Sappho Quotes

The inextinguishable lesbian spark. You've surely heard about it? The one that was first ignited at Lesbos, because Sappho was so sad every time a young woman left the academy that she wrote her a poem. Fancy being sad because someone leaves! Perverted, that's what I call it. Don't you?

Gerd Brantenberg

You write poetry?" Klaus asked.He had read a lot about poets but had never met one."Just a little bit," Isadora said modestly. "I write poems down in this notebook. It's an interest of mine.""Sappho!" Sunny shrieked, which meant something like, "I'd be very pleased to hear a poem of yours!

And now it is said of meThat my love is nothing because I have borne no children, Or because I have fathered none;That I twisted the twig in my handsAnd cut the blossom free too soon from the seed;That I lay across the fire,And snuffed it dead sooner than draft or rain.But I have turned away, and drawn myself Upright to walk along the room alone. Across the dark the spines of cactus plants Remind me how I go—aloof, obscure, Indifferent to the words the children chalk Against my house and down the garden walls. They cannot tear the garden out of me,Nor smear my love with names. Love is a cliff, A clear, cold curve of stone, mottled by stars, smirched by the morning, carved by the dark sea Till stars and dawn and waves can slash no more, Till the rock’s heart is found and shaped again.I keep the house and say no words, the evening Falls like a petal down the shawl of trees. I light the fire and see the blossom dance On air alone; I will not douse that flame, That searing flower; I will burn in it.I will not banish love to empty rain.For I know that I am asked to hate myself For their sweet sakeWho sow the world with child.I am given to burn on the dark fire they make With their sly voices.But I have burned already down to bone. There is a fire that burns beyond the namesOf sludge and filth of which this world is made. Agony sears the dark flesh of the body,And lifts me higher than the smoke, to rise Above the earth, above the sacrifice;Until my soul flares outward like a blue Blossom of gas fire dancing in mid-air:Free of the body’s work of twisted iron.

Sappho isn't really meant to be read. It's meant to be sung and there were dances for the songs, also. Sappho was a performance artist, and now she exists as a textual project. She was saved by her critics, and by people who wrote of her in letters to each other. As the morning sun lathers the pool through the long windows and stripes the opposite walls in gold, I look at the fragment translations. She's paper, too. A paper poet for a paper boy. People claim to be translating her but they don't, really, they use her to write poems from as they fill in the gaps in the fragments. A duet. She may have meant for these to be solos but they're duets now, though the second singer blends in with the first. The first singer in this case is offstage, like in the old days of stars who couldn't sing, a real singer hidden behind a curtain, which is the velvet drape of history.

Eros, again now, the loosener of limbs troubles me,Bittersweet, sly, uncontrollable creature….

Sappho