As all material creation consists of out-births of things spiritual, the spiritual world being the world of causes, and the natural world that of effects, and as effects are the repositories of their causes, the natural world is the reflection of the spiritual. For this reason, from the beginning of things, the sun has stood out as a pre-eminent symbol of the things of God. Of all inanimate things it bears the closest correspondence to the Supreme Being, for what it is in the natural world the Supreme Being is in the Spiritual. Its central fire is the correspondence of the essence of the Divine Nature--DIVINE LOVE; its heat the correspondence of the heat flowing from Divine Love, which is Divine Goodness and all that that comprises; its light the correspondence of Divine Truth which is the light proceeding from Divine Wisdom; and the union of heat and light in its central essence forever symbolizes the union of the Divine Love and Wisdom resulting from that of the Divine Will and Understanding.God is the SUN from whose heat and light--His Love and Wisdom--proceed all that is spiritual, and through the spiritual, by the medium of the natural sun, all that is natural. The sun is supreme in all natural things, and its operations run through all in its own world, but the Divine SUN from which it derives its origin is supreme in all and operates through all, above and below. And as the natural sun is everywhere present in its own realm, and all things derive their life and grow in more or less perfect measure according to their forms and distances, so is the Supreme One omnipresent, filling both the spiritual and the natural world.
Reading Chip's college orientation materials, Alfred had been struck by the sentence New England winters can be very cold. The curtains he'd bought at Sears were of a plasticized brown-and-pink fabric with a backing of foam rubber. They were heavy and bulky and stiff. "You'll appreciate these on a cold night," he told Chip. "You'll be surprised how much they cut down drafts." But Chip's freshman roommate was a prep-school product named Roan McCorkle who would soon be leaving thumbprints, in what appeared to be Vaseline, on the fifth-grade photo of Denise. Roan laughed at the curtains and Chip laughed, too. He put them back in the box and stowed the box in the basement of the dorm and let it gather mold there for the next four years. He had nothing against the curtains personally. They were simply curtains and they wanted no more than what any curtains wanted - to hang well, to exclude light to the best of their ability, to be neither too small nor too large for the window that it was their task in life to cover; to be pulled this way in the evening and that way in the morning; to stir in the breezes that came before rain on a summer night; to be much used and little noticed. There were numberless hospitals and retirement homes and budget motels, not just in the Midwest but in the East as well, where these particularly brown rubber-backed curtains could have had a long and useful life. It wasn't their fault that they didn't belong in a dorm room. They'd betrayed no urge to rise above their station; their material and patterning contained not a hint of unseemly social ambition. They were what they were. If anything, when he finally dug them out of the eve of graduation, their virginal pinkish folds turned out to be rather less plasticized and homely and Sears-like than he remembered. They were nowhere near as shameful as he'd thought.