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Quote of the Day
Top 100 Quotes
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Quotes by American Authors
- Page 9
Everything in the seen world is a dim reflection or representation of the unseen world.
Dan Pedersen
Jo knew nothing about philosophy or metaphysics of any sort, but a curious excitement, half pleasurable, half painful, came over her, as she listened with a sense of being turned adrift into time and space, like a young balloon out on a holiday.
Louisa May Alcott
But had Minkowski and Einstein not recognized it long before us, our schizophrenic children would have taught us that space-time is a unity that precedes any separate understanding of either category; just as grasping this unity is a precondition for understanding causality.
Bruno Bettelheim
Your manifesting results comprise a chain with a zillion tiny links—moments, experiences, conversations, physical objects, and coinciding events—all leading up to what you'd consider "the finished product" or the goal achieved. Be open to recognizing and appreciating every link. Normally the mind glosses, or even steamrollers, over them, discounting them as stupid, unimportant, too-little-too-late, irrelevant or uninteresting.
Debbianne DeRose
When you decide to appreciate something, no matter how subtle, you absolutely do pivot and shift your vibration significantly.
Debbianne DeRose
Notice that your judgments of what exists are the same kind of judgments you make about how to live your life. There aren't two kinds of things we do: judge what exists and decide what we want to do about it. Fundamentally, there is one kind of thing we do: live our lives. And we can reflect on this activity more or less abstractly.
Eric Kaplan
For seven centuries the existence of Grand Unification Theories and hyperstring post-quantum physics and Core-given understanding of the universe as self-contained and boundless, without Big Bang singularities or corresponding endpoints, had pretty much eliminated any role of God—primitively anthropomorphic or sophisticatedly post-Einsteinian—even as a caretaker or pre-Creation former of rules. The modern universe, as machine and man had come to understand it, needed no Creator; in fact, allowed no Creator. Its rules allowed very little tinkering and no major revisions. It had not begun and would not end, beyond cycles of expansion and contraction as regular and self-regulated as the seasons on Old Earth
Dan Simmons
If an evil spirit had to hide from God, it would hide in a diamond. If an angel had to hide from the Devil, it would hide in rose quartz.
Suzy Kassem
Once I knew, then I forgot. It was as if I had fallen asleep in a field only to discover at waking that a grove of trees had grown up around me. “Doubt nothing, believe everything,” was my friend’s idea of metaphysics, although his brother ran away with his wife. He still bought her a rose every day, sat in the empty house for the next twenty years talking to her about the weather. I was already dozing off in the shade, dreaming that the rustling trees were my many selves explaining themselves all at the same time so that I could not make out a single word. My life was a beautiful mystery on the verge of understanding, always on the verge! Think of it! My friend’s empty house with every one of its windows lit. The dark trees multiplying all around it.
Charles Simic
Wisdom plus knowledge equals understanding.
Reid A. Ashbaucher
Philosophically literate anthropomorphism is exactly what one would expect of any worldview which affirms that human beings are made in the image o
Eleanore Stump
I have been considering the possibility that the facts that can be ascertained about this cheese fail to satisfy because the facts themselves mask a metaphysical truth that can be known only through the transcendent, poetic expression of the cheddar. That is, though the world itself can never truly be known, one might begin to know some truth about the world through a metaphysical cheese
Mark Beauregard
Philosophy in its old form could exist only in the absence of engineering, but with engineering in existence and daily more active and far reaching, the old verbalistic philosophy and metaphysics have lost their reason to exist. They were no more able to understand the "production" of the universe and life than they are now able to understand or grapple with "production" as a means to provide a happier existence for humanity. They failed because their venerated method of "speculation" can not produce, and its place must be taken by mathematical thinking. Mathematical reasoning is displacing metaphysical reasoning. Engineering is driving verbalistic philosophy out of existence and humanity gains decidedly thereby. Only a few parasites and "speculators" will mourn the disappearance of their old companion "speculation." The world of producers -the predominating majority of human beings- will welcome a philosophy of ordered thought and production.
Alfred Korzybski
Fractional Multiplicity' allows for a minute amount of our energy to be present in all places at all times.
Stanley Victor Paskavich
You look like you bin whupped with a ugly stick.
Bo Diddley
Morality is totally God’s standard, and his standards and conditions are revealed to us through his written word, the Scriptures (The Bible).
Reid A. Ashbaucher
There was a metal rod inside of Colin. The rod went from his stomach to the middle of his head. It was made of steel and sugar, and had been dissolving inside of Colin for ten or fifteen years, slow and sweet, above and behind his tongue; and he could taste it in that way, like an aftertaste, removed and seeping and outside of the mouth. Sometimes he’d glimpse it with the black, numb backs of his eyes. But what he really wanted was to wrench it out. Cut it up and chew it. Or melt it. Bathe in the hard, sweet lava of it.
Tao Lin
Reality is in the mind of the eye.
Stanley Victor Paskavich
Energy defines life not flesh and blood. WE are infinite energies experiencing infinity. Through a finite aperture.
Stanley Victor Paskavich
Conscious Evolution"Conscious evolution inspires in us a mysterious and humble awareness that we have been created by this awesome process of evolution and are now being transformed by it." Barbara Marx Hubbard
Barbara Marx Hubbard
Remember that the Tarot is a great and sacred arcanum - its abuse is an obscenity in the inner and a folly in the outer. It is intended for quite other purposes than to determine when the tall dark man will meet the fair rich widow.
Jack Parsons
The last time I saw Paris.Her heart was warm and gay.
Oscar Hammerstein II
When he craved contact, he stopped in to visit the Cézannes and Monets at the Musée du Luxembourg, believing they had already done what he was striving for—distilling places and people and objects to their essential qualities.
Paula McLain
She murmured, “I love the imagery of Sappho, the warm summer air across the velvety darkness, the lover between love’s thighs.” She stayed quiet a moment. “But it takes a man’s kiss to put the fire to the metaphor.
Paul A. Myers
...was an elegant woman in a city of so many thousands of elegant women...
Ann Patchett
Night came on, the lamps were lighted, the tables near him found occupants, and Paris began to wear that peculiar evening look of hers which seems to say, in the flare of windows and theatre-doors, and the muffled rumble of swift-rolling carriages, that this is no world for you unless you have your pockets lined and your scruples drugged.
Henry James
A beautiful white silk scarf was around her neck, tucked below the fur collar. Her lips were well painted into a bright red cupid’s bow. Cute as hell I always told myself, with a tinge of regret. She had a steady girlfriend.
Paul A. Myers
...but you drank your black coffee by choice, believeng that Paris was sufficient alcohol.
Malcolm Cowley
I look to the right as I cross the bridge and smile to see the tip of the Eiffel Tower soaring over rooftops in the distance on the other side of the river. I've seen it in photographs a thousand times, but seeing it in person for the first time that reminds me that I'm really, truly here, thousands of miles away, across an ocean from home.
Kristin Harmel
In Paris, you couldn’t really turn around without seeing the result of lovers’ bad decisions. An artist given to sexual excess was almost a cliché, but no one seemed to mind. As long as you were making something good or interesting or sensational, you could have as many lovers as you wanted and ruin them all.
Paula McLain
Out of the corner of his eye, he saw another woman sitting over in a wing chair, a pleasantly attractive lady wearing the tasteful clothes of a senior redactrice, or senior civil servant, the stylish black skirt, the dark stockings, the black pumps, and the starched white linen blouse of her caste. The dark hair was swept up in a chignon, elegant and functional, dark eyes glistened as she smiled at him in a professional manner. He could see that she was a woman who met men in a highly assured way—serene, and expert at creating a proper distance.
Paul A. Myers
Sandrine opened her eyes to the soft gray light of early dawn. Recollections of sensual pleasure seemed to caress her body, bringing a smile to her lips. She lay back in the pillow and listened to the breathing of Philippe beside her. She lingered in the memory of the previous night, a memory that was like a warm and tender embrace, an evening of small intimate harmonies. As it should be.
Paul A. Myers
Then she stood on tiptoe and kissed him sweetly on the lips, “I promise you a love affair with a sun-bathed Austrian princess beyond anything you imagine—in love, in beauty, in intensity. A love that will power you to the end of our time together. You are going to be a fortunate man, Geoffrey Ashbrook.
Paul A. Myers
She was ready to be a fugitive with him for the rest of her life - 'Whither thou goest, I will go; thy people shall be my people' - and when a Parisienne is ready to leave Paris behind forever, that's something. ("I'm Dangerous Tonight")
Cornell Woolrich
I know the consequences, Manon,” Ilyse conceded. “I know the fate you endured might one day be my own. But I refuse to be a prisoner for the rest of my life.
Melika Dannese Lux
For example, in Paris, if one desires to buy something, you enter the store and say "Good morning, sir" or "madam," depending on what is appropriate, you wait until you are greeted, you make polite chitchat about the weather or some such, and when the salesperson asks what they can do for you, then and only then do you bring up the vulgar business of the transaction you require.
Craig Ferguson
If I walked down by different streets to the Jardin du Luxembourg in the afternoon I could walk through the gardens and then go to the Musée du Luxembourg where the great paintings were that have now mostly been transferred to the Louvre and the Jeu de Paume. I went there nearly every day for the Cézannes and to see the Manets and the Monets and the other Impressionists that I had first come to know about in the Art Institute at Chicago. I was learning something from the painting of Cézanne that made writing simple true sentences far from enough to make the stories have the dimensions that I was trying to put in them. I was learning very much from him but I was not articulate enough to explain it to anyone. Besides it was a secret. But if the light was gone in the Luxembourg I would walk up through the gardens and stop in at the studio apartment where Gertrude Stein lived at 27 rue de Fleurus.
Ernest Hemingway
... Paris was a city of love for unimaginative folks.
Lauren Morrill
Picasso created blank spaces through which an imagination could fly.
Peggy Kopman-Owens
Hem, you know I don't think that owner's wife where you live likes me. She wouldn't let me wait upstairs for you.''I'll tell her,' I said.'Don't bother. I can always wait here. It's very pleasant in the sun now, isn't it?''It's fall now,' I said. 'I don't think you dress warmly enough.''It's only cool in the evening,' Evan said. 'I'll wear my coat.''Do you know where it is?''No. But it's somewhere safe.''How do you know?''Because I left the poem in it.
Ernest Hemingway
The blue-backed notebooks, the two pencils and the pencil sharpener (a pocket knife was too wasteful) the marble-topped tables, the smell of early morning, sweeping out and mopping, and luck were all you needed. For luck you carried a horse chestnut and a rabbit's foot in your right pocket. The fur had been worn off the rabbit's foot long ago and the bones and the sinews were polished by wear. The claws scratched in the lining of your pocket and you knew your luck was still there.
Ernest Hemingway
If the king had given me for my ownParis, his citadel,And I for that must leave aloneHer whom I love so well,I'd say then to the CrownTake back your glittering townMy darling is more fair, I swear.My darling is more fair.
Richard Wilbur
Their wedding night was at a little hotel in Paris. There were walk up steps and a lovely view. And all was well for these two.
David Paul Kirkpatrick
My wife and I had called on Miss Stein, and she and the friend who lived with her had been very cordial and friendly and we had loved the big studio with the great paintings. I t was like one of the best rooms in the finest museum except there was a big fireplace and it was warm and comfortable and they gave you good things to eat and tea and natural distilled liqueurs made from purple plums, yellow plums or wild raspberries.Miss Stein was very big but not tall and was heavily built like a peasant woman. She had beautiful eyes and a strong German-Jewish face that also could have been Friulano and she reminded me of a northern I talian peasant woman with her clothes, her mobile face and her lovely, thick, alive immigrant hair which she wore put up in the same way she had probably worn it in college. She talked all the time and at first it was about people and places.Her companion had a very pleasant voice, was small, very dark, with her hair cut like Joan of Arc in the Boutet de Monvel illustrations and had a very hooked nose. She was working on a piece of needlepoint when we first met them and she worked on this and saw to the food and drink and talked to my wife. She made one conversation and listened to two and often interrupted the one she was not making. Afterwards she explained to me that she always talked to the wives. The wives, my wife and I felt, were tolerated. But we liked Miss Stein and her friend, although the friend was frightening. The paintings and the cakes and the eau-de-vie were truly wonderful. They seemed to like us too and treated us as though we were very good, well-mannered and promising children and I felt that they forgave us for being in love and being married - time would fix that - and when my wife invited them to tea, they accepted.
Ernest Hemingway
She had to lift both hands to illustrate what she meant, but he just let her carry his hand with her, not about to let go. She pushed the free hand toward the one he held, apparently trying to gesture closeness. "Warm," she said again. And then she did something that undid him to the last faint whisper of his soul: she gave his hand a squeeze with fingertips that could just barely reach around his, apparently using him to indicate what she wanted to say. He meant warmth. He meant this word she couldn't find.
Laura Florand
They love me like a pack of wolves.Ernest
Paula McLain
I act as a sponge. I soak it up and squeeze it out in ink every two weeks.
Janet Flanner
There was no experience, I thought, quite as wonderful as being an American in Paris.
Ann Mah
The only thing that could spoil a day was people and if you could keep from making engagements, each day had no limits. People were always the limiters of happiness except for the very few that were as good as spring itself.
Ernest Hemingway
There's a simplicity and a sense of adventure to being alone, and I sometimes envy you for having it, as you explore Paris. Even when you're getting your heart broken, you can still wake up and not know what's going to happen next.
Jessica Pan
I know so much is going to happen here, but I just don't know how. It feels like Paris is full of so many adventures just waiting to be had.
Rachel Kapelke-Dale
How long since you had sex?” Aeron asked his friend. Another moan. “Two—three days.” Paris wiped his mouth with the back of his wrist. Which meant Paris hadn‟t had a female since before their return. But Aeron knew Lucien had flashed the warrior into town every night they‟d spent in the desert for just that reason. Had the warrior had trouble finding a willing partner? “Let me take you into town. You can—” “No. Only want Sienna. My female. Mine.
Gena Showalter
Almost immediately after jazz musicians arrived in Paris, they began to gather in two of the city’s most important creative neighborhoods: Montmartre and Montparnasse, respectively the Right and Left Bank haunts of artists, intellectuals, poets, and musicians since the late nineteenth century. Performing in these high-profile and popular entertainment districts could give an advantage to jazz musicians because Parisians and tourists already knew to go there when they wanted to spend a night out on the town. As hubs of artistic imagination and experimentation, Montmartre and Montparnasse therefore attracted the kinds of audiences that might appreciate the new and thrilling sounds of jazz. For many listeners, these locations leant the music something of their own exciting aura, and the early success of jazz in Paris probably had at least as much to do with musicians playing there as did other factors.In spite of their similarities, however, by the 1920s these neighborhoods were on two very different paths, each representing competing visions of what France could become after the war. And the reactions to jazz in each place became important markers of the difference between the two areas and visions. Montmartre was legendary as the late-nineteenth-century capital of “bohemian Paris,” where French artists had gathered and cabaret songs had filled the air. In its heyday, Montmartre was one of the centers of popular entertainment, and its artists prided themselves on flying in the face of respectable middle-class values. But by the 1920s, Montmartre represented an established artistic tradition, not the challenge to bourgeois life that it had been at the fin de siècle. Entertainment culture was rapidly changing both in substance and style in the postwar era, and a desire for new sounds, including foreign music and exotic art, was quickly replacing the love for the cabarets’ French chansons. Jazz was not entirely to blame for such changes, of course. Commercial pressures, especially the rapidly growing tourist trade, eroded the popularity of old Montmartre cabarets, which were not always able to compete with the newer music halls and dance halls. Yet jazz bore much of the criticism from those who saw the changes in Montmartre as the death of French popular entertainment. Montparnasse, on the other hand, was the face of a modern Paris. It was the international crossroads where an ever changing mixture of people celebrated, rather than lamented, cosmopolitanism and exoticism in all its forms, especially in jazz bands. These different attitudes within the entertainment districts and their institutions reflected the impact of the broader trends at work in Paris—the influx of foreign populations, for example, or the advent of cars and electricity on city streets as indicators of modern technology—and the possible consequences for French culture. Jazz was at the confluence of these trends, and it became a convenient symbol for the struggle they represented.
Jeffrey H. Jackson
If you were in paris your food might as well glitter.
Michelle Gable
The reality is that many of us in these parts are not enamored of Paris." The Commandant gulped down his coffee. "I worked there as a young officer in the CRS, the riot squad. I speak from personal experience. Paris is bizarre. Paris is a museum surrounded by a jungle.
Sebastian Rotella
I’ve always had a thing for men with large hadron colliders.
Cole McCade
All around us are complex people trying to live simple lives,” she said. “Wanting simple things with tangled hearts.
Cole McCade
It's pronounced wee but spelled O-U-I. It's all you'll want to say when you're sitting at one of the thousands of little cafes that line the streets and you're looking at a menu full of foods you just want to eat for days. And then you wake up early, and the sun is rising in shades of pink over the white buildings as you make your way through the sleepy streets until you're upon the fresh markets!
Giada De Laurentiis
Hitler was the archetype of the abstemious man. When the other krauts saw him drink water in the Beer Hall they should have known he was not to be trusted.
A.J. Liebling
Parisians take their work quite seriously, but they take their enjoyment of the little moments just as seriously. Sometimes sitting in a café with close friends or family and enjoying a shared plate of macarons is just as important as sitting in an office working. You know, some Parisians start their morning with a mug of hot chocolate.Really? Emilia asked, taking a fourth and fifth sip.The chocolate is like medicine to take away your troubles and help you see that life is sweet.
Giada De Laurentiis
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