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Image of the quote is loading... SaveSave There are many things worth telling that are not quite narrative. And eternity itself possesses no beginning, middle or end. Fossils, arrowheads, castle ruins, empty crosses: from the Parthenon to the Bo Tree to a grown man's or woman's old stuffed bear, what moves us about many objects is not what remains but what has vanished. There comes a time, thanks to rivers, when a few beautiful old teeth are all that remain of the two-hundred-foot spires of life we call trees. There comes a river, whose current is time, that does a similar sculpting in the mind. - Quote by David James Duncan

There are many things worth telling that are not quite narrative. And eternity itself possesses no beginning, middle or end. Fossils, arrowheads, castle ruins, empty crosses: from the Parthenon to the Bo Tree to a grown man’s or woman’s old stuffed bear, what moves us about many objects is not what remains but what has vanished. There comes a time, thanks to rivers, when a few beautiful old teeth are all that remain of the two-hundred-foot spires of life we call trees. There comes a river, whose current is time, that does a similar sculpting in the mind.

David James Duncan
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But what really won me over was his butt. What finally made it impossible for me not to like the man was how right out there on the Adventist basepaths, right in front of eighty or ninety of the kind of pious adult spectators who spent their every Sabbath if not their entire lives trying to forget the existence of things like butts, Beal's buns were trying to light a fire by friction inside his jeans; they were gyrating like a washing machine with its load off balance; they were thrashing against his pants like two big halibut against the bottom of a boat. And the wonderful thing, the amazing thing, was how once his older audience got over the shock of it, they began to look amused at, then fascinated by, and finally downright grateful toward his writhing reminder that yes, buns did exist, and yes, every one of us owned not one but two of the things, and yes, like the God who created them in His Image, they did indeed move in mysterious ways.
David James Duncan
They were no longer standing the way he'd stood them, no longer engaged in the glorious basking that overwhelmed him on the headland. They were leaning toward the light now, craning toward it. He’d been dead wrong about the blitheness. The buttercups now seemed to know — to understand with that purely physical knowledge that all living things possess — that something was wrong. Their craning was like a cry: they were calling out with all the body language they possessed for a life or a place they had no minds with which to remember.
David James Duncan
I'd trapped myself in a script.... But to be scripted at all is to be prepackaged, programmed, pinned to a page. Only the unwritten can truly live a life. So who I was, what I was, had to be unwritten.
David James Duncan
When Peter renounced the world he grew up in and the people he grew up with, I believe it was exactly as heroic as that of a person who, finding himself prone to violent seasickness, renounces yachting. Hell, Pete was hardly ‘in the world’ in the first place. That was just the problem. He knew more about 13th century Sufi Orders and the Ptolemaic Universe than the rivers and hills and sewers and mills in southwestern Washington.
David James Duncan
I gave him everything from my lunches I hate, which is called Charity.
David James Duncan
And so I learned what solitude really was. It was raw material - awesome, malleable,older than men or worlds or water. And it was merciless - for it let a man become precisely what he alone made of himself.
David James Duncan
--I truly and deeply wanted to kill him. And I believe I could have done it, with nothing but my hands. But all of a sudden, out of nowhere, Peter had an arm around me. "Let it go, Kade," he was whispering very gently, though his arm was nearly crushing me. "Open your fists," he said, "and let go of the coals.
David James Duncan
Sometimes a strikeout means that the slugger’s girlfriend just ran off with the UPS driver. Sometimes a muffed ground ball means that the shortstop’s baby daughter has a pain in her head that won’t go away. And handicapping is for amateur golfers, not ballplayers. Pitchers don’t ease off on the cleanup hitter because of the lumps just discovered in his wife’s breast. Baseball is not life. It is a fiction, a metaphor. And a ballplayer is a man who agrees to uphold that metaphor as though lives were at stake. Perhaps they are. I cherish a theory I once heard propounded by G.Q. Durham that professional baseball is inherently antiwar. The most overlooked cause of war, his theory runs, is that it’s so damned interesting. It takes hard effort, skill, love and a little luck to make times of peace consistently interesting. About all it takes to make war interesting is a life. The appeal of trying to kill others without being killed yourself, according to Gale, is that it brings suspense, terror, honor, disgrace, rage, tragedy, treachery and occasionally even heroism within range of guys who, in times of peace, might lead lives of unmitigated blandness. But baseball, he says, is one activity that is able to generate suspense and excitement on a national scale, just like war. And baseball can only be played in peace. Hence G.Q.’s thesis that pro ball-players—little as some of them may want to hear it—are basically just a bunch of unusually well-coordinated guys working hard and artfully to prevent wars, by making peace more interesting.
David James Duncan
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