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That was enough dialogue for a few pages - he had to get into some fast, red-hot action.There weren't any more hitches now. The story flowed like a torrent. The margin bell chimed almost staccato, the roller turned with almost piston-like continuity, the pages sprang up almost like blobs of batter from a pancake skillet. The beer kept rising in the glass and, contradictorily, steadily falling lower. The cigarettes gave up their ghosts, long thin gray ghosts, in a good cause; the mortality rate was terrible.His train of thought, the story's lifeline, beer-lubricated but no whit impeded, flashed and sputtered and coursed ahead like lightning in a topaz mist, and the loose fingers and hiccuping keys followed as fast as they could. ("The Penny-A-Worder")
Cornell Woolrich
What stories can do, I guess, is make things present.I can look at things I never looked at. I can attach faces to grief and love and pity and God. I can be brave. I can make myself feel again.
Tim O'Brien
Fiction and non-fiction are only different techniques of story telling. For reasons I do not fully understand, fiction dances out of me. Non-fiction is wrenched out by the aching, broken world I wake up to every morning.
Arundhati Roy
The preliminaries were out of the way, the creative process was about to begin. The creative process, that mystic life force, that splurge out of which has come the Venus de Milo, the Mona Lisa, the Fantasie Impromptu, the Bayeux tapestries, Romeo and Juliet, the windows of Chartres Cathedral, Paradise Lost - and a pulp murder story by Dan Moody. The process is the same in all; if the results are a little uneven, that doesn't invalidate the basic similarity of origin.
Cornell Woolrich
I liked reading biographies of writers, even if (as was the case with Monsieur Rabelais)I'd never read any of their actual writing. I flipped to the back and found the highlighted quote ("NEVER USE A HIGHLIGHTER IN MY BOOKS,
John Green
Workshop Hermeticism, fiction for which the highest praise involves the words 'competent,' 'finished,' 'problem-free,' fiction over which Writing-Program pre- and proscriptions loom with the enclosing force of horizons: no character without Freudian trauma in accessible past, without near-diagnostic physical description; no image undissolved into regulation Updikean metaphor; no overture without a dramatized scene to 'show' what's 'told'; no denouement prior to an epiphany whose approach can be charted by and Freitag on any Macintosh.
David Foster Wallace
My conception of a novel is that it ought to be a personal struggle, a direct and total engagement with the author's story of his or her own life. This conception, again, I take from Kafka, who, although he was never transformed into an insect, and although he never had a piece of food (an apple from his family's table!) lodged in his flesh and rotting there, devoted his whole life as a writer to describing his personal struggle with his family, with women, with moral law, with his Jewish heritage, with his Unconscious, with his sense of guilt, and with the modern world. Kafka's work, which grows out of the nighttime dreamworld in Kafka's brain, is *more* autobiographical than any realistic retelling of his daytime experiences at the office or with his family or with a prostitute could have been. What is fiction, after all, if not a kind of purposeful dreaming? The writer works to create a dream that is vivid and has meaning, so that the reader can then vividly dream it and experience meaning. And work like Kafka's, which seems to proceed directly from dream, is therefore an exceptionally pure form of autobiography. There's an important paradox here that I would like to stress: the greater the autobiographical content of a fiction writer's work, the *smaller* its superficial resemblance to the writer's actual life. The deeper the writer digs for meaning, the more the random particulars of the writer's life become *impediments* to deliberate dreaming.
Jonathan Franzen
I have closed my study door on the world and shut myself away with people of my imagination. For nearly sixty years I have eavesdropped with impunity on the lives of people who do not exist. I have peeped shamelessly into hearts and bathroom closets. I have leaned over shoulders to follow the movements of quills as they write love letters, wills and confessions. I have watched as lovers love, murderers murder and childern play their make-believe. Prisons and brothels have opened their doors to me; galleons and camel trains have transported me across sea and sand; centuries and continents have fallen away at my bidding. I have spied upon the misdeeds of the mighty and witnessed the nobility of the meek. I have bent so low over sleepers in their beds that they might have felt my breath on their faces. I have seen their dreams.
Diane Setterfield
It's easy to make up weird stuff. It gets trickier when you want the weird stuff to be interesting and make sense.
Brandon Mull
For me, at least, fiction is the only way i can even begin to twist my lying memories into something true.
John Green
The instruction here is not for every kind of writer - not for the writer of nurse books or thrillers or porno or the cheaper sort of sci-fi - though it is true that what holds for the most serious kind of fiction will generally hold for junk fiction as well. (Not everyone is capable of writing junk fiction: It requires an authentic junk mind. Most creative-writing teachers have had the experience of occasionally helping to produce, by accident, a pornographer. The most elegant techniques in the world, filtered through a junk mind, become elegant junk techniques.)
John Gardner
Grayson: Fiction is just a lie anyway.Brianna: But it's not - it's a different kind of truth - it would be your truth at the time of the writing, wouldn't it?
Nora Roberts
Though in this genre we write about the fantastic, the stories work best when there is solid grounding in our world. Magic works best for me when it aligns with scientific principles. Worldbuilding works best when it draws from sources in our world. Characters work best when they’re grounded in solid human emotion and experience.
Brandon Sanderson
To be inspired is great, but to inspire is an honor.
Stacey T. Hunt
Never give up. Dare to Dream. Dare to believe.
Stacey T. Hunt
He wasn't, I realized when I read those scenes concerning Blair and myself, close to any of us-- except of course to Blair, and really not even to her. He was simply someone who floated through our lives and didn't seem to care how flatly he perceived everyone or that he'd shared our secret failures with the world, showcasing the youthful indifference, the gleaming nihilism, glamorizing the horror of it all. But there was no point in being angry with him.
Bret Easton Ellis
Careless and not particularly biting, it was easier to shrug off than anything in the first book which depicted me as an inarticulate zombie confused by the irony of Randy Newman's "I Love L.A.
Bret Easton Ellis
The audience-- the book's actual cast-- quickly realized what had happened. The reason the movie dropped everything that made the novel real was because there was no way the parents who ran the studio would ever expose their children in the same black light the book did. The movie was begging for our sympathy whereas the book didn't give a shit. And attitudes about drugs and sex had shifted quickly from 1985 to 1987 (and a regime change at the studio didn't help) so the source material-- surprisingly conservative despite its surface immorality-- had to be reshaped.
Bret Easton Ellis
He pressed bravely ahead with his story, the outlines and preliminary versions of which by now filled two thick notebooks, reorganizing, redrafting, and obsessively re-polishing lines and paragraphs with a jeweler's precision.But it was not good enough.He wanted the pages to sing with ideas that had once seemed so important to him, all and everything he knew, and yet they did not, and no amount of diligence was able to bring them to life. The story came to be a burden and weighed more heavily in his hands each time he lifted it out of the drawer. After a few weeks he was reluctant to open the desk at all.("Talking In The Dark")
Dennis Etchison
Since truth is often stranger than fiction, fiction needs to be pretty weird.
Erik Meyer
The only way to build a fan base is to have a lot of material out there for readers to find. You can't manufacture a fan base. You create it, one story at a time.
Kristine Kathryn Rusch
If all that one sees is a tiny speck of perspective in the larger scheme of things. And each perspective is made alive by the amalgamation of learning. And learning is a mere accumulation of skill and knowledge : both deriving from Truth. And Truth is not absolute but more of a figment of one's imagination made apparent to the senses. Then all, or for the most part, is fiction.
Nikhil Sharda
Fiction in general holds little interest for me. Novels, in particular, arouse more suspicion than intrigue. It truly baffles me that any practitioner of make-believe should (especially in this day and age) feel the need to produce anything so gratuitous. The fact that certain examples of this fare can approach the length of your average dictionary seems inherently absurd.
Dan Garfat-Pratt
My job takes up many daylight hours, it wakes me in the still of night and fills my head with ghosts and monsters but I love it, telling stories is what I was born to do.
Ken Scott
Write about the thing that scares you most or your most private confession and you'll never have a problem coming up with decent fiction.
Don Roff
Writing is just building a new world – one character, one place, one maniac at a time.
Carla H. Krueger
Finally I do like best of all stories whose necessity is in the implied recognition that someplace out there there exists an urgency—a chaos—, an insanity, a misrule of some dire sort which can end life as we know it but for the fact that this very story is written, this order found, this style determined, the worst averted, and we are beneficiaries of that order by being readers.
Richard Ford
I long for some connection, to the real and those who love them, and hope that my fiction can reach beyond the veil, that I might touch someone and make them feel something…or something.
Shannon Celebi
We live in a society that doesn’t offer any support or appreciation for ventures that aren’t clearly articulated and aligned for a goal. A writer gets past this. It’s going to be a mess before you’re finished, and you may not have a name for the mess or understand its utilitarian purposes. There aren't words for everything. For now, we’ll call it the draft of a story.
Ron Carlson
Writing a book with completely fictitious characters is like running a democracy, centered around a capital state. You constantly live with the fear & suspicion that one of the characters will start an uncontrollable rebellion.
Shomprakash Sinha Roy
And why is it all men thinkeverything a woman writes is trivial or trashy-or just plain sillydrivel? Don't men have romantic notions? Don't men dream of findingthe perfect love?
V.C. Andrews
You spill a lot of beans in historical fiction. Crime fiction is about spilling no beans at all. You spill the least beans you possibly can. So because I had already written historical fiction before I was really good at the spilling beans section, but the new skill I had to learn when I was writing Brighton Belle was difficult. I had to avoid the equivalent of shouting, "this character's a murderer! Look who did it!.
Sara Sheridan
Archive material is vital to the writer of historical fiction.
Sara Sheridan
[Referring to passage by Alice Munro] Finally, the passage contradicts a form of bad advice often given young writers -- namely, that the job of the author is to show, not tell. Needless to say, many great novelists combine "dramatic" showing with long sections of the flat-out authorial narration that is, I guess, what is meant by telling. And the warning against telling leads to a confusion that causes novice writers to think that everything should be acted out -- don't tell us a character is happy, show us how she screams "yay" and jumps up and down for joy -- when in fact the responsibility of showing should be assumed by the energetic and specific use of language.
Francine Prose
I have found that in fiction one is freer to speak the truth, if only because in fiction the truth is not expected or required. You may easily disguise it, so that it is only recognized much later, when the story and the characters have faded into darkness.
Philip Sington
Stories serve multiple purposes. At a basic level they are great entertainment, which is essential for living a happy and healthy life, but on a deeper level stories help us explore issues that are otherwise difficult to address. On one hand a good book helps us escape our troubles, and on the other hand it can help us face up to those troubles by bringing real issues to the fore, often in a more manageable way, since the problems are experienced vicariously through the eyes of another.
Dean F. Wilson
Writing is a solitary business. It’s just you and your characters and a blank page you need to fill.
Shannon Celebi
When writing fiction, you learn to only put things and characters in, that are going to progress your story. There is something to be learned about that approach in real life
Carl Henegan
Books have a vital place in our culture. They are the source of ideas, of stories that engage and stretch the imagination and most importantly, inspire.
Sara Sheridan
Historical fiction of course is particularly research-heavy. The details of everyday life are there to trip you up. Things that we take for granted, indeed, hardly think about, can lead to tremendous mistakes.
Sara Sheridan
Writing historical fiction has many common traits with writing sci-fi or fantasy books. The past is another country - a very different world - and historical readers want to see, smell and touch what it was like living there.
Sara Sheridan
I've always felt that good writing does not have to be literary.
Sara Sheridan
I know a lot of writers, and everyone works differently, but this is something that we truly have in common across all genres - the fiction has to be real inside your head.
Sara Sheridan
I have no problem in moving a date one way or another or coming up with a subplot that gets my characters in (or out) of a fix more rambunctiously than the extant records show.
Sara Sheridan
I wasn't writing home. I wasn't writing a death letter, either. I was writing a death journal, a piece of fiction meant for my family and my fiancee, Sara.
Clint Van Winkle
Under fun’s new administration, writing fiction becomes a way to go deep inside yourself and illuminate precisely the stuff you don’t want to see or let anyone else see, and this stuff usually turns out (paradoxically) to be precisely the stuff all writers and readers share and respond to, feel. Fiction becomes a weird way to countenance yourself and to tell the truth instead of being a way to escape yourself or to present yourself in a way you figure you will be maximally likable. This process is complicated and confusing and scary, and also hard work, but it turns out to be the best fun there is.The fact that you can now sustain the fun of writing only by confronting the very same unfun parts of yourself you’d first used writing to avoid or disguise is another paradox, but this one isn’t any kind of bind at all. What it is is a gift, a kind of miracle, and compared to it the reward of strangers’ affection is as dust, lint.
David Foster Wallace
I can be a woman on a mission. But I'll choose what mission that is. And that my friend is where youll see the results.
Kia Carrington-Russell
The Adventure called and I followed with my thumb like a character being written by an intractable author. Which, of course, I was.
Sol Luckman
To me, the best, if not the only function of imaginative writing, is to lead the human imagination outward, to take it into the vast external cosmos, and away from all that introversion and introspection, that morbidly exaggerated prying into one's own vitals—and the vitals of others—which Robinson Jeffers has so aptly symbolized as "incest." What we need is less "human interest," in the narrow sense of the term—not more. Physiological—and even psychological analysis—can be largely left to the writers of scientific monographs on such themes. Fiction, as I see it, is not the place for that sort of grubbing.
Clark Ashton Smith
Most stories are not about peoplebut about life, an addiction like the rest of themthat destroys you even as you love it,but you love it anyway and can never get enough.
Michael Hogan
Good writing should help us see the world in new ways, it should crack open our generosity towards each other. That's what I hope my work does anyway. I want someone to read it and know that they aren't alone in the universe. I want my words to act as connective tissue.
Patrick Hicks
Novelists congratulate themselves on their creation of this kind of “character” or that kind of “character,” and readers pretend to talk knowingly about “character,” but all it amounts to is that the writers are enjoying themselves writing lies and the readers are enjoying themselves reading lies. In fact, there is no such thing as character, something fixed and final. The real thing is something that novelists don’t know how to write about. Or, if they tried, the end result would never be a novel. Real people are strangely difficult to make sense out of. Even a god would have his hands full trying.
Sōseki Natsume
Like the 'good' characters in literature, the sane don't have any memorable lines.
Adam Phillips Going Sane
Good characters in fiction are the very devil. Not only because most authors have too little material to make them of, but because we as readers have a strong subconscious wish to find them incredible.
C.S. Lewis
All of fiction is truthful. What you create is your own truth and no one can take that away or change it.
Walter Dean Myers
I read not for entertainment but to feel what the writer has felt while writing even though if it was fiction.
Pushpa Rana
Good horror offers a sense of an upended, lawless world and that’s appealing to anyone who grew up feeling like an outsider.
Christopher Rice
Reading is a collaboration between the writer and reader. Both parties must keep that in mind when dealing with a work of fiction.”{Guy Gavriel Kay}
Guy Gavriel Kay
If an art form is marginalized it's because it's not speaking to people.
David Foster Wallace
To write is to reveal oneself.When I write something, fiction or non-fiction, I do not expect you to accept what I write, nor to agree with what I propose.I expect you to spend at least a tenth of a second to think about it - may be not about the characters, nor about the piece, but at least about the idea.
Sanhita Baruah
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