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All great books contain boring portions, and all great lives have contained uninteresting stretches. Imagine a modern American publisher confronted with the Old Testament as a new manuscript submitted to him for the first time. It is not difficult to think what his comments would be, for example, on the genealogies. ‘My dear sir,’ he would say, ‘this chapter lacks pep; you can’t expect your reader to be interested in a mere string of proper names of persons about whom you tell so little. You have begun your story, I admit, in fine style, and at first I was very favourably impressed, but you have altogether too much wish to tell it all. Pick out the highlights, take out the superfluous matter, and bring me back your manuscript when you have reduced it to a reasonable length.’ So the modern publisher would speak, knowing the modern reader’s fear of boredom.
