Reverie Quotes

And then I realize: this isn’t dirty water falling from the sky.It is—literally—blood.I look up, and a droplet of blood splashes directly into my eye. I curse, rubbing my face, trying to get the blood out, but it’s everywhere, it’s like trying to dry off in the middle of the ocean. Shielding my face as best I can, I stare up into the sky.I am in the center of a cyclone.Giant white clouds swirl like a spiraling galaxy above me, the eye a tiny dark speck. The storm rages, throwing out bloody rain like punches, the wind so vicious it tears my clothes and cuts my skin.Representative Belles’s mind is swirling with dark thoughts—bloody thoughts—and they have created the biggest storm I have ever seen.I have to stop the cyclone. I have to get him into a peaceful reverie, something that he can hold on to while I root around his brain, looking for answers.I focus all of my concentration on stopping the bloody rain. The drops come slower and slower. I take a deep breath, imagining the clouds breaking up, spinning into fluffy bits of cotton-candy like clouds. I don’t open my eyes until the sounds of beating rain disappear and I can feel the warmth of the Mediterranean sun on my face.

Here, brush this old hair aside; it blinds me, that I seem to weep. Locks so grey did never grow but from out some ashes! But do I look very old, so very, very old, Starbuck? I feel deadly faint, bowed, and humped, as though I were Adam, staggering beneath the piled centuries since Paradise.

Herman Melville

Reverie is when ideas float in our mind without reflection or regard of the understanding.

I cannot imagine a more perfect hell than being trapped inside my own mind.

...the solitude was intoxicating. On my first night there I lay on my back on the sticky carpet for hours, in the murky orange pool of city glow coming through the window, smelling heady curry spices spiraling across the corridor and listening to two guys outside yelling at each other in Russian and someone practicing stormy flamboyant violin somewhere, and slowly realizing that there was not a single person in the world who could see me or ask me what I was doing or tell me to do anything else, and I felt as if at any moment the bedsit might detach itself from the buildings like a luminous soap bubble and drift off into the night, bobbing gently above the rooftops and the river and the stars.

A certain amount of reverie is good, like a narcotic in discreet doses. It soothes the fever, occasionally high, of the brain at work, and produces in the mind a soft, fresh vapor that corrects the all too angular contours of pure thought, fills up the gaps and intervals here and there, binds them together, and dulls the sharp corners of ideas. But too much reverie submerges and drowns. Thought is the labor of the intellect, reverie it's pleasure. To replace thought with reverie is to confound poison with nourishment.

I reached inside her and pulled out the deepest memories in her body, the memories that words can’t describe, the memories that are as much a piece of her as her arms and legs. Those are the ones she’s filled with now.

The poor young man must work for his bread; he eats; when he has eaten, he has nothing left but reverie. He enters God's theater free; he sees the sky, space, the stars, the flowers, the children, the humanity in which he suffers, the creation in which he shines. He looks at humanity so much that he sees the soul, he looks at creation so much that he sees God. He dreams, he feels that he is great; he dreams some more, and he feels that he is tender. From the egotism of the suffering man, he passes to the compassion of the contemplating man. A wonderful feeling springs up within him, forgetfulness of self, and pity for all. In thinking of the countless enjoyments nature offers, gives, and gives lavishly to open souls and refuses to closed souls, he, a millionaire of intelligence, comes to grieve for the millionaires of money. All hatred leaves his heart as all light enters his mind. And is he unhappy? No. The poverty of a young man is never miserable.

Visionary Fiction speaks the language of the soul. It offers a vision of humanity as we dream it could be.

Childhood is a human water, a water which comes out of the shadows. This childhood in the mists and glimmers, this life in the slowness of limbo gives us a certain layer of births. What a lot of beings we have begun! What a lot of lost springs which have nevertheless, flowed! Reverie toward our past then, reverie looking for childhood seems to bring back lives which which have never taken place, lives which have been imagined. Reverie is a mnemonics of the imagination. In reverie we re-enter into contact with possibilities which destitute has not been able to make use of.

Gaston Bachelard

Or… maybe I’m not going crazy. “Maybe I’m some sort of android-cyborg-clone-thing, and I’m just breaking down.I’m not sure which way is worse.Dad laughs. “You’re not in your right mind, dear,” he says. “No, no, no, you’re not.”And then——Silence.Dad fades away. The reverie chair disappears.There’s just blackness. I remember then that I am in the reverie of something dead. Whatever that thing was, it was dead.And, just as I’m starting to wonder if, perhaps, I have died, too, I see a light, far away in the corner of the dreamscape. The light isn’t soft; it’s not glowing. It crackles like silent lightning, burning with electricity, sparks flying out and fizzling in the dark.I don’t know why—it makes no sense, the way dreams often don’t—but I want to touch the light.So I do.

As the dreamscape around me grows clearer, I slip further away from it. The mind is a magical thing, I’m discovering. A dreamscape is made of thought and is wider than the sky, able to grow large enough to fit not just our own world, but every possibility and impossibility beyond it. Once I quit thinking of it as being forced into the laws of physics, it’s easy to manipulate the dreamscape into anything I want. I don’t know how I know all this, no more than I understand how I know things when I dream. I just do.I throw up my hand, and a wall rises between the orange grove and me. Behind the wall, I start creating the world I need in Representative Belles’s mind.

What a space between men their spiritual natures create! A girl’s reverie isolates her from me, and how shall I enter it? What can one know of a girl that passes, slow steps homeward, out of thoughts, she can form an empire, locked up in her language, in the singing echoes of her memory. Born yesterday of the volcanoes, of greenswards, of brine of the sea, she walks here already half divine.

Antoine De Saint Exupery