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Not every day is awful.Not every day is good.Despite the way the hours passI’m living like I should.Not every day is all wrong.Not every day is right.At least I’m not a spider trying to scamper out of sight.Not every day is ideal.Not every day is bad.At any rate I have my senseseven if they’re mad.Not every day is happy.Not every day is glum.When sadness drags me in the dumpsA simple tune I hum.Not every day I smile.Not every day I frown.With effort, I can take a scowland turn it upside down.Not every day is crazy.Not every day is sane.If consequence nips at my heelsI don’t pass on the blame.Not every day is giddy.Not every day is blah.Yet I can still appreciatea giggle and guffaw.Not every day is timid.Not every day is proud.I may not be a dragonbut I roar about as loud.Not every day has rainbows.Not every day has rain.Despite the fact I’m stiff and sore,I’m not in chronic pain.On every day the sun shines,so every night I praythat I might see the morning lightand live another day.
Richelle E. Goodrich
If I believe, truly believe our soulsare meant to cross paths, in each andevery life, traversing millennia and repeatingthis sweet interaction time and time againThen what is one lifetimewhere those interactions arecut short- For the Departed
Abby Rosmarin
It takes one a long time to become young. - Picasso
Patsy Asuncion
The U.K. should begin with an FAnd have a C after the U,And it should end in E DNow that we’ve left the E.U.
Harry Whitewolf
Had a cold hummus with pita bread, Under a delicious food, yellow or red. Might just have the appetite to cook Urgent dinner by hook or crook.So that's just a humus humor spread.
Ana Claudia Antunes
What does "poet laureate" mean? Nothing. It means a person with laurel branches twined around his head. Which is not something people do much now.
Nicholson Baker
...methinks the older that one grows, Inclines us more to laugh the scold, though laughterLeaves us so doubly serious shortly after.
George Gordon Byron
Some people never go crazy. Me, sometimes I'll lie down behind the couch for 3 or 4 days. They'll find me there. It's Cherub, they'll say, and they pour wine down my throat rub my chest sprinkle me with oils. Then, I'll rise with a roar, rant, rage - curse them and the universe as I send them scattering over the lawn. I'll feel much better, sit down to toast and eggs, hum a little tune, Suddenly become as lovable as a pink overfed whale. Some people never go crazy. What truly horrible lives they must lead.
Charles Bukowski
If the colour of life turns grey turn the palette the other way
Benny Bellamacina
There is a warin your nameI have martyred yousold you to freedomoh, Freedom
Bänoo Zan
Chaos,leave me never,keep me wildand keep me freeso that mybrokenness will be,the only beautythe world will see.
Robert M. Drake
Poetry never makes any money, and so there's no pressure to appeal to an audience. That makes a lot of things about being a poet difficult, but it also means freedom to write whatever you want to write, however you want to write it.
Garth Greenwell
Take me when I'm wild.Take me when I'm free.Take me for meand I will take you as you want to be.
Kamand Kojouri
VILLAIN.By Omrane Khuder.Staggering, tripping, stumbling down the tightrope,hastening to be set free.Yearning to be protected by the Superhero,before the Villain’s revulsion ingests me.Misplacing my footing on the tightrope,hands sweltering as the rope is pulled away.Glancing down at the fire below me,the chuckling Villain has won today.Little did I know, it was He setting me free.Little did I know, the tightrope was me.
Omrane Khuder
There ain't no money in poetry, that's what keeps the poet free. I've had all the freedom I can stand.
Guy Clark
Blinding, mineral, shattering silence. You hear nothing but the quiet crunch of stones underfoot. An implacable, definitive silence, like a transparent death. Sky of a perfectly detached blue. You advance with eyes down, reassuring yourself sometimes with a silent mumbling. Cloudless sky, limestone slabs filled with presence: silence nothing can sidestep. Silence fulfilled, vibrant immobility, tensed like a bow. There’s the silence of early morning. For long routes in autumn you have to start very early. Outside everything is violet, the dim light slanting through red and gold leaves. It is an expectant silence. You walk softly among huge dark trees, still swathed in traces of blue night. You are almost afraid of awakening. Everything whispering quietly. There’s the silence of walks through the snow, muffled footsteps under a white sky. All around you nothing moves. Things and even time itself are iced up, frozen solid in silent immobility. Everything is stopped, unified, thickly padded. A watching silence, white, fluffy, suspended as if in parentheses.
Frédéric Gros
But just a vibration among the trees and stones, on the paths. Walking to breathe in the landscape. Every step an inspiration born to die immediately, well beyond the oeuvre. I like to walk at my ease, and to stop when I like. A wandering life is what I want. To walk through a beautiful country in fine weather, without being obliged to hurry, and with a pleasant prospect at the end, is of all kinds of life the one most suited to my taste.
Frédéric Gros
But walking causes absorption. Walking interminably, taking in through your pores the height of the mountains when you are confronting them at length, breathing in the shape of the hills for hours at a time during a slow descent. The body becomes steeped in the earth it treads. And thus, gradually, it stops being in the landscape: it becomes the landscape. That doesn’t have to mean dissolution, as if the walker were fading away to become a mere inflection, a footnote. It’s more a flashing moment: sudden flame, time catching fire. And here, the feeling of eternity is all at once that vibration between presences. Eternity, here, in a spark.
Frédéric Gros
Thoreau: ‘The West of which I speak is but another name for the Wild; and what I have been preparing to say is, that in Wildness is the preservation of the world.’ That is why walking leads to a total loss of interest in what is called – laughably no doubt – the ‘news’, one of whose main features is that it becomes old as soon as it is uttered. Once caught in the rhythm, Thoreau says, you are on the treadmill: you want to know what comes next. The real challenge, though, is not to know what has changed, but to get closer to what remains eternally new. So you should replace reading the morning papers with a walk. News items replace one another, become mixed up together, are repeated and forgotten. But the truth is that as soon as you start walking, all that noise, all those rumours, fade out. What’s new? Nothing: the calm eternity of things, endlessly renewed.
Frédéric Gros
You lift your head, you’re on your way, but really just to be walking, to be out of doors. That’s it, that’s all, and you’re there. Outdoors is our element: the exact sensation of living there.
Frédéric Gros
Perhaps the itinerant monks called ‘Gyrovagues’ were especially responsible for promoting this view of our condition as eternal strangers. They journeyed ceaselessly from monastery to monastery, without fixed abode, and they haven’t quite disappeared, even today: it seems there are still a handful tramping Mount Athos. They walk for their entire lives on narrow mountain paths, back and forth on a long repeated round, sleeping at nightfall wherever their feet have taken them; they spend their lives murmuring prayers on foot, walk all day without destination or goal, this way or that, taking branching paths at random, turning, returning, without going anywhere, illustrating through endless wandering their condition as permanent strangers in this profane world.
Frédéric Gros
When one has walked a long way to reach the turning in the path that discloses an anticipated view, and that view appears, there is always a vibration of the landscape. It is repeated in the walker’s body. The harmony of the two presences, like two strings in tune, each feeding off the vibration of the other, is like an endless relaunch. Eternal Recurrence is the unfolding in a continuous circle of the repetition of those two affirmations, the circular transformation of the vibration of the presences. The walker’s immobility facing that of the landscape … it is the very intensity of that co-presence that gives birth to an indefinite circularity of exchanges: I have always been here, tomorrow, contemplating this landscape.
Frédéric Gros
forest paths – flat labyrinths – and gentle plains invite the walker’s body to softness, to languor. And memories arise like eddying mists. The air is more bracing with Nietzsche, and above all sharp, transparent. The thought is trenchant, the body wide awake, trembling.
Frédéric Gros
Zhuang Zhu also meant that the feet as such are small pieces of space, but their vocation (‘walking’) is to articulate the world’s space. The size of the foot, the gap between the legs, have no role, are never lined up anywhere. But they measure all the rest. Our feet form a compass that has no useful function, apart from evaluating distance. The legs survey. Their stride constitutes a serviceable measurement.
Frédéric Gros
In the history of walking, many experts considering him (Wordsworth) the authentic originator of the long expedition. He was the first – at a time (the late eighteenth century) when walking was the lot of the poor, vagabonds and highwaymen, not to mention travelling showmen and pedlars – to conceive of the walk as a poetic act, a communion with Nature, fulfilment of the body, contemplation of the landscape. Christopher Morley wrote of him that he was ‘one of the first to use his legs in the service of philosophy’.
Frédéric Gros
And as we know from the pilgrimage diaries of Swami Ramdas, it is when we renounce everything that everything is given to us, in abundance. Everything: meaning the intensity of presence itself.
Frédéric Gros
The Native Americans, whose wisdom Thoreau admired, regarded the Earth itself as a sacred source of energy. To stretch out on it brought repose, to sit on the ground ensured greater wisdom in councils, to walk in contact with its gravity gave strength and endurance. The Earth was an inexhaustible well of strength: because it was the original Mother, the feeder, but also because it enclosed in its bosom all the dead ancestors. It was the element in which transmission took place. Thus, instead of stretching their hands skyward to implore the mercy of celestial divinities, American Indians preferred to walk barefoot on the Earth: The Lakota was a true Naturist – a lover of Nature. He loved the earth and all things of the earth, the attachment growing with age. The old people came literally to love the soil and they sat or reclined on the ground with a feeling of being close to a mothering power. It was good for the skin to touch the earth and the old people liked to remove their moccasins and walk with bare feet on the sacred earth. Their tipis were built upon the earth and their altars were made of earth. The birds that flew in the air came to rest on the earth and it was the final abiding place of all things that lived and grew. The soil was soothing, strengthening, cleansing and healing. That is why the old Indian still sits upon the earth instead of propping himself up and away from its life-giving forces. For him, to sit or lie upon the ground is to be able to think more deeply and to feel more keenly; he can see more clearly into the mysteries of life and come closer in kinship to other lives about him. Walking, by virtue of having the earth’s support, feeling its gravity, resting on it with every step, is very like a continuous breathing in of energy. But the earth’s force is not transmitted only in the manner of a radiation climbing through the legs. It is also through the coincidence of circulations: walking is movement, the heart beats more strongly, with a more ample beat, the blood circulates faster and more powerfully than when the body is at rest. And the earth’s rhythms draw that along, they echo and respond to each other. A last source of energy, after the heart and the Earth, is landscapes. They summon the walker and make him at home: the hills, the colours, the trees all confirm it. The charm of a twisting path among hills, the beauty of vine fields in autumn, like purple and gold scarves, the silvery glitter of olive leaves against a defining summer sky, the immensity of perfectly sliced glaciers … all these things support, transport and nourish us.
Frédéric Gros
None of your knowledge, your reading, your connections will be of any use here: two legs suffice, and big eyes to see with. Walk alone, across mountains or through forests. You are nobody to the hills or the thick boughs heavy with greenery. You are no longer a role, or a status, not even an individual, but a body, a body that feels sharp stones on the paths, the caress of long grass and the freshness of the wind. When you walk, the world has neither present nor future: nothing but the cycle of mornings and evenings. Always the same thing to do all day: walk. But the walker who marvels while walking (the blue of the rocks in a July evening light, the silvery green of olive leaves at noon, the violet morning hills) has no past, no plans, no experience. He has within him the eternal child. While walking I am but a simple gaze.
Frédéric Gros
Days of slow walking are very long: they make you live longer, because you have allowed every hour, every minute, every second to breathe, to deepen, instead of filling them up by straining the joints…
Frédéric Gros
Slowness means cleaving perfectly to time, so closely that the seconds fall one by one, drop by drop like the steady dripping of a tap on stone. This stretching of time deepens space. It is one of the secrets of walking: a slow approach to landscapes that gradually renders them familiar. Like the regular encounters that deepen friendship.
Frédéric Gros
Walking: it hits you at first like an immense breathing in the ears. You feel the silence as if it were a great fresh wind blowing away clouds. There’s the silence of woodland. Clumps and groves of trees form shifting, uncertain walls around us. We walk along existing paths, narrow winding strips of beaten earth. We quickly lose our sense of direction. That silence is tremulous, uneasy. Then there’s the silence of tough summer afternoon walks across the flank of a mountain, stony paths, exposed to an uncompromising sun.
Frédéric Gros
This time, there’s no question of freeing yourself from artifice to taste simple joys. Instead there is the promise of meeting a freedom head-on as an outer limit of the self and of the human, an internal overflowing of a rebellious Nature that goes beyond you. Walking can provoke these excesses: surfeits of fatigue that make the mind wander, abundances of beauty that turn the soul over, excesses of drunkenness on the peaks, the high passes (where the body explodes). Walking ends by awakening this rebellious, archaic part of us: our appetites become rough and uncompromising, our impulses inspired. Because walking puts us on the vertical axis of life: swept along by the torrent that rushes just beneath us. What I mean is that by walking you are not going to meet yourself. By walking, you escape from the very idea of identity, the temptation to be someone, to have a name and a history. Being someone is all very well for smart parties where everyone is telling their story, it’s all very well for psychologists’ consulting rooms. But isn’t being someone also a social obligation which trails in its wake – for one has to be faithful to the self-portrait – a stupid and burdensome fiction? The freedom in walking lies in not being anyone; for the walking body has no history, it is just an eddy in the stream of immemorial life.
Frédéric Gros
Walking causes a repetitive, spontaneous poetry to rise naturally to the lips, words as simple as the sound of footsteps on the road. There also seems to be an echo of walking in the practice of two choruses singing a psalm in alternate verses, each on a single note, a practice that makes it possible to chant and listen by turns. Its main effect is one of repetition and alternation that St Ambrose compared to the sound of the sea: when a gentle surf is breaking quietly on the shore the regularity of the sound doesn’t break the silence, but structures it and renders it audible. Psalmody in the same way, in the to-and-fro of alternating responses, produces (Ambrose said) a happy tranquillity in the soul. The echoing chants, the ebb and flow of waves recall the alternating movement of walking legs: not to shatter but to make the world’s presence palpable and keep time with it. And just as Claudel said that sound renders silence accessible and useful, it ought to be said that walking renders presence accessible and useful.
Frédéric Gros
An author who composes while walking, on the other hand, is free from such bonds; his thought is not the slave of other volumes, not swollen with verifications, nor weighted with the thought of others. It contains no explanation owed to anyone: just thought, judgement, decision. It is thought born of a movement, an impulse. In it we can feel the body’s elasticity, the rhythm of a dance. It retains and expresses the energy, the springiness of the body. Here is thought about the thing itself, without the scrambling, the fogginess, the barriers, the customs clearances of culture and tradition. The result will not be long and meticulous exegesis, but thoughts that are light and profound. That is really the challenge: the lighter a thought, the more it rises, and becomes profound by rising – vertiginously – above the thick marshes of conviction, opinion, established thought. While books conceived in the library are on the contrary superficial and heavy. They remain on the level of recopying.
Frédéric Gros
Think while walking, walk while thinking, and let writing be but the light pause, as the body on a walk rests in contemplation of wide open spaces.
Frédéric Gros
the joy of walking and feeling the body advancing ‘like a man alone’; the fullness of feeling alive. And then happiness, before the spectacle of a violet-shadowed valley below the beams of the setting sun, that miracle of summer evenings, when for a few minutes every shade of colour, flattened all day by a steely sun, is brought out at last by the golden light, and breathes. Happiness can come later, at the guesthouse, in the company of others staying there: people met there, happy to find themselves together for a moment through chance. But all of that involves receiving.
Frédéric Gros
Joy is not the satisfied contemplation of an accomplished result, the emotion of victory, the satisfaction of having succeeded. It is the sign of an energy that is deftly deployed, it is a free affirmation: everything comes easy. Joy is an activity: executing with ease something difficult that has taken time to master, asserting the faculties of the mind and the body. Joys of thought when it finds and discovers, joys of the body when it achieves without effort. That is why joy, unlike pleasure, increases with repetition, and is enriched. When you are walking, joy is a basso continuo. Locally, of course, you may run into effort and difficulty. You will also find immediate moments of contentment: a proud gaze backwards to contemplate the long steep plunge of the slope behind you. Those satisfactions, though, too often present an opportunity to reintroduce quantities, scores, figures (which track? how long? what altitude?). And walking becomes a competition. That is why expeditions in high mountain country (conquering peaks, each one a challenge) are always slightly impure: because they give rise to narcissistic gratification. What dominates in walking, away from ostentation and showing off, is the simple joy of feeling your body in the most primitively natural activity.
Frédéric Gros
When walking in this mode we discover the immense vigour of starry night skies, elemental energies, and our appetites follow: they are enormous, and our bodies are satisfied. When you have slammed the world’s door, there is nothing left to hold you: pavements no longer guide your steps (the path, a hundred thousand times repeated, of the return to the fold). Crossroads shimmer like hesitant stars, you rediscover the tremulous fear of choosing, a vertiginous freedom.
Frédéric Gros
The feeling of being both trapped and free at the same time is the most mind twisting feeling of all.
Melody Lee
Free diving is not entirely free: to go down you leave behind
Brook Emery
Degraded bird, I give you back your eyes forever, ascend now whither you are tossed;Forsake this wrist, forsake this rhyme;Soar, eat ether, see what has never been seen; depart, be lost,But climb.
Edna St. Vincent Millay
From birth to death and further onAs we were born and introduced into this world,We had a gift hard to express by wordAnd somewhere in our continuous road,It kind of lost it sense and turned.There was that time we sure remember,When everything was now and 'till foreverChildren with no worries and no regrets,The only goal was making a few friends.But later on everything has changed,By minds that had it all arrangedTo bring the people into stress,Into creating their own mess.We have been slaved by our own mind,Turned into something out of our kindSlowly faded away from the present time,Forced to believe in lies, in fights and crime.They made it clearly a fight of the ego,A never ending war that won't just goThey made it a competitive game,To seek selfish materialistic fame.They turned us one against eachother,Man against man, brother against brotherDividing us by religion and skin color,Making us fight to death over a dollar.Making us lose ourselves in sadly thoughts,Wasting our days by living in the pastDepressed and haunted by the memories,And yet still hoping to fly in our dreams.Some of us tried learning how to dance,Step after step, giving our soul a new chanceSome of us left our ego vanish into sounds,Thus being aware of our natural bounce.Some tried expressing in their rhymes,The voice of a generation which never diesThey reached eternity through poetryLeaving the teachings that shall fulfill the prophecyOthers have found their way through spirituality,Becoming conscious of the human dualitySeeking the spiritual enlightenment,Of escaping an ego-oriented fightingScience, philosophy, religion,Try to explain the human origin.Maybe changes are yet to come,And it shall be better for someDeath's for the spirit not an end,But a relieving of the embodimentSo I believe that furthermore,We'll understand the power of our soulBut leaving behind all we know,And all that we might not yet knowIt all resumes to that certain truth,That we all seek to once conclude.
Virgil Kalyana Mittata Iordache
O that our dreamings all, of sleep or wake, Would all their colours from the sunset take.
John Keats
I've never stopped wanting to cross the equator, or touch an
Rita Dove
She was beauty and intelligence stitched together with no seams She lived in a world with no difference between reality and dreams Excellence as habit, she was much more than simple flesh and bone She walked in the way that forced her presence to be known If I viewed the world in melody, she is the only one I would see She could conquer that world in a day and still have time for tea Soft lips curved in confidence spilling sweetness with every breath Ideas remaining and growing even after the revolving dance of death Fingers curled with the power of creation and the ease with which it came She sat upon a throne as a queen playing the world like a simple game She was fire, and laughter, and the warmth both of them brought She made the idea of perfection appear as a simple afterthought Her body danced with the tidal currents of marvelous desire She could reach the sky in a day and then push on even higher She was the best getting better, the absolute antonym of threshold The words she wrote were gilded, laid heavy with amber glow gold She was one of very many, and yet, she was the only one of them all Her taste made my mouth water, her effect hit me harder than alcohol She was quality, and substance, an actual angel in every way real Her word was solid, it was a better guarantee than a devil with a deal She was better than just human, more like power that has taken shape and form And I the lucky one who holds her close, feels her heartbeat quicken like a storm
Hubert Martin
I think I feel it The nimble, fleeting emotion That novels and authors desperately Try to convey in ink and heart blood Whose shadow festers in the loins Of teenagers and their insatiability The hidden thing none of us can see Yet we all disagree what it looks like If only it were love... simple, infinite love But this was more, this was bloodshot madness.
Hubert Martin
She was small. Her shadow moved in the dance of chaos before her as the inferno blazed behind her and licked the sky with its many tongues. She clutched an indistinguishable toy with both arms tightly. Her face was serene. Her eyes shone with courage more immense than the surrounding flames. She was small, but at that moment, I've never seen a bigger person.
Hubert Martin
And they danced with laughter and tears. They swung each other round and round, the first and last time in years.
Hubert Martin
I wanted to know every story behind the scars on her curves. I wanted to decipher the whispers hidden beneath her every breath. I wanted to unravel her with my hands.
Hubert Martin
They surrounded me, bare me. Their fingers like tentacles and their desires like knives. Their fingers traced my secrets and their desires carved my skin.
Hubert Martin
Anyone who claims good or evil isn't one or either, they're just a liar... the worst kind of liar... the liar that doesn't even know they're lying. We're human. We're good during the day and evil at night, half the time those roles are reversed, that's what it's all about.
Hubert Martin
We are the living whole of the fragments from the things we've experienced and people we've encountered. Each interaction changes us in a subtle or massive way. The masterpiece we are sheds it's weathered skin, becoming even more than it was before.
Hubert Martin
Every decision, every single one, comes with a price to pay. It means you chose one thing over another, always. Whether you chose right or wrong, that cost remains constant. It's a permanent life tax. That's where taxes come from.
Hubert Martin
The brittle seeds remained inside my soul, my tears the water that begged them to grow. And though I hate to admit it, you are my sun. Your light and warmth the last variables needed to see the seedlings burst and anchor. The roots in my soul, the flower and fruit in yours.
Hubert Martin
Just being around her made me feel better. She had an amber shade aura to her that filled any cracks and brokenness I hadn't yet fixed. I could be myself around her, knowing full well she held on as I let go.
Hubert Martin
His eyes are covered by impermeable marble, a solidity that can never be breached. You think there is gold and warmth behind the facade of cold, but if only you could see your reflection in the marble. You would see how you burn, how brightly you glow, enough to incinerate anyone else whole.
Hubert Martin
Inside, my soul is curled tightly bearing the burden of massive sins from another life. And my eyes look far at the hell around me... a sharp grin tugs at the corner of my lips.
Hubert Martin
My scars show you I've been strong enough to endure the trauma of the world. My heart has no scars, my heart hangs in tatters only visible to those who see with more than their eyes. And my soul, well, my soul is comprised of pristine shatter, held together only because each individual piece is falling apart. They fall apart the right way though, that's why I still play this facade of being one and whole.
Hubert Martin
And in my novels I live many lives. Substitutes of spontaneity to replace a dreary reality. How I live for those inky black words and kaleidoscope colored experiences.
Hubert Martin
An intricate string made up of infinite knots and curls. Taking a step back, it really did seem so fragile. As if the smallest breeze of opportunity would cause it to snap. It held strong though, fastened to me and you as a line of steel.
Hubert Martin
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