Simulacra Quotes

Whence the possibility of an ideological analysis of Disneyland (L. Marin did it very well in Utopiques, jeux d'espace [Utopias, play of space]): digest of the American way of life, panegyric of American values, idealized transposition of a contradictory reality. Certainly. But this masks something else and this "ideological" blanket functions as a cover for a simulation of the third order: Disneyland exists in order to hide that it is the "real" country, all of "real" America that is Disneyland (a bit like prisons are there to hide that it is the social in its entirety, in its banal omnipresence, that is carceral). Disneyland is presented as imaginary in order to make us believe that the rest is real, whereas all of Los Angeles and the America that surrounds it are no longer real, but belong to the hyperreal order and to the order of simulation. It is no longer a question of a false representation of reality (ideology) but of concealing the fact that the real is no longer real, and thus of saving the reality principle.

Jean Baudrillard

The New or Future Eve is emptied of all inner life and turned into a shell. The bitter irony in this is that her perfection recalls nothing so much as a corpse.

[T]hese days illusion only is scared, truth profane. … [S]acredness is held to be enhanced in proportion as truth decreases and illusion increases, so that the highest degree of illusion comes to highest degree of sacredness. Religion has disappeared, … for it has been substituted … the appearance of religion[.]

Ludwig Feuerbach

But what becomes of the divinity when it reveals itself in icons, when it is multiplied in simulacra? Does it remain the supreme power that is simply incarnated in images as a visible theology? Or does it volatilize itself in the simulacra that, alone, deploy their power and pomp of fascination - the visible machinery of icons substituted for the pure and intelligible Idea of God?

Jean Baudrillard

[T]he present age, which prefers the sign to the thing signified, the copy to the original[.]

Ludwig Feuerbach

Don't wake me for the end of the world unless it has very good special effects.