poisoned with inward-driven vanity.
Fyodor Dostoyevsky
Fathers, provoke not your children to wrath.
Fyodor Dostoyevsky
Oh, tell me, who first declared, who first proclaimed that man only does nasty things because he does not know his own real interests; and that if he were enlightened, if his eyes were opened to his real normal interests, man would at once cease to do nasty things, would at once become good and noble because, being enlightened and understanding his real advantage, he would see his own advantage in the good and nothing else… . Oh, the babe! Oh, the pure, innocent child!
Fyodor Dostoyevsky
But here I should imagine the most terrible part of the whole punishment is, not the bodily pain at all—but the certain knowledge that in an hour, then in ten minutes, then in half a minute, then now—this very instant—your soul must quit your body and that you will no longer be a man—and that this is certain, certain!
Fyodor Dostoyevsky
But how did I murder her? Is that how men do murders? Do men go to commit a murder as I went then? I will tell you some day how I went! Did I murder the old woman? I murdered myself, not her! I crushed myself once for all, for ever.… But it was the devil that killed that old woman, not I. Enough, enough, Sonia, enough! Let me be!
Fyodor Dostoyevsky
Hush, Sonia! I am not laughing. I know myself that it was the devil leading me. Hush, Sonia, hush!” he repeated with gloomy insistence. “I know it all, I have thought it all over and over and whispered it all over to myself, lying there in the dark.… I've argued it all over with myself, every point of it, and I know it all, all! And how sick, how sick I was then of going over it all! I kept wanting to forget it and make a new beginning, Sonia, and leave off thinking. And you don’t suppose that I went into it headlong like a fool? I went into it like a wise man, and that was just my destruction. And you mustn't suppose that I didn't know, for instance, that if I began to question myself whether I had the right to gain power—I certainly hadn't the right—or that if I asked myself whether a human being is a louse it proved that it wasn't so for me, though it might be for a man who would go straight to his goal without asking questions.… If I worried myself all those days, wondering whether Napoleon would have done it or not, I felt clearly of course that I wasn't Napoleon. I had to endure all the agony of that battle of ideas, Sonia, and I longed to throw it off: I wanted to murder without casuistry, to murder for my own sake, for myself alone! I didn't want to lie about it even to myself. It wasn't to help my mother I did the murder—that’s nonsense—I didn't do the murder to gain wealth and power and to become a benefactor of mankind. Nonsense! I simply did it; I did the murder for myself, for myself alone, and whether I became a benefactor to others, or spent my life like a spider, catching men in my web and sucking the life out of men, I couldn't have cared at that moment.… And it was not the money I wanted, Sonia, when I did it. It was not so much the money I wanted, but something else.… I know it all now.… Understand me! Perhaps I should never have committed a murder again. I wanted to find out something else; it was something else led me on. I wanted to find out then and quickly whether I was a louse like everybody else or a man. Whether I can step over barriers or not, whether I dare stoop to pick up or not, whether I am a trembling creature or whether I have the right …”t “To kill? Have the right to kill?” Sonia clasped her hands. “Ach, Sonia!” he cried irritably and seemed about to make some retort, but was contemptuously silent. “Don’t interrupt me, Sonia. I want to prove one thing only, that the devil led me on then and he has shown me since that I had not the right to take that path, because I am just such a louse as all the rest. He was mocking me and here I've come to you now! Welcome your guest! If I were not a louse, should I have come to you? Listen: when I went then to the old woman’s I only went to try. … You may be sure of that!” “And you murdered her!” “But how did I murder her? Is that how men do murders? Do men go to commit a murder as I went then? I will tell you some day how I went! Did I murder the old woman? I murdered myself, not her! I crushed myself once for all, for ever.… But it was the devil that killed that old woman, not I. Enough, enough, Sonia, enough! Let me be!” he cried in a sudden spasm of agony, “let me be!
Fyodor Dostoyevsky
Crime? What crime? ... My killing a loathsome, harmful louse, a filthy old moneylender woman ... and you call that a crime?
Fyodor Dostoyevsky
I am leaving now; but know, Katerina Ivanovna, that you indeed love only him. And the more he insults you, the more you love him. That is your strain. You precisely love him as he is, you love him insulting you. If he reformed, you would drop him at once and stop loving him altogether. But you need him in order to continually contemplate your high deed of faithfulness, and to reproach him for his unfaithfulness. And it all comes from your pride. Oh, there is much humility and humiliation in it, but all of it comes from pride.
Fyodor Dostoyevsky
Lunatics! Vain creatures! They don't believe in God, they don't believe in Christ! Why, you are so eaten up with pride and vanity that you'll end up by eating one another, that's what I prophesy.
Fyodor Dostoyevsky
But men love abstract reasoning and neat systematization so much that they think nothing of distorting the truth, closing their eyes and ears to contrary evidence to preserve their logical constructions.
Fyodor Dostoyevsky
You will say that that was in the comparatively barbarous times; that these are barbarous times too, because also, comparatively speaking, pins are stuck in even now; that though man has now learned to see more clearly than in barbarous ages, he is still far from having learnt to act as reason and science would dictate.
Fyodor Dostoyevsky
So against the grain I serve to produce events and do what’s irrational because I am commanded to. For all their indisputable intelligence, men take this farce as something serious, and that is their tragedy. They suffer, of course… but then they live, they live a real life, not a fantastic one, for suffering is life. Without suffering what would be the pleasure of it?
Fyodor Dostoyevsky
Break what must be broken, once for all, that's all, and take the suffering on oneself.
Fyodor Dostoyevsky
Pain and suffering are always inevitable for a large intelligence and a deep heart.
Fyodor Dostoyevsky
There are some people about whom it is difficult to say anything which would describe them immediately and fully in their most typical and characteristic aspects; these are the people who are usually called "ordinary" and accounted as "the majority," and who actually do make up the great majority of society. In their novels and stories writers most often try to choose and present vividly and artistically social types which are extremely seldom encountered in real life, and which are nevertheless more real than real life itself. Podkolyosin, viewed as a type, in perhaps exaggerated, but he is hardly unknown. How many clever people having learned from Gogol about Podkolyosin at once discover that great numbers of their friends bear a terrific resemblance to Podkolyosin. They knew before Gogol that their friends were like Podkolyosin, except they did not know yet that that was their name...Nevertheless the question remains before us: what is the novelist to do with the absolutely "ordinary" people, and how can he present them to readers so that they are at all interesting? To leave them out of a story completely is not possible, because ordinary people are at every moment, by and large, the necessary links in the chain of human affairs; leaving them out, therefore, means to destroy credibility. To fill a novel entirely with types or, simply for the sake of interest, strange and unheard-of people, would be improbable and most likely not even interesting. In our opinion the writer must try to find interesting and informative touches even among commonplace people. When, for example, the very nature of certain ordinary persons consists precisely of their perpetual and unvarying ordinariness, or, better still, when in spite of their most strenuous efforts to life themselves out of the rut of ordinariness and routine, then such persons acquire a certain character of their own-the typical character of mediocrity which refuses to remain what it is and desires at all costs to become original and independent, without having the slightest capacity for independence.
Fyodor Dostoyevsky
Children can be told anything—anything. I've always been struck by seeing how little grown-up people understand children, how little parents even understand their own children. Nothing should be concealed from children on the pretext that they are little and that it is too early for them to understand. What a miserable and unfortunate idea! And how readily the children detect that their fathers consider them too little to understand anything, though they understand everything. Grown-up people do not know that a child can give exceedingly good advice even in the most difficult case.
Fyodor Dostoyevsky
Woe to the man who offends a small child!
Fyodor Dostoyevsky
Feeling my own humiliation in my heart like the sharp prick of a needle.
Fyodor Dostoyevsky
What is most vile and despicable about money is that it even confers talent. And it will do so until the end of the world.
Fyodor Dostoyevsky
Murderer!" he said suddenly in a quiet but clear and distinct voice.Raskolnikov went on walking beside him. His legs felt suddenly weak, a cold shiver ran down his spine, and his heart seemed to stand still for a moment, then suddenly began throbbing as though it were set free. So they walked for about a hundred paces, side by side in silence. The man did not look at him."What do you mean... what is... Who is a murderer?" muttered Raskolnikov hardly audibly."You are a murderer," the man answered still more articulately and emphatically, with a smile of triumphant hatred, and again he looked straight into Raskolnikov’s pale face and stricken eyes.
Fyodor Dostoyevsky
A drunken but exceedingly depressed German clown from Munich entertained the public.
Fyodor Dostoyevsky
My God, a moment of bliss. Why, isn't that enough for a whole lifetime?
Fyodor Dostoyevsky
It's God that's worrying me. That's the only thing that's worrying me. What if He doesn't exist? What if Rakitin's right -that it's an idea made up by men? Then, if He doesn't exist, man is the king of the earth, of the universe. Magnificent! Only how is he going to be good without God? That's the question. I always come back to that. Who is man going to love then? To whom will he be thankful? To whom will he sing the hymn? Rakitin laughs. Rakitin says that one can love humanity instead of God. Well, only an idiot can maintain that. I can't understand it. Life's easy for Rakitin. 'You'd better think about the extension of civic rights, or of keeping down the price of meat. You will show your love for humanity more simply and directly by that, than by philosophy.' I answered him: 'Well, but you, without a God, are more likely to raise the price of meat if it suits you, and make a rouble on every penny.' He lost his temper. But after all, what is goodness? Answer that, Alyosha. Goodness is one thing with me and another with a Chinaman, so it's relative. Or isn't it? Is it not relative? A treacherous question! You won't laugh if I tell you it's kept me awake for two nights. I only wonder now how people can live and think nothing about it. Vanity!
Fyodor Dostoyevsky