Writing Quotes - Page 2

Where did the stereotypical image of the reclusive author in a bathrobe and slippers, indulging in vices and spending hours before a typewriter, even come from? I don't know about you, but most writers don't have the luxury of doing any of this. Otherwise we'd have no life experience and nothing to write about, anyway.

Rebecca McNutt

But you can't fault me on my footnotes. I've worked hard on them and they look pretty impressive. And almost all the sources I quote actually exist. I must confess, however, that the idea of putting footnotes in chapter 5, the autobiographical chapter, started out simply as a joke. Who but a biblical scholar would think of footnoting an autobiography? But the joke quickly got out of hand and become a significant part of that chapter. I plan someday to write a scholarly article consisting of a single sentence and a twenty-page footnote.

Jeffrey L. Staley

Two questions form the foundation of all novels: "What if?" and "What next?" (A third question, "What now?", is one the author asks himself every 10 minutes or so; but it's more a cry than a question.) Every novel begins with the speculative question, What if "X" happened? That's how you start.

Tom Clancy

I wasn't that good you know. What I was was a guy who could write a little, publishing in magazines surrounded by people who couldn't write at all. So I looked pretty good. But I never thought I was that good at all. All that I thought was that I tried to tell the truth.

Cornell Woolrich

I want to burn with excitement or anger and bleed, bleed out my words. I want to get all fucked up and write raw and ugly about all these things I see and am and could be.

Charlotte Eriksson

When I am working on a book or a story I write every morning as soon after first light as possible. There is no one to disturb you and it is cool or cold and you come to your work and warm as you write. You read what you have written and, as you always stop when you know what is going to happen next, you go on from there. You write until you come to a place where you still have your juice and know what will happen next and you stop and try to live through until the next day when you hit it again. You have started at six in the morning, say, and may go on until noon or be through before that. When you stop you are as empty, and at the same time never empty but filling, as when you have made love to someone you love. Nothing can hurt you, nothing can happen, nothing means anything until the next day when you do it again. It is the wait until the next day that is hard to get through.

Ernest Hemingway

Every book I've read appears in my writing.

Rob Bignell

Every writer must acknowledge and be able to handle the unalterable fact that he has, in effect, given himself a life sentence in solitary confinement.

Peter Straub

The feeling that the work is magnificent, and the feeling that it is abominable, are both mosquitoes to be repelled, ignored, or killed, but not indulged.

Annie Dillard

You can read in the space of a coffin, and you can write in the space of a toolshed meant for mowers and spades.

Annie Dillard

I do not so much write a book as sit up with it, as with a dying friend. During visiting hours, I enter its room with dread and sympathy for its many disorders. I hold its hand and hope it will get better. This tender relationship can change in a twinkling. If you skip a visit or two, a work in progress will turn on you.

Annie Dillard

And then, unbidden, seemingly out of nowhere, a thought or image arrives. Some will float into your head like goldfish, lovely, bright, orange, and weightless, and you follow them like a child at an aquarium that was thought to be without fish. Others will step of the shadows like Boo Radley and make you catch your breath or take a step backward. They're often so rich, these unbidden thoughts, and so clear that they feel indelible. But I say write them all down anyway.

Anne Lamott

There's a hum that happens inside my head when I hit a certain writing rhythm, a certain speed. When laying track goes from feeling like climbing a mountain on my hands and knees to feeling like flying effortlessly through the air. Like breaking the sound barrier. everything inside me just shifts. I break the writing barrier. And the feeling of laying track changes, transforms, shifts from exertion into exultation.

Shonda Rhimes

Yet should there hover in their restless headsOne thought, one grace, one wonder at the least,Which into words no virtue can digest.

Christopher Marlowe

I truly don’t understand why at every Q and A, someone always asks, “Do you have a routine?” or “Do you write every morning?” Why those questions remain interesting, I really have no idea. But since no one’s putting a gun to their head to ask them, they must compel. They’re probably necessary on a symbolic level more than a literal one, as people cobble together an imagination of what a life devoted to “making” might be like.[I think people want a path to follow. They want a checklist so they can say, “Alright cool, so if I get up at six and I write for this long and I watch this film and I do that…”]It’s weird, because I might have wanted that, too. I used to dance in New York. My Lower East Side days. Modern dance, or whatever. One thing I learned as a dancer was that people learn combinations different ways. Some people, if they get the right side, they can also get the left side right off the top of their head. Some people need to be taught both right and left. Some people count, some people never count, you know? I noticed then that, for me, it was really watching the whole person dancing, trying to take in the whole combination at once, that helped me learn it. I think I’m the same way as a reader—I like to take in the whole book, not getting too specific about how they did it, but ride the bigger example.I mean, at the end of the day, the answer to the question “How did you do it?” is right there, on the page. They’re showing you how they did it, by doing it. Maybe it’s different with art, when you don’t know if someone had all their sculptures knitted or welded by elves somewhere, but with writing, the answer to the question “How do you write a book like this?” is usually, “Like this” [points to book].

Maggie Nelson

There's no point in writing my kind of stuff, when they're printing that kind of stuff. So I gave up and started drinking.

Charles Bukowski

A person whom works exclusively for money places a price tag on his or her soul. A person whom labors to attain fame seeks a false form of adulation. The writer ignores the lure of a glamorous life by seeking to penetrate the darkness of their own being and meditate the larger issues that frame existence. A seeker knowingly follows a path that is barren, bleak, desolate, and unproductive in terms of attaining recognition and exulted social and financial status.

Kilroy J. Oldster

When writing, I uncage KAT: Keep Adding Tension. Even if I don't know where the story's going, petting the KAT keeps it purring.

Don Roff

I've found myself moved by letters and diaries in archives as well as trashy, summer blockbusters. It's possible to make a connection with any kind of writing - as long as the writing is good.

Sara Sheridan

When students learn to wrestle with questions about purpose, audience, and genre, they develop a conceptual view of writing that has lifelong usefulness in any communicative context.

John C. Bean

Poetry of World War I, at least in its lyrical mode, was itself the last flowering of the Age of Innocence that preceded the war, that the horrors of the trenches sparked the final blossoming, as friction gives rise to fire; that the daily nightmare unfolding before the soldiers sharpened their sense of beauty, prophecy, and mission.

Philip Zaleski

That is the definition of truth, it is the thing you must not say. “The miracle into which the child and the poet walk” [Tsvetaeva] as if walking home, and home is there…The thing that is both known and unknown, this is what we are looking for when we write. We go toward the most unknown and the best unknown, this is what we are looking for when we write. We go toward the best known unknown thing, where knowing and not knowing touch, where we hope we will know what is unknown. Where we hope we will not be afraid of understanding the incomprehensible, facing invisible, hearing the inaudible, thinking the unthinkable, which is of course: thinking. Thinking is trying to think the unthinkable: thinking the thinkable is not worth the effort. Painting is trying to paint what you cannot paint and writing is writing what you cannot know before you have written: it is preknowing and not knowing, blindly, with words. It occurs at the point where blindness and light meet. Kafka says—one very small line lost in his writing—“to the depths, to the depths.

Hélène Cixous

when i write of you, my deari am holding youin the most exquisiteways.

Sanober Khan

No wonder I stopped keeping a journal. It was like keeping a record of my own stupidity. Why would I want to do that? Why would I want to remind myself what an asshole I was?

Benjamin Alire Sáenz

There are some themes, some subjects, too large for adult fiction; they can only be dealt with adequately in a children’s book. In adult literary fiction, stories are there on sufferance. Other things are felt to be more important: technique, style, literary knowingness… The present-day would-be George Eliots take up their stories as if with a pair of tongs. They’re embarrassed by them. If they could write novels without stories in them, they would. Sometimes they do. We need stories so much that we’re even willing to read bad books to get them, if the good books won’t supply them. We all need stories, but children are more frank about it.

Philip Pullman

Wait," Charlotte said. "I'd like to say something, if I may, Papa." He nodded, and Charlotte stood. Her siblings were still looking very grave. She hoped they were in the proper frame of mind to hear what she had to say, especially Branwell. "I have been thinking a great deal about ... My stories." She nodded significantly to them, willing them to understand that she was not talking about writing so much as about crossing over. "Papa was very wise when he called my writing a childish habit, and I think he understands that, for me, its a dangerous one as well." The small square of paper that had caused such consternation lay in front of her on the table. Now she took it up and held it out, looking at each if her siblings in turn. "Emily. Anne. Branwell." She ripped the paper in half. Emily gasped. " I am renouncing my invented worlds and all who live there. If any of you are in the grip if a similar childish habit"- she raised an eyebrow at her brother - "I challenge you to do the same.

Lena Coakley

You need that pride in yourself, as well as a sense, when you are sitting on Page 297 of a book, that the book is going to be read, that somebody is going to care. You can't ever be sure about that, but you need the sense that it's important, that it's not typing; it's writing.

Roger Kahn

Writing is exposing yourself to strangers

Bangambiki Habyarimana

If there's something I'm not good at, it's usually because I just organically despise it. I can't help that. I'm fabulous at too many other things to waste my time faking it.

Crystal Woods

Now the second common characteristic of fiction follows from this, and it is that fiction is presented in such a way that the reader has the sense that it is unfolding around him. This doesn't mean he has to identify himself with the character or feel compassion for the character or anything like that. It just means that fiction has to be largely presented rather than reported. Another way to say it is that though fiction is a narrative art, it relies heavily on the element of drama.

Flannery O'Connor

Honesty is vulnerability. Sadly, not everyone can handle someone’s honesty. However, lying allows people to be comfortable.

Shannon L. Alder

Honesty is easier when you have no face and no real name. And honesty, for me, is very easy on paper.

Katherine Reay

There are exactly as many special occasions in life as we choose to celebrate.

Robert Brault

Language is a door. Words en-trance and are an entrance; they draw you in. When you read, the book you cradle disappears and the tales within unfold in your mind. Writing is a shelter of words and reading an interior adventure.

Laurie Seidler

A writer need not devour a whole sheep in order to know what mutton tastes like, but he must at least eat a chop. Unless he gets his facts right, his imagination will lead him into all kinds of nonsense, and the facts he is most likely to get right are the facts of his own experience.

W Somerset Maugham

Sometimes, I marvel at the wonderof how graceful words seem to appearpen to paper; in others' handsAnd I think to myself-oh, how obsolete my existence is,to be unable to do the same.

Joy Chua

Write it as easy as you think about the difficulty

Cucuk Espe

I escape disaster by writing a poem with a joke in it:The past, present, and future walk into a bar—it was tense.

Kelli Russell Agodon

No. Not really red,but the color of a rose when it bleeds.

Anne Sexton

Good science fiction has its roots in good science.

Dan Brown

Science fiction invites the writer to grandly explore alternative worlds and pose questions about meaning and destiny. Inventing plausible new realities is what the genre is all about. One starts from a hypothesis and then builds out the logic, adding detail and incident to give substance to imaginary structures. In that respect, science fiction and theology have much in common.

Lawrence Wright

His indirect way of approaching a character or an action, striving to realize it by surrounding rather than invading it, is ideally suited to the indefinite and suggestive presentation of a ghost story.(introduction to "Sir Edmund Orme" by Henry James)

Herbert A. Wise

We may think of ourselves as static anti-heroes, but in reality we're dynamic protagonists just waiting for our courage to kick in.

Justin Alcala

We write or we are written upon. The whole of our lives is the clumsy attempt to wield the pen with grace.

Vincent Louis Carrella

I knew then that I would devote every minute we had left together to making her happy, to repairing the pain I had caused her and returning to her what I never known how to give her. These pages will be our memory until she drows her last breath in my arms and I take her forever and escape at last to a place where neither heaven nor hell will ever be able to find us.

Carlos Ruiz Zafón

A writer needs to ingest love to be passionate. Passion is a metabolite of love, and good writing is an active metabolite of passion.

Roman Payne

I read not so long ago about the construction of a large telescope in Chile's Atacama Desert, where rainfall can average a millimetre a year and the air is fifty times as dry as the air in Death Valley. Needless to say, skies over the Atacama are pristine. The pilgrim astronomer ventures to the earth’s ravaged reaches in order to peer more keenly at other worlds, and I suppose the novelist is up to something similar.

Brad Leithauser

Woolrich had a genius for creating types of story perfectly consonant with his world: the noir cop story, the clock race story, the waking nightmare, the oscillation thriller, the headlong through the night story, the annihilation story, the last hours story. These situations, and variations on them, and others like them, are paradigms of our position in the world as Woolrich sees it. His mastery of suspense, his genius (like that of his spiritual brother Alfred Hitchcock) for keeping us on the edge of our seats and gasping with fright, stems not only from the nightmarish situations he conjured up but from his prose, which is compulsively readable, cinematically vivid, high-strung almost to the point of hysteria, forcing us into the skins of the hunted and doomed where we live their agonies and die with them a thousand small deaths.

Francis M. Nevins Jr.

The only way to be inclined to write is to write to your inclination.

Terry Lander

The viewpoint character in each story is usually someone trapped in a living nightmare, but this doesn't guarantee that we and the protagonist are at one. In fact Woolrich often makes us pull away from the person at the center of the storm, splitting our reaction in two, stripping his protagonist of moral authority, denying us the luxury of unequivocal identification, drawing characters so psychologically warped and sometimes so despicable that a part of us wants to see them suffer. Woolrich also denies us the luxury of total disidentification with all sorts of sociopaths, especially those who wear badges. His Noir Cop tales are crammed with acts of police sadism, casually committed or at least endorsed by the detective protagonist. These monstrosities are explicitly condemned almost never and the moral outrage we feel has no internal support in the stories except the objective horror of what is shown, so that one might almost believe that a part of Woolrich wants us to enjoy the spectacles. If so, it's yet another instance of how his most powerful novels and stories are divided against themselves so as to evoke in us a divided response that mirrors his own self-division.("Introduction")

Francis M. Nevins Jr.

The seasonal urge is strong in poets. Milton wrote chiefly in winter. Keats looked for spring to wake him up (as it did in the miraculous months of April and May, 1819). Burns chose autumn. Longfellow liked the month of September. Shelley flourished in the hot months. Some poets, like Wordsworth, have gone outdoors to work. Others, like Auden, keep to the curtained room. Schiller needed the smell of rotten apples about him to make a poem. Tennyson and Walter de la Mare had to smoke. Auden drinks lots of tea, Spender coffee; Hart Crane drank alcohol. Pope, Byron, and William Morris were creative late at night. And so it goes.

Helen Bevington

Subtlety is the mark of confidence and is thus by far the hardest thing for a writer to achieve.

Noah Lukeman

I didn’t need to be a writer to know that I could. Did you have to become a penis to act like a dick?

Crystal Woods

In days long past, Jarod said he’d write a sentence about my love, translated in Russian, and that sentence, like my love, is clearly not for sale, unlike his virginity, or this book, which I’m both offering at ten times the market value, so hurry up and buy now, before it goes down.

Will Advise

We can’t worry about meaning. Ari proposed to us that meaning is a consumer item. Some people manufacture it through religion, philosophy, nationhood, politics, and some people buy it. But an artist is not a manufacturer.

David Cronenberg

I could doubt the value of my books as much as many do, except that, as a researcher and very curious person, I do read a lot too, and can clearly see the difference in value between what I do and what others do. I have no doubt that my books have much more value than nearly all others out there, and it wouldn't make sense for me to be an author if I couldn't see that, or if I saw the opposite, as I believe that, if we're not upgrading mankind, we're just making it lost and vulnerable to the claws of ignorance.

Robin Sacredfire

My writings are the mirror of my soul and the dance of my mind.

Debasish Mridha

The Christmas story is penmanship of the most brilliant sort, where God crafted a beginning that would never be subject to an ending.

Craig D. Lounsbrough

We are inspired by divine power to write.

Lailah Gifty Akita

I've finally decided to write about profit for a changeBut before I really started I already started to feel lameBaby what's it to a beast who manely to money remains untamed

Criss Jami

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Writing Quotes - Page 2

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