Writing on role of victim, how we chose to be one in life , why we do it and how we can be free of that.Victim is a role we take very early in our life for many reasons. Like to protect ourselves, to be visible, to be listened, by fear, for approval and many others.It's the armour we create around us because we do not have any choices other then this. Slowly it become in our subconscious nature. We attract people in our life who are victimiser and we become victim again.We are used by them, we feel weak and overpowered by them.How do we know that we are in this role?It's very important for us to know that we are victim and its not doing good or serving us anymore. When we are victim we feel helpless, no power within, we physically too are unhealthy and our grounding is not stable.Find hard to make decision about anything, some of us find comfort in when other shows sympathy or pity towards us.We clearly need to know and accept that we have armour this role so far because there was no option or alternatives for us.Then slowly we can start choosing things, people which can bring us in our own body where we can tap that hidden power in us.Ask for help, engage in activity which will help you to break free of this mindset. We need to change our own energy frequency to attract people who are warrior, who are courageous and brave. Who can show us what does it feel to have courage and power within.Mantra isI do not need you my dear armour any more. Thank you for looking after me so long but now I am strong, confident and courageous to break free of this. I do not accept the role of Victim any more.
Nothing moves forward in a story except through conflict. Writers who cannot grasp this truth, the truth of conflict, writers who have been misled by the counterfeit comforts of modern life into believing that life is easy once you know how to play the game. These writers give conflict a false inflection. The scripts they write fail for one of two reasons, either a glut of banal conflict or a lack of meaningful conflict. The former are exercises in turbo special effects written by those who follow textbook imperatives to create conflict but because they're disinterested in or insensitive to the honest struggles of life, devise overwrought excuses for mayhem. The latter are tedious portraits written in reaction against conflict itself, these writers take the pollyanna view, that life would really be nice if it weren't for conflict. What writers at these extremes fail to realize is that while the quality of conflict in life changes as it shifts from level to level, the quantity of conflict is constant. When we remove conflict from one level of life, it amplifies ten times over on another level. When, for example, we don't have to work from dawn to dark to put bread on the table, we now have time to reflect on the great conflict within our mind and heart or we may become aware of the terrible tyrannies and suffering in the world at large. As Jean-Paul Sartre expressed it, "The essence of reality is scarcity. There isn't enough love in the world, enough food, enough justice, enough time in life. To gain any sense of satisfaction in our life we must go in to heady conflict with the forces of scarcity. To be alive is to be in perpetual conflict at one or all three levels of our lives.