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February 21, 1977
American
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Author
February 21, 1977
If we are not given the option to live without violence, we are given the choice to center our meals around harvest or slaughter, husbandry or war. We have chosen slaughter. We have chosen war. That's the truest version of our story of eating animals.Can we tell a new story?
Jonathan Safran Foer
... we decided to create a Nothing Place in the living room, it seemed necessary, because there are times when one needs to disappear while in the living room, and sometimes one simply wants to disappear, we made this zone slightly larger so that one of us could lie down in it, it was a rule that you never would look at that rectangle of space, it didn't exist, and when you were in it, neither did you, for a while that was enough, but only for a while, we required more rules, on our second anniversary we marked off the entire guest room as a Nothing Place, it seemed like a good idea at the time, sometimes a small patch at the foot of the bed or a rectangle in the living room isn't enough privacy, the side of the door that faced the guest room was Nothing, the side that faced the hallway was Something, the knob that connected them was neither Something nor Nothing. The walls of the hallway were Nothing, even pictures need to disappear, especially pictures, but the hallway itself was Something, the bathtub was Nothing, the bathwater was Something, the hair on our bodies was Nothing, of course, but once it collected around the drain it was Something, we were trying to make our lives easier, trying, with all of our rules, to make life effortless. But a friction began to arise between Nothing and Something, in the morning the Nothing vase cast a Something shadow, like the memory of someone you've lost, what can you say about that, at night the Nothing light from the guest room spilled under the Nothing door and stained the Something hallway, there's nothing to say. It became difficult to navigate from Something to Something without accidentally walking through Nothing, and when Something—a key, a pen, a pocketwatch—was accidentally left in a Nothing Place, it never could be retrieved, that was an unspoken rule, like nearly all of our rules have been. There came a point, a year or two ago, when our apartment was more Nothing than Something, that in itself didn't have to be a problem, it could have been a good thing, it could have saved us. We got worse. I was sitting on the sofa in the second bedroom one afternoon, thinking and thinking and thinking, when I realized I was on a Something island. "How did I get here," I wondered, surrounded by Nothing, "and how can I get back?" The longer your mother and I lived together, the more we took each other's assumptions for granted, the less was said, the more misunderstood, I'd often remember having designated a space as Nothing when she was sure we had agreed that it was Something, our unspoken agreements led to disagreements, to suffering, I started to undress right in front of her, this was just a few months ago, and she said, "Thomas! What are you doing!" and I gestured, "I thought this was Nothing," covering myself with one of my daybooks, and she said, "It's Something!" We took the blueprint of our apartment from the hallway closet and taped it to the inside of the front door, with an orange and a green marker we separated Something from Nothing. "This is Something," we decided. "This is Nothing." "Something." "Something." "Nothing." "Something." "Nothing." "Nothing." "Nothing." Everything was forever fixed, there would be only peace and happiness, it wasn't until last night, our last night together, that the inevitable question finally arose, I told her, "Something," by covering her face with my hands and then lifting them like a marriage veil. "We must be." But I knew, in the most protected part of my heart, the truth.
Jonathan Safran Foer
Thomas! What are you doing!" and I gestured, "I thought this was Nothing," covering myself with one of my daybooks ,and she said, "It's Something!
Jonathan Safran Foer
Weeks passed like boats waiting to sail into the starless dawn, we were full of aimless endless darkness.
Jonathan Safran Foer
One hundred years of joy can be erased in one second
Jonathan Safran Foer
It's nice to believe that when confronted with facts people will just suddenly respond to them but, in fact, most people don't really work like that.
Jonathan Safran Foer
All that mattered was him looking at me
Jonathan Safran Foer
And this is what living next to a waterfall is like, Safran. Every widow wakes one morning, perhaps after years of pure and unwavering grieving, to realize she slept a good night's sleep, and will be able to eat breakfast, and doesn't hear her husband's ghost all the time, but only some of the time. Her grief is replaced with useful sadness. Every parent who loses a child finds a way to laugh again. The timbre begins to fade. The edge dulls. The hurt lessens. Every love is carved from loss. Mine was. Yours is. Yor great-great-great-grandchildren's will be. But we learn to live in that love
Jonathan Safran Foer
Does it break my heart, of course, every moment of every day, into more pieces than my heart was made of...
Jonathan Safran Foer
August has passed, and yet summer continues by force to grow days. They sprout secretly between the chapters of the year, covertly included between its pages.
Jonathan Safran Foer
You only get to keep what you refuse to let go of
Jonathan Safran Foer
Every moment before this one depends on this one.
Jonathan Safran Foer
Sometimes I can hear my bones straining under the weight of all the lives I’m not living.
Jonathan Safran Foer
So She had to satisfy herself with the idea of love-loving the loving of things whose existence she didn't care at all about. Love itself became the object of her love. She loved herself in love, she loved loving love, as love loves loving, and was able, in that way, to reconcile herself with a world that fell so short of what she would have hoped for.
Jonathan Safran Foer
It's better to lose something than never to have had
Jonathan Safran Foer
She said, "Do you have more things that you need, or more that you don't need?" I said, "It depends on what it means to need.
Jonathan Safran Foer
I hated the gnawing longing that accompanied having everything.
Jonathan Safran Foer
He promised us that everything would be OK. I was a child, but I knew that everything would not be OK. That did not make my father a liar. It made him my father.
Jonathan Safran Foer
The dream thatwe are our fathers. I walked to the Brod,41without knowing why, and looked intomy reflection in the water. I couldn’t lookaway. What was the image that pulled mein after it? What was it that I loved? Andthen I recognized it. So simple. In thewater I saw my father’s face, and that facesaw the face of its father, and so on, and soon, reflecting backward to the beginningof time, to the face of God, in whoseimage we were created. We burned withlove for ourselves, all of us, starters ofthe fire we suffered—our love was the afflictionfor which only our love was thecure . . .
Jonathan Safran Foer
Darling,You asked me to write you a letter, so I am writing you a letter. I do not know why I am writing you this letter, or what this letter is supposed to be about, but I am writing it nonetheless, because I love you very much and trust that you have some good purpose for having me write this letter. I hope that one day you will have the experience of doing something you do not understand for someone you love.Your father
Jonathan Safran Foer
What's so horrible about being dead forever, and not feeling anything, and not even dreaming? What's so great about feeling and dreaming?
Jonathan Safran Foer
Young friends, whose string-and-tin-can phone extended from island to island, had to pay out more and more string, as if letting kites go higher and higher. They had more and more to tell each other, and less and less string. The boy asked the girl to say "I love you" into her can, giving her no further explanation. And she didn't ask for any, or say "That's silly," or "We're too young for love," or even suggest that she was saying "I love you" because he asked her to. Instead she said, "I love you." The words traveled through the long, long string. The boy covered his can with a lid, removed it from the string, and put her love for him on a shelf in his closet. Of course, he never could open the can, because then he would lose its contents. It was enough just to know it was there.
Jonathan Safran Foer
It's so hard to express yourself.' I understand this.'I want to express myself.'The same is true for me.' I'm looking for my voice.' It's in your mouth.' I want to do something I'm not ashamed of.'Something you are proud of, yes?' Not even. I just don't want to be ashamed.
Jonathan Safran Foer
Thanksgiving is the holiday that encompasses all others. All of them, from Martin Luther King Day to Arbor Day to Christmas to Valentine's Day, are in one way or another about being thankful.
Jonathan Safran Foer
She died in my arms saying, “I don’t want to die.” That is what death is like. It doesn’t matter what uniforms the soldiers are wearing. It doesn’t matter how good the weapons are. I thought if everyone could see what I saw, we could never have war anymore.
Jonathan Safran Foer
A few days after we came home from the hospital, I sent a letter to a friend, including a photo of my son and some first impressions of fatherhood. He responded, simply, 'Everything is possible again.' It was the perfect thing to write because that was exactly how it felt.
Jonathan Safran Foer
He saw what they either couldn't see or couldn't allow themselves to see, and that only made him more pissed, because being less stupid than one's parents is repulsive, like taking a gulp from a glass of milk that you thought was orange juice.
Jonathan Safran Foer
Her learning to sew (from a book Yankel brought back from Lvov) coincided with her refusal to wear any clothes that she did not make for herself, and when he bought her a book about animal physiology, she held the pictures to his face and said, "Don’t you think it’s strange, Yankel, how we eat them?""I’ve never eaten a picture.""The animals. Don’t you find that strange? I can’t believe I never found it strange before. It’s like your name, how you don’t notice it for so long, but when you finally do, you can’t help but say it over and over, and wonder why you never thought it was strange that you should have that name, and that everyone has been calling you that name for your whole life.""Yankel. Yankel. Yankel. Nothing so strange for me.""I won’t eat them, at least not until it doesn’t seem strange to me.
Jonathan Safran Foer
Two friends are ordering lunch. One says, 'I'm in the mood for a burger,' and orders it. The other says, 'I'm in the mood for a burger,' but remembers that there are things more important to him than what he is in the mood for at any given moment, and orders something else. Who is the sentimentalist?
Jonathan Safran Foer
As told by Kafka's close friend Max Brod:"Suddenly he began to speak to the fish in their illuminated tanks. 'Now at least I can look at you in peace, I don't eat you anymore.' It was the time he turned strictly vegetarian.
Jonathan Safran Foer
The animals are those things that God likes but doesn't love.
Jonathan Safran Foer
People care about animals. I believe that. They just don’t want to know or to pay. A fourth of all chickens have stress fractures. It’s wrong. They’re packed body to body, and can’t escape their waste, and never see the sun. Their nails grow around the bars of their cages. It’s wrong. They feel their slaughters. It’s wrong, and people know it’s wrong. They don’t have to be convinced. They just have to act differently. I’m not better than anyone, and I’m not trying to convince people to live by my standards of what’s right. I’m trying to convince them to live by their own.
Jonathan Safran Foer
This brings me back to the image of Kafka standing before a fish in the Berlin aquarium, a fish on which his gaze fell in a newly found peace after he decided not to eat animals. Kafka recognized that fish as a member of his invisible family- not as his equal, of course, but as another being that was his concern.
Jonathan Safran Foer
We know, at least, that this decision (ending factory farming) will help prevent deforestation, curb global warming, reduce pollution, save oil reserves, lessen the burden on rural America, decrease human rights abuses, improve publish health, and help eliminate the most systematic animal abuse in history.
Jonathan Safran Foer
Whether we change our lives or do nothing, we have responded. To do nothing is to do something.
Jonathan Safran Foer
Do you eat chicken because you are familiar with the scientific literature on them and have decided that their suffering doesn't matter, or do you do it because it tastes good?
Jonathan Safran Foer
...only someone who'd never been an animal would put up a sign saying not to feed them....
Jonathan Safran Foer
When we lift our forks, we hang our hats somewhere. We set ourselves in one relationship or another to farmed animals, farm-workers, national economies, and global markets. Not making a decision--eating 'like everyone else'--is to make the easiest decision, a decision that is increasingly problematic.
Jonathan Safran Foer
Our response to the factory farm is ultimately a test of how we respond to the powerless, to the most distant, to the voiceless - it is a test of how we act when no one is forcing us to act one way or another. Consistency is not required, but engagement with the problem is.
Jonathan Safran Foer
We perhaps know more than we care to admit, keeping it down in the dark places of our memory-disavowed. When we eat factory-farmed meat we live, literally, on tortured flesh. Increasingly, that tortured flesh is becoming our own.
Jonathan Safran Foer
A simple trick from the backyard astronomer: if you are having trouble seeing something, look slightly away from it. The most light-sensitive parts of our eyes (those we need to see dim objects) are on the edges of the region we normally use for focusing. Eating animals has an invisible quality. Thinking about dogs, and their relationship to the animals we eat, is one way of looking askance and making something invisible visible.
Jonathan Safran Foer
The choice-obsessed modern West is probably more accommodating to individuals who choose to eat differently than any other culture has ever been, but ironically, the utterly unselective omnivore - “I’m easy; I’ll eat anything” - can appear more socially sensitive than the individual who tries to eat in a way that is good for society. Food choices are determined by many factors, but reason (even consciousness) is not generally high on the list.
Jonathan Safran Foer
Before child labor laws, there were businesses that treated their ten-year-old employees well. society didn’t ban child labor because it’s impossible to imagine children working in a good environment, but because when you give that much power to businesses over powerless individuals, it’s corrupting. When we walk around thinking we have a greater right to eat an animal than the animal has a right to live without suffering, it’s corrupting.
Jonathan Safran Foer
The persistence of the story of animal consent into the contemporary era tells of a human appreciation of the stakes, and a desire to do the right thing.
Jonathan Safran Foer
Humans are the only animals that have children on purpose, keep in touch (or don't), care about birthdays, waste and lose time, brush their teeth, feel nostalgia, scrub stains, have religions and political parties and laws, wear keepsakes, apologize years after an offense, whisper, fear themselves, interpret dreams, hide their genitalia, shave, bury time capsules, and can choose not to eat something for reasons of conscience. The justifications for eating animals and for not eating them are often identical: we are not them.
Jonathan Safran Foer
It shouldn't be the consumer's responsibility to figure out what's cruel and what's kind, what's environmentally destructive and what's sustainable. Cruel and destructive food products should be illegal. We don't need the option of buying children's toys made with lead paint, or aerosols with chlorofluorocarbons, or medicines with unlabeled side effects. And we don't need the option of buying factory-farmed animals.
Jonathan Safran Foer
I spent my life learning to feel less. Every day I felt less. Is that growing old? Or is it something worse?
Jonathan Safran Foer
I got tired, I told him. Not worn out, but worn through. Like one of those wives who wakes up one morning and says I can't bake any more bread.You never bake bread, he wrote, and we were still joking.Then it's like I woke up and baked bread, I said, and we were joking even then. I wondered will there come a time when we won't be joking? And what would it look like? And how would that feel?When I was a girl, my life was music that was always getting louder. Everything moved me. A dog following a stranger. That made me feel so much. A calender that showed the wrong month. I could have cried over it. I did. Where the smoke from the chimney ended. How an overturned bottle rested at the edge of a table.I spent my life learning to feel less.Every day I felt less.Is that growing old? Or is it something worse?You cannot protect yourself from sadness without protecting yourself from happiness.
Jonathan Safran Foer
In my dream, people apologized for things that were about to happen, and lit candles by inhaling.
Jonathan Safran Foer
To feel alone is to be alone.
Jonathan Safran Foer
I once went to report on a village in Russia, a community of artists who were forced to flee the cities! I'd heard that paintings hung everywhere! I heard you couldn't see the walls through all of the paintings! They'd painted the ceilings, the 82plates, the windows, the lampshades! Was it an act of rebellion! An act of expression! Were the paintings good, or was that beside the point! I needed to see it for myself, and I needed to tell the world about it! I used to live for reporting like that! Stalin found out about the community and sent his thugs in, just a few days before I got there, to break all of their arms! That was worse than killing them! It was a horrible sight, Oskar: their arms in crude splints, straight in front of them like zombies! They couldn't feed themselves, because they couldn't get their hands to their mouths! So you know what they did!' 'They starved?' 'They fed each other! That's the difference between heaven and hell! In hell we starve! In heaven we feed each other!
Jonathan Safran Foer
she also liked to remember that there could be no such thing as an intentional imperfection. People are always mistaking something that looks good for something that feels good.
Jonathan Safran Foer
He looked so much like me, I could tell that he saw it, too, we shared the smile of recognizing ourselves in each other, how many imposters do I have? DO we all make the same mistakes, or has one of us gotten it right, or even just a bit less wrong, am I the imposter?
Jonathan Safran Foer
Not responding is a response--we are equally responsible for what we don't do. In the case of animal slaughter, to throw your hands in the air is to wrap your fingers around a knife handle.
Jonathan Safran Foer
Long before man traveled into space, rabbis debated how one would observe Shabbat there-not because they anticipated space travel but because Buddhists strive to live with questions and Jews would rather die.
Jonathan Safran Foer
It is best if the guard is in love with America and wants to overawe the American by being a premium guard. This kind of guard thinks that he will encounter the American again one day in America, and that the American will offer to take him to a Chicago Bulls game, and buy him blue jeans and whitebread and delicate toilet paper. This guard dreams of speaking Englishwithout an accent and obtaining a wife with an unmalleable bosom. This guard will confess that he does not love where he lives.The other kind of guard is also in love with America, but he will hate the American for being an American. This is worst. This guard knows he will never go to America, and knows that he will never meet the American again. He will steal from the American, and terror the American, only to teach that he can.
Jonathan Safran Foer
He chose illness, because he knew of no other way to be seen. Not even by those looking at him.
Jonathan Safran Foer
One can build a perfect home, but not live in it.
Jonathan Safran Foer
Are you an optimist or a pessimist?" "I can't remember. Which?" "Do you know what those words mean?" "Not really." "An optimist is positive and hopeful. A pessimist is negative and cynical." "I'm an optimist." "Well, that's good, because there’s no irrefutable evidence. There’s nothing that could convince someone who doesn’t want to be convinced. But there is an abundance of clues that would give the wanting believer something to hold on to.
Jonathan Safran Foer
There were things I wanted to tell him. But I knew they would hurt him. So I buried them, and let them hurt me.
Jonathan Safran Foer
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