Quotes by Uruguayan Authors

The walls are the publishers of the poor.
Eduardo Galeano
Disasters are called natural, as if nature were the executioner and not the victim
Eduardo Galeano
Those who make objectivity a religion are liars. they are scared of human pain. They dont want to be objective, it's a lie: they want to be objects, so as not to suffer.
Eduardo Galeano
I wondered whether I had gone insane. If so, I thought, then this is what it feels like; I would never have guessed the world would still appear so sharp and vivid, the streets the same, the clouds the same, nothing different except your mind has come unhinged, its cogs whirling loose and wild and hazardous.
Carolina De Robertis
It was still, at the root, the same dance: the same two bodies, connecting, gliding together, two aching souls reaching for each other and finding more than could be told. And then, in the fourth song, or maybe it was the fifth, they switched roles, without speaking, their bodies deciding, hands moving from waist to shoulder or shoulder to waist and pouring the dance in the opposite direction, which was, they discovered, not an opposite at all but a continuation of the very same dance, the same essential language of the body, of two bodies wishing to be one, forming a kinetic poem out of longing.
Carolina De Robertis
I'm not asking you to describe the rain falling the night the archangel arrived; I'm demanding that you get me wet. Make up your mind, Mr. Writer, and for once in your life be the flowers that smells rather than the chronicler of the aroma. There's not much pleasure in writing what you live. The challenge is to live what you write.
Eduardo Galeano
Nothing changes if we just feel shitty about being White. And nothing changes if we refuse to talk about it. The opposite of white pride does not have to be white shame. We can’t push it away and pretend it’s not us. We are not color-blind, we are not post-race, we do not get to reject our whiteness because it makes us feel bad…This does not get solved with a Celebration of Diversity Day and a coexist bumper sticker. (Kate Schatz)
Carolina De Robertis
But in the morning I would always rise and polish the surface of myself, a gleaming, confident young woman, an excellent student and good daughter starting her fourth year at the university, moving smoothly through the world, and even though inside the chaos scraped and railed I would push it into the crevices of the day so it could not be detected.
Carolina De Robertis
I was in the situation of someone who has assumed, all his life, that madness was on eway, and suddenly in its grip, discovers that it is not only different from the way he'd imagined but that the person suffering from it is someone else, and that this someone else is not interested in finding out what madness is like: he is simply immersed in it, or it has descended on him, and that's that.
Felisberto Hernández
The Church says: the body is a sin.Science says: the body is a machine.Advertising says: The body is a business.The Body says: I am a fiesta.
Eduardo Galeano
When no one is left to tell what happened, family histories keep their secrets.
Carmen Posadas
Whatever Latin America sells—raw materials or manufactures—its chief export product is really cheap labor.
Eduardo Galeano
Eight: the age of exploration, of ghosts and secret forays; the age at which a mystery lurks behind every curtain and every armoire opens into a magical world, which you may enter at any time, but who knows when you will return.
Carmen Posadas
No, I wanted to say, he didn't cut off her hands because he didn't have to, he had cut them off long before, with years of keeping all authority in his own palms, all the rules and all the power and all the answers emanating from him and no one else. And if you don't understand that, if you've never been in such a family, then you can't know the way the mind shackles itself and amputates its own limbs so adeptly that you never think to miss them, never think that you had anything so obscene as choice.
Carolina De Robertis
Today we must begin again. Step by small step, without any more protection than comes from our own bodies.
Eduardo Galeano
Our defeat was always implicit in the victory of others; our wealth has always generated our poverty by nourishing the prosperity of others - the empires and their native overseers. In the colonial and neocolonial alchemy, gold changes into scrap metal and food into poison.
Eduardo Galeano
But you know, as I do, that the storm will passAnd that the implacable sun doesn't simply stopWhen obscured by a dark, pernicious cloud,Which is why I know I'll return to your house-On a Sunday that's there on the calendar-And laugh with you over a glass of grappa.
Mauricio Rosencof
I come from a plane that fell into the mountains. I am Uruguayan. We have been walking for ten days. I have a friend up here who is injured. In the plane there is fourteen injured people. We have to get of here quickly and we don't have any food. We are weak. When are you going to come and fetch us? Please. We can't even walk. Where are we?
Nando Parrado
We all have our personal Andes.
Nando Parrado
In 1492, the natives discovered they were indians, discovered they lived in America, discovered they were naked, discovered that the Sin existed, discovered they owed allegiance to a King and Kingdom from another world and a God from another sky, and that this God had invented the guilty and the dress, and had sent to be burnt alive who worships the Sun the Moon the Earth and the Rain that wets it.
Eduardo Galeano
Savor your existence. Live every moment. Do not waste a breath.
Nando Parrado
Are all societies doomed to amnesia—or are there communities that have preserved their collective cultural memory?The world, which is the private property of a few, suffers from amnesia. It is not an innocent amnesia. The owners prefer not to remember that the world was born yearning to be a home for everyone.
Galeano Eduardo
What makes the self?Experiences. Acculturation.What else?I don't know.What's within you.She says, I don't know what was within me and what got put there by my life as it was lived.You can never know that.No.But there is a you that was there before you were born and that nobody shaped or changed or could have changed.
Carolina De Robertis
The problem is we are not eating food anymore, we are eating food like products. (Hungry For Change Film)
Alejandro Junger
Pedro Algorta, a lawyer, showed me the fat dossier about the murder of two women. The double crime had been committed with a knife at the end of 1982, in a Montevideo suburb. The accused, Alma Di Agosto, had confessed. She had been in jail more than a year, and was apparently condemned to rot there for the rest of her life. As is the custom, the police had raped and tortured her. After a month of continuous beatings they had extracted several confessions. Alma Di Agosto's confessions did not much resemble each other, as if she had committed the same murder in many different ways. Different people appeared in each confession, picturesque phantoms without names or addresses, because the electric cattle prod turns anyone into a prolific storyteller. Furthermore, the author demonstrated the agility of an Olympic athlete, the strength of a fairground Amazon, and the dexterity of a professional matador. But the most surprising was the wealth of detail: in each confession, the accused described with millimetric precision clothing, gestures, surroundings, positions, objects..... Alma Di Agosto was blind. Her neighbours, who knew and loved her, were convinced she was guilty: 'Why?' asked the lawyer. 'Because the papers say so.' 'But the papers lie,' said the lawyer. 'But the radio said so too,' explained the neighbours. 'And the TV!
Eduardo Galeano
That people you don’t know are worth knowing, that they have something to teach you. That learning about them – that encountering new ideas – doesn’t threaten you, it enriches you. (Celeste Ng)
Carolina De Robertis
Our effectiveness depends on our capacity to be audacious and astute, clear and appealing. I would hope that we can create a language more fearless and beautiful than that used by conformist writers to greet the twilight.
Eduardo Galeano
But language is malleable, and it is not always on the side of truth. This is something every writer knows. Words make and unmake the world with terrifying rapidity, and they do so without moral distinction…There is a battle going on right now over the words we use, over who has the right to speak and who does not. (Katie Kitamura)
Carolina De Robertis
The human murder by poverty in Latin America is secret: every year, without making a sound, three Hiroshima bombs explode over communities that have become accustomed to suffering with clenched teeth.
Eduardo Galeano
All that work: his generous patronage of the arts, the vast sums of money he had donated to worthy causes, setting up charitable organizations . . . for what? In the end, none of those good works had redeemed him in the eyes of others. People think that men like me give money away to buy forgiveness for a sin or out of vanity, when it's the winner's pathetic tribute to the loser. Look at me, we seem to be begging, I need you too. I need you to accept me, to admire me, to love me.
Carmen Posadas
For sailors who love the wind, memory is a good port of departure.
Eduardo Galeano
As we used to say in the mountains, "Breathe. Breathe again. With every breath, you are alive." After all these years, this still the best advice I can give you: Savor your existence. Live every moment. Do not waste a breath.
Nando Parrado
Words are incomplete and yet we need them. They are the cups that give our memories shape, and keep them from trickling away.
Carolina De Robertis
In that moment, I realized that no matter what words I chose and no matter how much time I spent in telling, I would never be able to express my full experience...There are some experiences that only you can enter, that only you can truly hold. They are too vast to be imparted. You cannot even hold them wholly in your arms: they spill over into the dark beyond you, brimming, shooting out in ropes of light that make you ache with loneliness and yet yoke you to the world at the same time, because the vast things that have happened to you, however terrible, were always born out of the world, and so perhaps they offer you a place even as they push you out of another, even as they weigh you down with a self that can never fully be conveyed. Though most of us will try. We make bonds, we grow trust, we tell stories; we strive to articulate what it took to become who we are. Sometimes if we're very fortunate, our listeners can catch authentic glimpses of what we mean to say, like sparks in a dark room, but never the whole of it at once, not even with the best of friends or closest lover, because the whole of it at once is beyond speaking. It lives nowhere, absolutely nowhere, except inside your skin. That's where it flares, enormous, hazardous, utterly yours.
Carolina De Robertis
Whoever believes physical size and tests of speed or strength have anything to do with a soccer player's prowess is sorely mistaken. Just as mistaken as those who believe that IQ tests have anything to do with talent or that there is a relationship between penis size and sexual pleasure. Good soccer players need not to be titans sculpted by Michelangelo. In soccer, ability is much more important than shape, and in many cases skill is the art of turning limitations into virtues.
Eduardo Galeano
It was her grandfather who'd told her the tale of this particular violin, over and over, as if the telling could stave off loss, as if the weight and scope of human history were not found in books or in those mythic universities in Rome and Naples that no one in their village had ever seen but, rather, were encoded in objects like this one, a violin touched by hundreds of hands, loved, used, stroked, pressed, made to outlive its owners, storing their secrets and lies
Carolina De Robertis
That's what happens to melodies: they get lost in the air. Just like memories. And the body. Memories and melodies and the body dissolve after we die. A musical instrument is not like the body, not at all: like the soul, it carries on.
Carolina De Robertis
He does not look at the dancers, does not acknowledge her, sitting and staring. He is steeped in a private aural world. He drew out longer notes than her papa ever had; he was more forceful with the bow; she hadn't known the violin contained such wildness. She was reminded of the tarantella, which skipped along its notes and pulled you upward; out of yourself, come and play! But these pieces, these tangos, didn't only lift; they also plunged you downward, deep inside yourself, to the unexamined corners of your heart. Come, they whispered, come and look, see what's here and dance with it, this is music too.
Carolina De Robertis
As if music could be crushed like a condemned building or a stubborn anarchist. But it could not. It always rose and returned, vital, immense, fortified by new instruments, new shapes, new musicians crazy enough to give their lives to it like underground, unsanctioned priests.
Carolina De Robertis
She didn't mind the sacrifice. It seemed enough for a life, to give yourself to music the way nuns give themselves to God. To vow. To surrender. Only music, after all, made life bearable. Only with music did she feel--what was it? Free? Happy? No, it was something else. Awake.
Carolina De Robertis
The human story is one of continual branching movement, out of Africa to every corner of the globe. When people talk of blood and soil, as if their ancestors sprung fully formed from the earth of a particular place, it involves a kind of forgetting.(Hari Kunzru)
Carolina De Robertis
Books were already a familiar refuge, after all, and they still took me in without the slightest judgment. They don’t close to you the way a person can. You might feel as though you don’t belong anywhere, least of all in your own home, you might feel bound to a person whose actions you abhor yet unable to divorce yourself, struggling to individuate in their shadow—“all these feelings you wouldn’t dare articulate to another person, no matter how highly trained—but you can bring your whole untempered self to books. You can ask them anything, and though you may need to search for the resonant lines, though the answer may come at a slant, they will always speak to you, they will always let you in.
Carolina De Robertis
Art then becomes a safety valve for the expression of individual and collective neuroses originating in the inability of coping with the environment. Its products serve as a retarded correction of perception braked by the system of conventions and stereotypes that stabilize society. They create a slightly updated system which, eventually assimilated by history, will require a new system and so on without end. Art objects serve as points of identification alienated from the consumer, requiring more sympathy than empathy.
Luis Camnitzer
Passing from legality to subversion, the need of finding a minimum stimulus with a maximum effect appears—an effect that through its impact justifies the risk taken and pays for it. During certain historical periods, at the level of the object, this meant dealing with and creating mysteries. At the level of situations, and in this case, it means the change of social structure.
Luis Camnitzer
It is often much harder to get rid of books than it is to acquire them. They stick to us in that pact of need and oblivion we make with them, witnesses to a moment in our lives we will never see again. While they are still there, it is a part of us. I have noticed that many people make a note of the day, month, and year that they read a book; they build up a secret calendar. Others, before lending one, write their name on the flyleaf, note whom they lent it to in an address book, and add the date. I have known some book owners who stamp them or slip a card between their pages the way they do in public libraries. Nobody wants to mislay a book. We prefer to lose a ring, a watch, our umbrella, rather than a book whose pages we will never read again, but which retains, just in the sound of its title, a remote and perhaps long-lost emotion.
Carlos María Domínguez
It is often much harder to get rid of books than to acquire them. They stick to us in that pact of need and oblivion we make with them, witnesses to a moment in our lives we will never see again. While they are still there, it is part of us.
Carlos María Domínguez
For me the greatest joy is to be able to submerge myself for a few hours every day in a human time that otherwise would be alien to me. A lifetime is not enough.
Carlos María Domínguez
I am not particularly interested insaving time I prefer to enjoy it.
Eduardo Galeano
In life you have to avoid three geometric figures - vicious circles, love triangles and square minds
Mario Benedetti
And one fine day the goddess of the wind kisses the foot of man, that mistreated, scorned foot, and from that kiss the soccer idol is born. He is born in a straw crib in a tin-roofed shack and he enters the world clinging to a ball.
Eduardo Galeano
The ball laughs, radiant, in the air. He brings her down, puts her to sleep, showers her with compliments, dances with her, and seeing such things never before seen his admirers pity their unborn grandchildren who will never see them.
Eduardo Galeano
The StadiumHave you ever entered an empty stadium? Try it. Stand in the middle of the field and listen. There is nothing less empty than an empty stadium. There is nothing less mute than stands bereft of spectators.At Wembley, shouts from the 1966 World Cup, which England won, still resound, and if you listen very closely you can hear groans from 1953 when England fell to the Hungarians. Montevideo’s Centenario Stadium sighs with nostalgia for the glory days of Uruguayan soccer. Maracanã is still crying over Brazil’s 1950 World Cup defeat. At Bombonera in Buenos Aires, drums boom from half a century ago. From the depths of Azteca Stadium, you can hear the ceremonial chants of the ancient Mexican ball game. The concrete terraces of Camp Nou in Barcelona speak Catalan, and the stands of San Mamés in Bilbao talk in Basque. In Milan, the ghosts of Giuseppe Meazza scores goals that shake the stadium bearing his name. The final match of the 1974 World Cup, won by Germany, is played day after day and night after night at Munich’s Olympic Stadium. King Fahd Stadium in Saudi Arabia has marble and gold boxes and carpeted stands, but it has no memory or much of anything to say.
Eduardo Galeano
I do not believe that I should only write about what I know but that I should write also of the other.
Felisberto Hernández
Tell the story as if it were only of interest to the small circle of your characters, of which you may be one. There is no other way to put life into the story.
Horacio Quiroga
Mi táctica es mirarte aprender como sos quererte como sosmi táctica es hablarte y escucharte construir con palabras un puente indestructiblemi táctica es quedarme en tu recuerdo no sé cómo ni sé con qué pretexto pero quedarme en vosmi táctica es ser franco y saber que sos franca y que no nos vendamos simulacros para que entre los dosno haya telón ni abismosmi estrategia es en cambio más profunda y más simple mi estrategia es que un día cualquiera no sé cómo ni sé con qué pretexto por fin me necesites
Mario Benedetti Táctica y estrategia
Compañera usted sabe que puede contar conmigo no hasta dos o hasta diez sino contar conmigosi alguna vez advierte que la miro a los ojos y una veta de amor reconoce en los míos no alerte sus fusiles ni piense qué delirio a pesar de la veta o tal vez porque existe usted puede contar conmigosi otras veces me encuentra huraño sin motivo no piense qué flojera igual puede contar conmigopero hagamos un trato yo quisiera contar con usted es tan lindo saber que usted existe uno se siente vivo y cuando digo esto quiero decir contar aunque sea hasta dos aunque sea hasta cinco no ya para que acuda presurosa en mi auxilio sino para saber a ciencia cierta que usted sabe que puede contar conmigo
Mario Benedetti Hagamos un trato
Hay menos tiempo que lugar, no obstante, hay lugares que duran un minuto y para cierto tiempo no ha lugar.
Mario Benedetti
Cada vez que te enamores no expliques a nadie nada, deja que el amor te invada sin entrar en pormenores
Mario Benedetti
We were playing a game against an unknown and unforgiving opponent. The stakes were terrible—play well or die—but we didn’t even know the ground rules.
Nando Parrado
La verdad, es que en el fondo soy un fatalista. Si a uno le llega la hora, da lo mismo un Boeing que la puntual maceta que se derrumba sobre uno desde un séptimo piso
Mario Benedetti