Southern Literature Quotes

Although I wasn't there to bear witness, I imagine Lot's wife scanned the masses for her children. Perhaps she sought out the curves of their mouths and the shapes of their faces, trying to memorize her children, grown now. She looked back as I and any strong, loving mother would have done.

Brenda Sutton Rose

My mama steps out of her dressand drops it, an inheritance falling to my feet.She stands alone: bathed, blooming,burdened with nothing of this world.Her body is naked and beautiful,her wings gray and scorched,her brown eyes piercing the brown of mine.I watch her departure, her flapping wings:She doesn’t look back, not even once,not even to whisper my name

Brenda Sutton Rose

With red clay between my toes,and the sun setting over my head,the ghost of my mother blows in,riding on a honeysuckle breeze, oh lord,riding on a honeysuckle breeze.

Brenda Sutton Rose

We are good at stories. We hoard them, like an old woman in a room full of boxes, but now and then we pull out our best, and spread them out. We talk of the bad years when the cotton didn't open, and the day my cousin Wanda was washed in the Blood. We buff our beloved ancestors until they are smooth of sin, and give our scoundrels a hard shake, although sometimes we can't remember exactly which is who.

Potential enemies make the best friends and lovers. Many a blessed union begins in adversity.

Randy Thornhorn

A song rises up from the belly of my pastand rocks me in the bosom of buried memories.

Brenda Sutton Rose

STAINSWith red clay between my toes,and the sun setting over my head,the ghost of my mother blows in,riding on a honeysuckle breeze, oh lord,riding on a honeysuckle breeze.Her teeth, the keys of a piano.I play her grinning ivory noteswith cadenced fumbling fingers,splattered with paint, textured with scars.A song rises up from the belly of my pastand rocks me in the bosom of buried memories.My mama’s dress bears the stains of her life:blueberries, blood, bleach, and breast milk;She cradles in her arms a lifetime of love and sorrow;Its brilliance nearly blinds me.My fingers tire, as though I've played this song for years.The tune swells red, dying around the edges of a setting sun.A magnolia breeze blows in strong, a heavenly taxi sent to carry my mother home. She will not say goodbye.For there is no truth in spoken farewells.I am pregnant with a poem,my life lost in its stanzas.My mama steps out of her dressand drops it, an inheritance falling to my feet.She stands alone: bathed, blooming,burdened with nothing of this world.Her body is naked and beautiful,her wings gray and scorched,her brown eyes piercing the brown of mine.I watch her departure, her flapping wings:She doesn’t look back, not even once,not even to whisper my name: Brenda.I lick the teeth of my piano mouth.With a painter’s hands,with a writer’s handswith rusty wrinkled hands,with hands soaked in the joys,the sorrows, the spillsof my mother’s life,I pick up eighty-one years of stainsAnd pull her dress over my head.Her stains look good on me.

Brenda Sutton Rose

No matter what a person does to cover up and conceal themselves, when we write and lose control, I can spot a person from Alabama, Florida, South Carolina a mile away even if they make no exact reference to location. Their words are lush like the land they come from, filled with nine aunties, people named Bubba. There is something extravagant and wild about what they have to say — snakes on the roof of a car, swamps, a delta, sweat, the smell of sea, buzz of an air conditioner, Coca-Cola — something fertile, with a hidden danger or shame, thick like the humidity, unspoken yet ever-present. Often when a southerner reads, the members of the class look at each other, and you can hear them thinking, gee, I can't write like that. The power and force of the land is heard in the piece. These southerners know the names of what shrubs hang over what creek, what dogwood flowers bloom what color, what kind of soil is under their feet. I tease the class, "Pay no mind. It's the southern writing gene. The rest of us have to toil away.

Natalie Goldberg