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American
-
Novelist
December 29, 1922
American
-
Novelist
December 29, 1922
What's an artist but the dregs of his work - the human shambles that follows it around?
William Gaddis
The ship's surgeon was a spotty unshaven little man whose clothes, arrayed with smudges, drippings, and cigarette burns, were held about him by an extensive network of knotted string, The buttons down the front of those duck trousers had originally been made, with all of false economy's ingenious drear deception, of coated cardboard. After many launderings they persisted as a row of gray stumps posted along the gaping portals of his fly. Though a boutoniere sometimes appeared through some vacancy in his shirt-front, its petals, too, proved to be of paper, and he looked like the kind of man who scrapes foam from the top of a glass of beer with the spine of a dirty pocket comb, and cleans his nails at table with the tines of his salad fork, which things, indeed, he did. He diagnosed Camilla's difficulty as indigestion, and locked himself in his cabin. that was the morning.
William Gaddis
Venerable age had not, for him, arranged that derelict landscape against which it is privileged to sit and pick its nose, break wind, and damn the course of youth groping among the obstacles erected, dutifully, by its own hands earlier, along the way of that sublime delusion known as the pursuit of happiness. Not to be confused with the state of political bigotry, mental obstinacy, financial security, sensual atrophy, emotional penury, and spiritual collapse which, under the name “maturity”, animated lives around him, it might be said that Reverend Gwyon had reached maturity.
William Gaddis
Has it ever occurred to any of you that all this is simply one grand misunderstanding? Since you're not here to learn anything, but to be taught so you can pass these tests, knowledge has to be organized so it can be taught, and it has to be reduced to information so it can be organized do you follow that? In other words this leads you to assume that organization is an inherent property of the knowledge itself, and that disorder and chaos are simply irrelevant forces that threaten it from the outside. In fact it's exactly the opposite. Order is simply a thin, perilous condition we try to impose on the basic reality of chaos...
William Gaddis
Women get desperate, but they don't understand despair.
William Gaddis
All we’ve got left to protect here is a system that’s set up to promote the meanest possibilities in human nature and make them look good.
William Gaddis
Then, what is sacrelige [sic]? If it is nothing more than a rebellion against dogma, it is eventually as meaningless as the dogma it defies, and they are both become hounds ranting in the high grass, never see the boar in the thicket. Only a religious person can perpetrate sacrelige: and if its blasphemy reaches the heart of the question; if it investigates deeply enough to unfold, not the pattern, but the materials of the pattern, and the necessity of a pattern; if it questions so deeply that the doubt it arouses is frightening and cannot be dismissed; then it has done its true sacreligious [sic] work, in the service of its adversary: the only service that nihilism can ever perform.(unused 1949 prefatory note to The Recognitions)
William Gaddis
Justice? -You get justice in the next world, in this world you have the law.
William Gaddis
Justice? -- You get justice in the next world. In this one you have the law.
William Gaddis
Most people are clever because they don't know how to be honest." William Gaddis, The Recognitions.
William Gaddis
The room was filled with smoke, dry worn-out smoke retaining in it like a web the insectile cadavers of dry husks of words which had been spoken and should be gone, the breaths exhaled not to be breathed again. But the words went on, and in those brief interruptions between cigarettes the exhalations were rebreathed.
William Gaddis
-Money? in a voice that rustled.
William Gaddis
If you want to make a million you don't have to understand money, what you have to understand is people's fears about money
William Gaddis