Philip Pullman Quotes

We measure the value of a civilized society by the number of Libraries it opens, not the number it closes down.
Philip Pullman
When we were alive, they told us that when we died we'd go to heaven. And they said that heaven was a place of joy and glory and we would spend eternity in the company of saints and angels praising the Almighty, in a state of bliss. That's what they said. And that's what led some of us to give our lives, and others to spend years in solitary prayer, while all the joy of life was going to waste around us and we never knew. Because the land of the dead isn't a place of reward or a place of punishment, it is a place of nothing. The good come here as well as the wicked, and all of us languish in this gloom forever, with no hope of freedom, or joy, or sleep, or rest, or peace. But now this child has come offering us a way out and I'm going to follow her. Even if it means oblivion, friends, I'll welcome it, because it won't be nothing. We'll be alive again in a thousand blades of grass, and a million leaves; we'll be falling in the raindrops and blowing in the fresh breeze; we'll be glistening in the dew under the stars and the moon out there in the physical world, which is our true home and always was.
Philip Pullman
You are dead- what am I speaking to?
Philip Pullman
Tell them stories.
Philip Pullman
I don't like rats any more than the next bloke, but they ain't wicked and cruel like people can be. They're just ratty in their habits.
Philip Pullman
I shall decide what I do. If you say my work is fighting, or healing, or exploring, or whatever you say, I'll always be thinking about it, and if I end up doing that, I'll feel resentful because it'll feel as I didn't have a choice, and if I don't do it, I'll feel guilty because I should. Whatever I do, I will choose it, no one else.
Philip Pullman
If a coin comes down heads, that means that the possibility of its coming down tails has collapsed. Until that moment the two possibilities were equal. But on another world, it does come down tails. And when that happens, the two worlds split apart.
Philip Pullman
The fairy tale is in a perpetual state of becoming and alteration. To keep to one version or one translation alone is to put robin redbreast in a cage.
Philip Pullman
Princess, princess, youngest daughter,Open up and let me in!Or else your promise by the waterIsn’t worth a rusty pin.Keep your promise, royal daughter,Open up and let me in!
Philip Pullman
she allowed herself to dwell on the cause of this strange, apprehensive exultation that she sensed flickering at the edge of her mind: it was the rarest thing of all - a man whom she knew at once, and without any qualification, to be her equal.
Philip Pullman
What work do I have to do then?" said Will, but went on at once, "No, on second thought, don't tell me. I shall decide what I do. If you say my work is fighting, or healing, or exploring, or whatever you might say, I'll always be thinking about it. And if I do end up doing that, I'll be resentful because it'll feel as if I didn't have a choice, and if I don't do it, I'll feel guilty because I should. Whatever I do, I will choose it, no one else.
Philip Pullman
The evening sky was awash with peach, apricot, cream: tender little ice-cream clouds in a wide orange sky.
Philip Pullman
I’m working on another Lyra book right now – it’s called The Book of Dust.“It’s going very well and it will be finished when I write the words ‘The End’.
Philip Pullman
She found out that having something to do prevented you from feeling seasick, and that even a job like scrubbing a deck could be satisfying, if it was done in a seamanlike way. She was very taken with this notion, and later on she folded the blankets on her bunk in a seamanlike way, and put her possessions in the closet in a seamanlike way, and used 'stow' instead of 'tidy' for the process of doing so. After two days at sea, Lyra decided that this was the life for her.
Philip Pullman
Blake said Milton was a true poet and of the Devil's party without knowing it. I am of the Devil's party and know it.
Philip Pullman
The children will come to no harm.""Except for the older ones. Like that poor kid down there.""Mr. Scoresby, that is the way this world works. And if you want to put an end to cruelty and injustice, you must take me farther on. I have a job to do.""Seems to me—" Lee said, feeling for the words, "seems to me the place you fight cruelty is where you find it, and the place you give help is where you see it needed.
Philip Pullman
All she knew was that she must be in love with someone, or she wouldn't feel so miserable.
Philip Pullman
She shook her head and whispered, "No. No! That can't be true. Impossible!""You think things have to be possible? Things have to be true!
Philip Pullman
Ruta Skadi was four hundred and sixteen years old, with all the pride and knowledge of an adult witch queen. She was wiser by far than any short-lived human, but she had not the slightest idea of how like a child she seemed beside these ancient beings. Nor did she know how far their awareness spread out beyond her like filamentary tentacles to the remotest corners of universes she had never dreamed of; nor that she saw them as human-formed only because her eyes expected to. If she were to perceive their true form, they would seem more like architecture than organism, like huge structures composed of intelligence and feeling.But they expected nothing else: she was very young.
Philip Pullman
A few minutes after he arrived, Lee was talking to a group of astronomers eager to learn what news he could bring them, for there are few natural philosophers as frustrated as astronomers in a fog.
Philip Pullman
I’m with the fool in the psalm. You thought we could get on without you; no – you didn’t care whether we got on without you or not. You just got up and left. So that’s what we’re doing, we’re getting on.
Philip Pullman
The Specters feast as vampires feast on blood, but the Specters’ food is attention. A conscious and informed interest in the world. The immaturity of children is less attractive to them.
Philip Pullman
You going to be a scientist when you grow up?” That sort of question deserved a blank stare, which it got.
Philip Pullman
Seems to me-" Lee said, feeling for the words, "seems to me the place you fight cruelty is where you find it, and the place you give help is where you see it needed....
Philip Pullman
All writing is difficult. The most you can hope for is a day when it goes reasonably easily. Plumbers don’t get plumber’s block, and doctors don’t get doctor’s block; why should writers be the only profession that gives a special name to the difficulty of working, and then expects sympathy for it?
Philip Pullman
When you live for many hundreds of years, you know that every opportunity will come again.
Philip Pullman
It was such a strange tormenting feeling when your daemon was pulling at the link between you; part physical pain deep in the chest, part intense sadness and love. Everyone tested it when they were growing up: seeing how far they could pull apart, coming back with intense relief.
Philip Pullman
Her upbringing had given her an independence of mind that made her more like a girl of today than one of her own time - which was why she had walked out, and why she was not daunted by the prospect of being alone.
Philip Pullman
I was connected to God like that, and because he was there, I was connected to the whole of his creation.
Philip Pullman
And Pantalaimon didn't ask why, because he knew; and he didn't ask whether Lyra loved Roger more than him, because he knew the true answer to that, too. And he knew that if he spoke, she wouldn't be able to resist; so the dæmon held himself quiet so as not to distress the human who was abandoning him, and now they were both pretending that it wouldn't hurt, it wouldn't be long before they were together again, it was all for the best. But Will knew that the little girl was tearing her heart out of her breast.
Philip Pullman
The intentions of a tool are what it does. A hammer intends to strike, a vise intends to hold fast, a lever intends to lift. They are what it is made for. But sometimes a tool may have other uses that you don't know. Sometimes in doing what you intend, you also do what the knife intends, without knowing.
Philip Pullman
Just as she was unaware of the hidden currents of politics running below the surface of College affairs, so the Scholars, for their part, would have been unable to see the rich seething stew of alliances and enmities and feuds and treaties which was a child’s life in Oxford. Children playing together: how pleasant to see! What could be more innocent and charming?
Philip Pullman
Lyra marveled at the effect hope could have.
Philip Pullman
she delighted in being of the same substance as them, and in knowing that when she died her flesh would nourish other lives as they had nourished her.
Philip Pullman
Fritz had to stop himself from interrupting when Karl spoke about the difficulty of working. Stories are just as hard as clocks to put together, and they can go wrong just as easily--as we shall soon see with Fritz's own story in a page or two. Still, Fritz was an optimist, and Karl was a pessimist, and that makes all the difference in the world.
Philip Pullman
There are some themes, some subjects, too large for adult fiction; they can only be dealt with adequately in a children’s book. In adult literary fiction, stories are there on sufferance. Other things are felt to be more important: technique, style, literary knowingness… The present-day would-be George Eliots take up their stories as if with a pair of tongs. They’re embarrassed by them. If they could write novels without stories in them, they would. Sometimes they do. We need stories so much that we’re even willing to read bad books to get them, if the good books won’t supply them. We all need stories, but children are more frank about it.
Philip Pullman
Finally, I’d say to anyone who wants to tell these tales, don’t be afraid to be superstitious. If you have a lucky pen, use it. If you speak with more force and wit when wearing one red sock and one blue one, dress like that. When I’m at work I’m highly superstitious. My own superstition has to do with the voice in which the story comes out. I believe that every story is attended by its own sprite, whose voice we embody when we tell the tale, and that we tell it more successfully if we approach the sprite with a certain degree of respect and courtesy. These sprites are both old and young, male and female, sentimental and cynical, sceptical and credulous, and so on, and what’s more, they’re completely amoral: like the air-spirits who helped Strong Hans escape from the cave, the story-sprites are willing to serve whoever has the ring, whoever is telling the tale. To the accusation that this is nonsense, that all you need to tell a story is a human imagination, I reply, ‘Of course, and this is the way my imagination works.
Philip Pullman
It might have been a new way for her heart to beat.
Philip Pullman
Just be yourself. You don't have to put on an act.""To be myself, I have to put on an act," Ginny said bitterly."What's that mean?""It means I don't know who I am.
Philip Pullman
Around them there was nothing but silence, as if all the world were holding its breath.
Philip Pullman
Who are you?" the woman said at last."Lyra Silver—""No, where d'you come from? What are you? How do you know things like this?" Wearily Lyra sighed; she had forgotten how roundabout Scholars could be. It was difficult to tell them the truth when a lie would have been so much easier for them to understand.
Philip Pullman
In a valley shaded with rhododendrons, close to the snow line, where a stream milky with meltwater splashed and where doves and linnets flew among the immense pines, lay a cave, half, hidden by the crag above and the stiff heavy leaves that clustered below.The woods were full of sound: the stream between the rocks, the wind among the needles of the pine branches, the chitter of insects and the cries of small arboreal mammals, as well as the birdsong; and from time to time a stronger gust of wind would make one of the branches of a cedar or a fir move against another and groan like a cello.It was a place of brilliant sunlight, never undappled. Shafts of lemon-gold brilliance lanced down to the forest floor between bars and pools of brown-green shade; and the light was never still, never constant, because drifting mist would often float among the treetops, filtering all the sunlight to a pearly sheen and brushing every pine cone with moisture that glistened when the mist lifted. Sometimes the wetness in the clouds condensed into tiny drops half mist and half rain, which floated downward rather than fell, making a soft rustling patter among the millions of needles.There was a narrow path beside the stream, which led from a village-little more than a cluster of herdsmen's dwellings - at the foot of the valley to a half-ruined shrine near the glacier at its head, a place where faded silken flags streamed out in the Perpetual winds from the high mountains, and offerings of barley cakes and dried tea were placed by pious villagers. An odd effect of the light, the ice, and the vapor enveloped the head of the valley in perpetual rainbows.
Philip Pullman
I stopped believing there was a power of good and a power of evil that were outside us. And I came to believe that good and evil are names for what people do, not for what they are.
Philip Pullman
Everything about this is embarrassing" she said. "D'you know how embarrassing it is to mention good and evil in a scientific laboratory? Have you any idea? One of the reasons I became a scientist was not to have to think about that kind of thing.
Philip Pullman
When you stopped believing in God," he went on, "did you stop believing in good and evil?""No. But I stopped believing there was a power of good and a power of evil that were outside us. And I came to believe that good and evil are names for what people do, not for what they are. All we can say is that this is a good deed, because it helps someone, or that's an evil one, because it hurts them. People are too complicated to have simple labels.
Philip Pullman
We've heard them all talk about Dust, and they're so afraid of it, and you know what? We believed them, even though we could see that what they were doing was wicked and evil and wrong... We thought Dust must be bad too, because they were grown up and they said so. But what if it isn't? What if it's—'She said breathlessly, 'Yeah! What if it's really good...
Philip Pullman
But suppose your dæmon settles in a shape you don't like?Well, then, you're discontented, en't you? There's plenty of folk as'd like to have a lion as a dæmon and they end up with a poodle. And till they learn to be satisfied with what they are, they're going to be fretful about it. Waste of feeling, that is.But it didn't seem to Lyra that she would ever grow up.
Philip Pullman
He sat down and collected his thoughts. They were quite easy to collect, because there weren't very many of them, and they all concerned the same subject--what a burden his life was.
Philip Pullman
And Will knew what it was to see his dæmon. As she flew down to the sand, he felt his heart tighten and release in a way he never forgot. Sixty years and more would go by, and as an old man he would still feel some sensations as bright and fresh as ever: Lyra's fingers putting the fruit between his lips under the gold-and-silver trees; her warm mouth pressing against his; his dæmon being torn from his unsuspecting breast as they entered the world of the dead; and the sweet rightfulness of her coming back to him at the edge of the moonlight dunes.
Philip Pullman
Darling, no one would ever dream of performing an operation on a child without testing it first. And no one in a thousand years would take a child's daemon away altogether! All that happens is a little cut, and then everything's peaceful. Forever! You see, your daemon's a wonderful friend and com panion when you're young, but at the age we call puberty, the age you're coming to very soon, darling, daemons bring all sort of troublesome thoughts and feelings, and that's what lets Dust in. A quick little operation before that, and you're never troubled again. And your daemon stays with you, only...just not connected. Like a... like a wonderful pet, if you like. The best pet in the world!Wouldn't you like that? (Marisa Coulter)
Philip Pullman
But Balthamos couldn't tell; he only knew that half his heart had been extinguished. He couldn't keep still: he flew up again, scouring the sky as if to seek out Baruch in this cloud or that, calling, crying, calling; and then he'd be overcome with guilt, and fly down to urge Will to hide and keep quiet, and promise to watch over him tirelessly; and then the pressure of his grief would crush him to the ground, and he'd remember every instance of kindness and courage that Baruch had ever shown, and there were thousands, and he'd forgotten none of them; and he'd cry that a nature so gracious could ever be snuffed out, and he'd soar into the skies again, casting about in every direction, reckless and wild and stricken, cursing the air, the clouds, the stars.
Philip Pullman
Men pass in front of our eyes like butterflies, creatures of a brief season. We love them; they are brave, proud, beautiful, clever; and they die almost at once. They die so soon that our hearts are continually wracked with pain.
Philip Pullman
She has committed great sins, but they've been forgiven, and that's why she loves so deeply.
Philip Pullman
The best way to get kids to read a book is to say: 'This book is not appropriate for your age, and it has all sorts of horrible things in it like sex and death and some really big and complicated ideas, and you’re better off not touching it until you’re all grown up. I’m going to put it on this shelf and leave the room for a while. Don’t open it.
Philip Pullman
For a human being, nothing comes naturally,' said Grumman. 'We have to learn everything we do.
Philip Pullman
Stories don’t teach us to be good; it isn’t as simple as that. They show us what it feels like to be good, or to be bad. They show us people like ourselves doing right things and wrong things, acting bravely or acting meanly, being cruel or being kind, and they leave it up to our own powers of empathy and imagination to make the connection with our own lives. Sometimes we do, sometimes we don’t. It isn’t like putting a coin in a machine and getting a chocolate bar; we’re not mechanical, we don’t respond every time in the same way…The moral teaching comes gently, and quietly, and little by little, and weighs nothing at all. We hardly know it’s happening. But in this silent and discreet way, with every book we read and love, with every story that makes its way into our heart, we gradually acquire models of behaviour and friends we admire and patterns of decency and kindness to follow.
Philip Pullman
There’s been terrible things we seen, en’t there? And more a coming, more’n likely. So I think I’d rather not know what’s in the future. I’ll stick to the present.
Philip Pullman
You speak of destiny as if it was fixed.
Philip Pullman
We are all subject to the fates. But we must act as if we are not, or die of despair.
Philip Pullman
There are some themes, some subjects, too large for adult fiction; they can only be dealt with adequately in a children's book.The reason for that is that in adult literary fiction, stories are there on sufferance. Other things are felt to be more important: technique, style, literary knowingness. Adult writers who deal in straightforward stories find themselves sidelined into a genre such as crime or science fiction, where no one expects literary craftsmanship.But stories are vital. Stories never fail us because, as Isaac Bashevis Singer says, "events never grow stale." There's more wisdom in a story than in volumes of philosophy. And by a story I mean not only Little Red Riding Hood and Cinderella and Jack and the Beanstalk but also the great novels of the nineteenth century, Jane Eyre, Middlemarch, Bleak House and many others: novels where the story is at the center of the writer's attention, where the plot actually matters. The present-day would-be George Eliots take up their stories as if with a pair of tongs. They're embarrassed by them. If they could write novels without stories in them, they would. Sometimes they do.But what characterizes the best of children's authors is that they're not embarrassed to tell stories. They know how important stories are, and they know, too, that if you start telling a story you've got to carry on till you get to the end. And you can't provide two ends, either, and invite the reader to choose between them. Or as in a highly praised recent adult novel I'm about to stop reading, three different beginnings. In a book for children you can't put the plot on hold while you cut artistic capers for the amusement of your sophisticated readers, because, thank God, your readers are not sophisticated. They've got more important things in mind than your dazzling skill with wordplay. They want to know what happens next.
Philip Pullman