Shakespeare Quotes

Shakespeare has had neither equal nor second.

This story shall the good man teach his son;And Crispin Crispian shall ne'er go by,From this day to the ending of the world,But we in it shall be remembered-We few, we happy few, we band of brothers;For he to-day that sheds his blood with meShall be my brother; be he ne'er so vile,This day shall gentle his condition;And gentlemen in England now-a-bedShall think themselves accurs'd they were not here,And hold their manhoods cheap whiles any speaksThat fought with us upon Saint Crispin's day

William Shakespeare

Reading Shakespeare is sometimes like looking through a window into a dark room. You don't see in. You see nothing but a reflection of yourself unable to see in. An unflattering image of yourself blind.

Antony Sher

Death and burial were a public spectacle. Shakespeare may have seen for himself the gravediggers at St Ann's, Soho, playing skittles with skulls and bones.

Catharine Arnold

More grief to hide than hate to utter love. Polonius, Hamlet.

William Shakespeare

In fact, Shakespeare was right when he said ‘twice a babe once a man’. We are born into the world as helpless, weak infants, and some of us end our lives as vulnerable, frail adults, unable to speak coherently, or do even the simplest tasks.

George Korankye

I’m having my lunch when I hear a familiar hoarse shout, ‘Oy Tony!’ I whip round, damaging my neck further, to see Michael Gambon in the lunch queue. …Gambon tells me the story of Olivier auditioning him at the Old Vic in 1962. His audition speech was from Richard III. ‘See, Tone, I was thick as two short planks then and I didn’t know he’d had a rather notable success in the part. I was just shitting myself about meeting the Great Man. He sussed how green I was and started farting around.’As reported by Gambon, their conversation went like this:Olivier: ‘What are you going to do for me?’Gambon: ‘Richard the Third.’Olivier: ‘Is that so. Which part?’Gambon: ‘Richard the Third.’Olivier: ‘Yes, but which part?’Gambon: ‘Richard the Third.’Olivier: ‘Yes, I understand that, but which part?’Gambon: ‘Richard the Third.’Olivier: ‘But which character? Catesby? Ratcliffe? Buckingham’s a good part …’Gambon: ‘Oh I see, beg your pardon, no, Richard the Third.’Olivier: ‘What, the King? Richard?’Gambon: ‘ — the Third, yeah.’Olivier: “You’ve got a fucking cheek, haven’t you?’Gambon: ‘Beg your pardon?’Olivier: ‘Never mind, which part are you going to do?’Gambon: ‘Richard the Third.’Olivier: ‘Don’t start that again. Which speech?’Gambon: ‘Oh I see, beg your pardon, “Was every woman in this humour woo’d.”‘Olivier: ‘Right. Whenever you’re ready.’Gambon: ‘ “Was ever woman in this humour woo’d –” ‘Olivier: ‘Wait. Stop. You’re too close. Go further away. I need to see the whole shape, get the full perspective.’Gambon: ‘Oh I see, beg your pardon …’ Gambon continues, ‘So I go over to the far end of the room, Tone, thinking that I’ve already made an almighty tit of myself, so how do I save the day? Well I see this pillar and I decide to swing round it and start the speech with a sort of dramatic punch. But as I do this my ring catches on a screw and half my sodding hand gets left behind. I think to myself, “Now I mustn’t let this throw me since he’s already got me down as a bit of an arsehole”, so I plough on … “Was ever woman in this humour woo’d –”‘Olivier: ‘Wait. Stop. What’s the blood?’Gambon: ‘Nothing, nothing, just a little gash, I do beg your pardon …’A nurse had to be called and he suffered the indignity of being given first aid with the greatest actor in the world passing the bandages. At last it was done.Gambon: ‘Shall I start again?’Olivier: ‘No. I think I’ve got a fair idea how you’re going to do it. You’d better get along now. We’ll let you know.’Gambon went back to the engineering factory in Islington where he was working. At four that afternoon he was bent over his lathe, working as best as he could with a heavily bandaged hand, when he was called to the phone. It was the Old Vic.‘It’s not easy talking on the phone, Tone. One, there’s the noise of the machinery. Two, I have to keep my voice down ’cause I’m cockney at work and posh with theatre people. But they offer me a job, spear-carrying, starting immediately. I go back to my work-bench, heart beating in my chest, pack my tool-case, start to go. The foreman comes up, says, “Oy, where you off to?” “I’ve got bad news,” I say, “I’ve got to go.” He says, “Why are you taking your tool box?” I say, “I can’t tell you, it’s very bad news, might need it.” And I never went back there, Tone. Home on the bus, heart still thumping away. A whole new world ahead. We tend to forget what it felt like in the beginning.

Antony Sher

[Measure for Measure] leaves me with the sense that life is all there is, so we might as well live it as best we can; that being human is not a given something we have to strive for. That the reason we are here is to live and that this involves making many difficult judgements.

Roger Allam

I began to recall my own experience when I was Mercutio’s age (late teens I decided, a year or two older than Romeo) as a pupil at a public school called Christ’s Hospital. This school is situated in the idyllic countryside of the Sussex Weald, just outside Horsham. I recalled the strange blend of raucousness and intellect amongst the cloisters, the fighting, the sport, and general sense of rebelliousness, of not wishing to seem conventional (this was the sixties); in the sixth form (we were called Grecians) the rarefied atmosphere, the assumption that of course we would go to Oxford or Cambridge; the adoption of an ascetic style, of Zen Buddhism, of baroque opera, the Velvet Underground, Frank Zappa, and Mahler; of Pound, Eliot and e. e. cummings. We perceived the world completely through art and culture. We were very young, very wise, and possessed of a kind of innocent cynicism. We wore yellow stockings, knee breeches, and an ankle length dark blue coat, with silver buttons. We had read Proust, we had read Evelyn Waugh, we knew what was what. There was a sense, fostered by us and by many teachers, that we were already up there with Lamb, Coleridge, and all the other great men who had been educated there. We certainly thought that we soared ‘above a common bound’. I suppose it is a process of constant mythologizing that is attempted at any public school. Tom Brown’s Schooldays is a good example. Girls were objects of both romantic and purely sexual, fantasy; beautiful, distant, mysterious, unobtainable, and, quite simply, not there. The real vessel for emotional exchange, whether sexually expressed or not, were our own intense friendships with each other. The process of my perceptions of Mercutio intermingling with my emotional memory continued intermittently, up to and including rehearsals. I am now aware that that possibly I re-constructed my memory somewhat, mythologised it even, excising what was irrelevant, emphasising what was useful, to accord with how I was beginning to see the part, and what I wanted to express with it. What I was seeing in Mercutio was his grief and pain at impending separation from Romeo, so I suppose I sensitised myself to that period of my life when male bonding was at its strongest for me.

Roger Allam

Books are Lighthouses erected in the sea of time." Prospero in Shakespeare's The Tempest

Alex St. Clair

No one has yet managed to be post-Shakespearean.

Harold Bloom

Imitations produce pain or pleasure, not because they are mistaken for realities, but because they bring realities to mind.

Samuel Johnson

The composition of Shakespeare is a forest, in which oaks extend in the air, interspersed sometimes with weeds and brambles, and sometimes giving shelting to myrtles and to roses; filling the eye with awful pomp, and gratifying the mind with endless diversity.

Samuel Johnson

Shakespeare opens a mine which contains gold and diamonds in unexhaustible plenty, though clouded by incrustations, debased by impurities, and mingled with a mass of meaner minerales.

Samuel Johnson

Usually, Shakespeare gives me goose bumps. The guy knows everything. Like some ancient angel quill-ing out blueprints life. Hiding it in fiction. And usually I love the sound of the words, the way they dance on the page. Today, they fall flat. My attention bobbing in the cosmos. All free brain-space is marinating in gap month fizz. I chew my pen, candy-cane style. The million possibilities ahead make it hard to care about right now. I write my answers slowly, each letter carved in stone not ballpoint. I’m going to explore the world, find my passion, try everything! The fizz shoots up my spine and a smile sprouts.

Jolene Stockman

O ill-starred wench! Pale as your smock!

William Shakespeare

Malone's commentary on Sonnet 93 was a defining moment in the history not only of Shakespeare studies but also of literary biography in general. What has emerged in our time as a dominant form of life writing can trace its lineage back to this extended footnote.

James Shapiro

We will meet; and there we may rehearse mostobscenely and courageously.Shakespeare, Midsummer Night's Dream. Spoken by Bottom, Act I Sc. 2

William Shakespeare

As Shakespeare says, if you're going to do a thing you might as well pop right at it and get it over.

P.G. Wodehouse

Ram. My lord constable, the armor that I saw in your tent to-night, are those stars or suns upon it?Con. Stars, my lord.Dau. Some of them will fall to-morrow, I hope.Con. And yet my sky shall not want.Dau. That may be, for you bear a many superfluously, and ’twere more honor some were away.Con. Even as your horse bears your praises; who would trot as well, were some of your brags dismounted.Henry V, 3.7.69-78

William Shakespeare

All men who repeat a line from Shakespeare are William Shakespeare

Jorge Luis Borges

No one yet has managed to be post-Shakespearean.

Harold Bloom

Lucentio: I read that I profess, the Art of Love.Bianca: And may you prove, sir, master of your art!Lucentio: While you, sweet dear, prove mistress of my heart!

William Shakespeare

And it's what you never will write," said the Controller. "Because, if it were really like Othello nobody could understand it, however new it might be. And if were new, it couldn't possibly be like Othello.

Aldous Huxley

[T]he reason why Shakespeare and Pushkin were great writers was because from the time when they were boys they stood like policemen over their thoughts and didn't allow one small insincerity to creep in.

Michael D. O'Brien

I think he'll be to Rome as is the osprey to the fish, who takes it by sovereignty of nature.

William Shakespeare

Go ye, who rest so placidly upon the sacred Bard who had been young, and when he strung his harp was old, and had never seen the righteous forsaken, or his seed begging their bread; go, Teachers of content and honest pride, into the mine, the mill, the forge, the squalid depths of deepest ignorance, and uttermost abyss of man's neglect, and say can any hopeful plant spring up in air so foul that it extinguishes the soul's bright torch as fast as it is kindled!

Charles Dickens

It is something to have gazed on the constellated white, felt it running from the eyes and the pores: the salt of love. It is something to have whispered wild thank-yous in the only ways we know how.

Bryana Johnson

Perhaps talk of counters turned the boy’s thoughts to his father’s glove shop. His father would have accounted for all his transactions using the tokens. They were hard and round and very thin, made of copper or brass. There were counters for one pair of gloves, and for two pairs, and three and four and five. But there was no counter for zero. No counters existed for all the sales that his father did not close.

Daniel Tammet

Strike as thou didst at Caesar; for I know / When though didst hate him worst, thou loved’st him better / Than ever thou loved’st Cassius.

William Shakespeare

Friar Laurence:O, mickle is the powerful grace that liesIn herbs, plants, stones, and their true qualities: For nought to vile that on the earth doth live, But to the earth some special good doth give; nor aught so good, but, strain'd from that fair use, Revolts from true birth, stumbling on abuse: Virtue itself turns vice, being misapplied, And vice sometime's by action dignified.

William Shakespeare

We probably read Shakespeare in the first place for his stories, afterwards for his characters. . . . To become intimate with Shakespeare in this way is a great enrichment of mind and instruction of conscience. Then, by degrees, as we go on reading this world-teacher, lines of insight and beauty take possession of us, and unconsciously mould our judgments of men and things and of the great issues of life.

Charlotte M. Mason

My love is as a fever, longing stillFor that which longer nurseth the disease;Feeding on that which doth preserve the ill,The uncertain sickly appetite to please.My reason, the physician to my love,Angry that his prescriptions are not kept,Hath left me, and I desperate now approve,Desire his death, which physic did except.Past cure I am, now reason is past care,And frantic-mad with evermore unrest;My thoughts and my discourse as madmen's are,At random from the truth vainly express'd;For I have sworn thee fair, and thought thee bright,Who art as black as hell, as dark as night.

William Shakespeare

Art is enchantment and artists have the right of spells. ... The success of later Shakespeare is the success of spells, where every element, however uneven, however incredible, is fastened to the next with perfect authority. The enchanted world shimmers but does not waver. A Midsummer Night's Dream is the first of his plays to accomplish this, The Tempest is enchantment's apotheosis.

Jeanette Winterson

By the power of the Tri-Force, I command you to "-------

Prashna Bari

He was digging in his garden--digging, too, in his own mind, laboriously turning up the substance of his thought. Death--and he drove in his spade once, and again, and yet again. And all our yesterdays have lighted fools they way to dusty death. A convincing thunder rumbled through the words. He lifted another spadeful of earth. Why had Linda died? Why had she been allowed to become gradually less than human and at last... He shuddered. A good kissing carrion. He planted his foot on his spade and stamped it fiercely into the tough ground. As flies to wanton boys are we to the gods; they kills us for their sport. Thunder again; words that proclaimed themselves true--truer somehow than truth itself. And yet that same Gloucester had called them ever-gentle gods. Besides, thy best of rest is sleep, and that thou oft provok'st; yet grossly fear'st thy death which is no more. No more than sleep. Sleep. Perchance to dream. His spade struck against a stone; he stooped to pick it up. For in that sleep of death, what dreams...?

Aldous Huxley

...I love Shakespeare, but sometimes....his images - If hairs be wires, black wires grow on her head....

John Geddes

After Portia has trapped Shylock through his own insistence upon the letter of the law of Contract, she produces another law by which any alien who conspires against the life of a Venetian citizen forfeits his goods and places his life at the Doge’s mercy. […] Shakespeare, it seems to me, was willing to introduce what is an absurd implausibility for the sake of an effect which he could not secure without it: at the last moment when, through his conduct, Shylock has destroyed any sympathy we may have felt for him earlier, we are reminded that, irrespective of his personal character, his status is one of inferiority. A Jew is not regarded, even in law, as a brother.

W.H. Auden

n sooth, I know not why I am so sad:It wearies me; you say it wearies you;But how I caught it, found it, or came by it,What stuff 'tis made of, whereof it is born,I am to learn;And such a want-wit sadness makes of me,That I have much ado to know myself.

William Shakespeare

You gotta be cruel to be kind.

William Shakespeare

Diseases desperate grown,By desperate appliance are relieved,Or not at all.

William Shakespeare

If the distinction is not held too rigidly nor pressed too far, it is interesting to think of Shakespeare's chief works as either love dramas or power dramas, or a combination of the two. In his Histories, the poet handles the power problem primarily, the love interest being decidedly incidental. In the Comedies, it is the other way around, overwhelmingly in the lighter ones, distinctly in the graver ones, except in Troilus and Cressida--hardly comedy at all--where without full integration something like a balance is maintained. In the Tragedies both interests are important, but Othello is decidedly a love drama and Macbeth as clearly a power drama, while in Hamlet and King Lear the two interests often alternate rather than blend.

Harold C. Goddard

Shakespeare had all these sonnets where what he said came down to this: Youth is fleeting and you'd better get married and have children and make a copy of the beauty you own because the world owns it too.

Elizabeth Knox

Be not self-willed, for thou art much too fairTo be death’s conquest and make worms thine heir.

William Shakespeare

Brutus: Kneel not, gentle Portia.Portia: I should need not, if you were gentle Brutus. Within the bond of marriage, tell me, Brutus, Is it excepted I should know no secrets That appertain to you? Am I yourself But, as it were, in sort or limitation, To keep with you at meals, comfort your bed, And talk to you sometimes? Dwell I but in the suburbs Of your good pleasure? If it be no more, Portia is Brutus' harlot, not his wife.

William Shakespeare

Foul words is but foul wind, and foul wind is but foul breath, and foul breath is noisome; therefore I will depart unkissed.

William Shakespeare

Gender mattered a whole lot less to Shakespeare than it seems to matter to us.

John Irving

willow trees, willow trees they remind me of DesdemonaI'm so damned literaryand at the same time the waters rushing past remindme of nothing

Frank O'Hara

Every person has one particular time in his life when he is more beautiful than he is ever going to be again. For some it is at seven, for others at seventeen or seventy, and as Laura Fleischman read out loud from Shakespeare, I remember thinking that for her it was probably just then.

Frederick Buechner

Shakespeare,” he thought as he scribbled away. “Foolish fancy. This is life as it is lived.

Jeanette Winterson

JAQUES: Rosalind is your love's name?ORLANDO: Yes, just.JAQUES: I do not like her name.ORLANDO: There was no thought of pleasing you when she was christened.

William Shakespeare

She is never alone when she has Her Books. Books, to her, are Friends. Give her Shakespeare or Jane Austen, Meredith or Hardy, and she is Lost - lost in a world of her own. She sleeps so little that most of her nights are spent reading.

E.M. Delafield

Shakespeare had it right all along: Love will kill you in the end.

Raquel Cepeda

Hang there like a fruit, my soul, Till the tree die!-Posthumus LeonatusAct V, Scene V

William Shakespeare

Into the breach, then. Against mobs of middle-aged moms and frightening harridans we shall prevail.”She nodded sharply, raising an invisible sword. “And damned be he—she—who cries, ‘Hold, enough!’”“Misquote Shakespeare in front of Samuel, I dare you,” I told her, and she laughed.

Patricia Briggs

Hark,” he said, his tone very dry. “What stone through yonder window breaks?”Kami yelled up at him, “It is the east, and Juliet is a jerk!

Sarah Rees Brennan

You can quiz me on Petrarch, Medea, Shakespeare or Dante, I know them all, and I’m sorry, but they’ve all gone wrong. Dumb glorified men, writing words about love and life as if they knew. As far as I’m concerned, they didn’t make it out alive either, so I’m sure as hell not going to go to them for advice.

Charlotte Eriksson

Women may fail when there is no strength in man

William Shakespeare

Consciousness is the materia poetica that Shakespeare sculpts as Michelangelo sculpts marble. We feel the consciousness of Hamlet or Iago, and our own consciousness strangely expands.

Harold Bloom

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