Paris Quotes - Page 5

Usually, the murmur that rises up from Paris by day is the city talking; in the night it is the city breathing; but here it is the city singing. Listen, then, to this chorus of bell-towers - diffuse over the whole the murmur of half a million people - the eternal lament of the river - the endless sighing of the wind - the grave and distant quartet of the four forests placed upon the hills, in the distance, like immense organpipes - extinguish to a half light all in the central chime that would otherwise be too harsh or too shrill; and then say whetehr you know of anything in the world more rich, more joyous, more golden, more dazzling, than this tumult of bells and chimes - this furnace of music - these thousands of brazen voices, all singing together in flutes of stone three hundred feet high, than this city which is but one orchestra - this symphony which roars like a tempest.

He was fine; he, that orphan that foundling that outcast; he felt himself august and strong; he looked full in the face that society from which he was banished, and into which he had so powerfully intervened; that human justice from which he had snatched its prey; all those tigers whose jaws perforce remained empty; those myrmidons, those judges, those executioners, all that royal power which he, poor, insignificant being, had foiled with the power of God.

I like The Eiffel Tower because it looks like steel and lace.

Hélène slowly surveyed the room. In this respectable society, amongst these apparently decent middle-class people, were there none but faithless wives? With her strict provincial morality, she was amazed at the licensed promiscuity of Parisian life.

She loves filming and taking photographs. I can imagine her making beautiful films in France or India or somewhere with a gorgeously colourful culture. She somehow reminds me of my favourite place in the world, she and Paris I can romanticize and immortalize in ceaseless poetry for the rest of my life.

Moonshine Noire

...But still, even now, to think of it, I feel something akin to that happiness. And I've more reason now than ever to say that happiness is not what I will ever know, or will ever deserve to know. I am not so much in love with happiness. Yet the name Paris makes me feel it.

Anne Rice

The human brain has a natural ability, inherent in its mechanism, to work on many levels, in a process of constant promptings, in a type of self-preservation.If only humans understood...Most ignore it.

Is that how you’re supposed to find your soulmate and fall in love these days? By flirting in 140 character tweets and stalking each other’s social media pages?

Alexandra Potter

I always thought falling in love was hard, but now I realize that was the easy bit. It’s staying in love that‘s the hard part.

Alexandra Potter

The contortions of the gargoyles were the only therapy we had.

It feels like someone is gripping my heart and twisting it. It feels like I can't breathe. I shut my eyes tightly against the memory that is threatening to surface. I can't br

I will follow anyoneAnd ask everyoneTo stand together as one nationAgainst the killing of innocent citizens

Day after day, the globalization of terrorism becomes more evident. This is the one of the biggest challenges we are facing. We must stand with the innocent people around the world who are suffering or have lost their loved ones as a result of terrorism.

It was time to take what he wanted. And what he wanted was her.

Tis true what Hemingway says--if we're lucky enough to live our dreams in youth, as Ernest Hemingway did in 1920's Paris and I did with the Beat poets, then youth's dreams become a moveable feast you take wherever you go--youthful love remains the repast plentiful; exquisite, substantive and good. You can live on happy memories. Eat of them forever.

Alison Winfield Burns

If you're not creating, you're disintegrating.

After joyfully working each morning, I would leave off around midday to challenge myself to a footrace. Speeding along the sunny paths of the Jardin du Luxembourg, ideas would breed like aphids in my head—for creative invention is easy and sublime when air cycles quickly through the lungs and the body is busy at noble tasks.

The illusion of beauty - the rule of comparisons.

In French culture, the best way of buying time or getting off the hook entirely in a thorny personal situation is to claim that it’s complicated. The French did not invent love, but they did invent romance, so they’ve had more time than any other culture on earth to refine the nuances of its language.

Mark Zero

The French have a penchant for absolutism, for thinking that things are all one way or all another, which is why their politics are marked by a general inability to compromise and why they tend to hold their personal opinions until the bitter end, even after they have clearly lost an argument.

Mark Zero

... she was a pudding of immaturity and precocious wisdom that had not yet set into a stable mold.

Mark Zero

How can you be kissing at a time like this? Have you no respect for the dead?

Mark Zero

When you’re used to being in dangerous situations, you develop a sixth sense about your surroundings, about where possible enemies might be lurking, how many steps it will take to reach the next corner on a dead run, the best hiding places if bullets start to fly...

Mark Zero

Never run upstairs when someone’s chasing you. Don’t try to quick-draw a man who already has his gun out. Never light a match in the dark in a strange building. Half of staying safe is just keeping your head and being prudent.

Mark Zero

It wasn’t playing both sides of the fence – it was betting against yourself but still playing to win – and it encapsulated everything absurd and paradoxical that I loved about the French.

Mark Zero

And I had just kissed my ex-girlfriend, who had cried, while my current girlfriend was in jail. So far, it had not been my best day.

Mark Zero

I congratulate you on your success stealing the painting.

Mark Zero

For gypsies do not like to stay -They only come to go away.

Ludwig Bemelmans

If you feel joy when you do something unselfish for him, and would just as soon do it in secret as openly, then that rings of the true metal

In Paris, choosing a dress is a monumental decision. In Milan, it’s a kick.

Chris Dee

By seeing how small the world is, I realize how capable I am. I can conquer anything. Anywhere. Anyone.

Every year when i travel around the world, i wonder if it’ll be diferent, maybe one year won’t come to the show or you’ll be less festival, but what i realized during ARTPOP is that we belong together and some stories have no end. I will follow you around the world as long as you’ll have me because i love making music, i love making art and i love, love meeting all you beautiful, creative people“.

Lady Gaga

Let's just go in and enjoy ourselves,' Yvonne had said after a long moment when the Hitchens family had silently reviewed the menu—actually of the prices not the courses—outside a restaurant on our first and only visit to Paris. I knew at once that the odds against enjoyment had shortened (or is it lengthened? I never remember).

Christopher Hitchens

And if we never visit Paris, that's okay. Your heart is my exotic destination every day.

John Mark Green

Planning is for the world's great cities, for Paris, London, and Rome, for cities dedicated, at some level, to culture. Detroit, on the other hand, was an American city and therefore dedicated to money, and so design had given way to expediency.

Jeffrey Eugenides

The Phantom is not famous for forgiveness.

Behind every wall and every mirror and every vent, I hear sounds: breathing, rustling, footsteps, and murmurs. I try to tell myself it’s just mice making their nests behind the barriers, but since when do rodents whisper?

Lend your ear then to this tutti of steeples; diffuse over the whole the buzz of half a million of human beings, the eternal murmur of the river, the infinite piping of the wind, the grave and distant quartet of the four forests placed like immense organs on the four hills of the horizon; soften down, as with a demi-tint, all that is too shrill and too harsh in the central mass of sound, and say if you know any thing in the world more rich, more gladdening, more dazzling than that tumult of bells; than that furnace of music; than those ten thousand brazen tones breathed all at once from flutes of stone three hundred feet high; than that city which is but one orchestra; than that symphony rushing and roaring like a tempest.

We needed germans in Paris to hear Wagner.

He insisted on clearing the table, and again devoted himself to his game of patience: piecing together the map of Paris, the bits of which he’d stuffed into the pocket of his raincoat, folded up any old how.I helped him.Then he asked me, straight out, ‘What would you say was the true centre of Paris?’I was taken aback, wrong-footed. I thought this knowledge was part of a whole body of very rarefied and secret lore. Playing for time, I said, ‘The starting point of France’s roads . . . the brass plate on the parvis of Notre-Dame.’He gave me a withering look.‘Do you take for me a sap?’The centre of Paris, a spiral with four centres, each completely self-contained, independent of the other three. But you don’t reveal this to just anybody. I suppose - I hope - it was in complete good faith that Alexandre Arnoux mentioned the lamp behind the apse of St-Germain-l’Auxerrois. I wouldn’t have created that precedent. My turn now to let the children play with the lock.‘The centre, as you must be thinking of it, is the well of St-Julien-le-Pauvre. The “Well of Truth” as it’s been known since the eleventh century.’He was delighted. I’d delivered. He said, ‘You know, you and I could do great things together. It’s a pity I’m already “beyond redemption”, even at this very moment.’His unhibited display of brotherly affection was of childlike spontaneity. But he was still pursuing his line of thought: he dashed out to the nearby stationery shop and came back with a little basic pair of compasses made of tin.‘Look. The Vieux-Chene, the Well. The Well, the Arbre-a-Liege On either side of the Seine, adhering closely to the line he’d drawn, the age-old tavern signs were at pretty much the same distance from the magic well.‘Well, now, you see, it’s always been the case that whenever something bad happens at the Vieux-Chene, a month later — a lunar month, that is, just twenty-eight days — the same thing happens at old La Frite’s place, but less serious. A kind of repeat performance. An echoThen he listed, and pointed out on the map, the most notable of those key sites whose power he or his friends had experienced.In conclusion he said, ‘I’m the biggest swindler there is, I’m prepared to be swindled myself, that’s fair enough. But not just anywhere. There are places where, if you lie, or think ill, it’s Paris you disrespect. And that upsets me. That’s when I lose my cool: I hit back. It’s as if that’s what I was there for.

The ‘Oberge des Mailletz’ is by far the oldest tavern of which any record can found in the City archives. In 1292, Adam des Mailletz, inn-keeper, paid a tithe of 18 sous and 6 deniers.This we learn from the Tax Register of the period. At the time it was founded, the Trois-Mailletz was the meeting place of masons, who under the supervision of Jehan de Chelles, carved out of white stone the biblical characters destined to grace the north and south choirs of Notre-Dame. Underneath the building, there are two floors of superimposed cellars: the deeper ones date from the Gallo-Roman period. What remains of the instruments of torture found in the cellars of the Petit-Châtelet have been housed here, along with some other restored objects.A modest bar counter, a long-haired patron who bizarrely manages never to be freshly shaven or downright bearded. A stove in the middle of the shabby room; simple straightforward folk, less drunk than at Rue de Bièvre, and less dirty. Just what we needed.

The facts of religion were convincing only to those who were already convinced.

Simone de Beauvoir

Paris, however―because of her purely fortuitous beauty, because of the old things which have become a part of her, because of her entanglement of buildings and tenements―Paris yields herself in discovery as an attic beloved in our childhood gave up its secrets.

I take in all the colorful locks that line the bridge. Each one told a story. Each lock represented a relationship that was once special, whether it ended or turned into true happiness. The locks represented a past, present, and a possible future.

When we step onto the bridge, Nathan turns and spreads his arms out wide. ‘Welcome to Pont des Arts, a.k.a. The Lock Bridge.

The boy took my sketchbook.

I head in the direction of the Eiffel Tower when I exit the alley, relieved to be out of the dark.

He smirks, shaking his head and letting his eyes wander. I watch him carefully, wondering what I can say to get him to leave. “I’m not leaving until you answer some questions. Plus, I’m holding your sketchbook hostage, so you might want to cooperate.” I raise an eyebrow at him. I guess there isn’t much I can say. “This isn’t a hostage negotiation.” He chuckles half-heartedly as his eyes take me in, almost sizing me up. “I guess I should introduce myself.” He holds a hand out for me to shake. “I’m Nathan.” I stare at his hand for a moment. “Taylor,” I reply, meeting his eyes again without taking his hand. He lets his hand fall back to his side. “At least I got you to say something non-hostile.” “I haven’t been hostile,” I object. His eyebrows shoot up. “Oh, haven’t you?” “Why don’t you leave me alone?” I snap. “Leave and don’t come back.” I move passed him, heading for my apartment. He can’t follow and annoy me if I lock the door. “Where are you going?” he demands. I look back over my shoulder and roll my eyes at him, indicating the answer should be obvious: anywhere he isn’t. Once inside, I slam the door behind me. “That was totally not hostile!” he calls after me, sarcastically. I quickly head for my bedroom door, slamming it, too.

Every gesture and every look he gives me takes me by surprise and causes my heart to stutter.

I freeze, my feet suddenly glued to the floor. It takes me a minute to gather the courage to turn around, but when I do, I immediately wish I hadn't. The boy is standing in the doorway at the end of the hall.Why is he here again? I barely allow myself time to ask the question before I move. Panicked, I turn and run back downstairs as fast as I can."Hey! Wait!" he calls after me.I don't stop.

I grab the nearest lamppost when my knees threaten to give out, panting for breath as the words rip through me

He stares at me—taking me in—with his lips slightly parted. I struggle to hold myself in place as we gawk at each other. I want so desperately to run, but something is holding me back, keeping me in place.

One of his hands move away from my face to flatten against my back, pulling me closer to him as he deepens the kiss. He parts my lips under his as my mind seems to sign quietly in content. I kiss him back as fiercely as he kisses me, unable to control the infatuation that rushes through me - feeling almost like fireworks. Not so careful anymore.Little shivers of urgency shoot through me. I push off the window, pressing closer to him. The rush of sensation that is coursing through me feels like I've drunk a gallon of coffee. It feels like an electric buzz is flooding between us.

Night has settled over Paris.The streets have cleared of the crowds, and the city has been lit up. I set my book down, deciding to go for a walk. The Eiffel Tower is only a few blocks away. Now that there aren't many people out, I can walk there without having to fight my way through mobs of gawking tourists.

He drinks his coffee tentatively, glancing at me every few seconds, watching me. Every time he glances in my direction, I quickly turn away though he obviously knows I'm watching him. I know he's wondering why I'm staring at him, but he doesn't ask.I finally take a sip of coffee, set the mug back on the table, and voice what's on my mind, "I want to draw you.

Every second in the air in Paris is art.

The hours tick by as I lie in bed.Memories keep surfacing, tormenting me into unbelievable sadness. I can't bring myself to move. I can't fight the memories that keep filling my thoughts. I stay curled in the fetal position as each memory plays out. I can't stop them from coming. I can't make them go away. Nothing can distract me. I can't block the memories, so they continue to come.

I'm being pulled under - father and farther from the surface. My lungs continue to scream for air. Panic is building inside me, threatening to combust. I can't break free.Help! I can't break free!I open my mouth to scream.

To my mind, a picture should be something pleasant, cheerful, and pretty, yes pretty! There are too many unpleasant things in life as it is without creating still more of them.

Pierre-Auguste Renoir

Paris is the only city in the world where starving to death is still considered an art.

Carlos Ruiz Zafón

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