Paris Quotes

Then she stood on tiptoe and kissed him sweetly on the lips, “I promise you a love affair with a sun-bathed Austrian princess beyond anything you imagine—in love, in beauty, in intensity. A love that will power you to the end of our time together. You are going to be a fortunate man, Geoffrey Ashbrook.

Paul A. Myers

Oh ParisFrom red to green all the yellow dies awayParis Vancouver Hyeres Maintenon New York and the AntillesThe window opens like an orangeThe beautiful fruit of light("Windows")

Guillaume Apollinaire

Reticence was clearly a national characteristic, even if the other person spoke French.

Sara Sheridan

Old Hubert must have had a premonition of his squalid demise. In October he said to me, ‘Forty-two years I’ve had this place. I’d really like to go back home, but I ain’t got the energy since my old girl died. And I can’t sell it the way it is now. But anyway before I hang my hat up I’d be curious to know what’s in that third cellar of mine.’The third cellar has been walled up by order of the civil defence authorities after the floods of 1910. A double barrier of cemented bricks prevents the rising waters from invading the upper floors when flooding occurs. In the event of storms or blocked drains, the cellar acts as a regulatory overflow.The weather was fine: no risk of drowning or any sudden emergency. There were five of us: Hubert, Gerard the painter, two regulars and myself. Old Marteau, the local builder, was upstairs with his gear, ready to repair the damage. We made a hole.Our exploration took us sixty metres down a laboriously-faced vaulted corridor (it must have been an old thoroughfare). We were wading through a disgusting sludge. At the farend, an impassable barrier of iron bars. The corridor continued beyond it, plunging downwards. In short, it was a kind of drain-trap.That’s all. Nothing else. Disappointed, we retraced our steps. Old Hubert scanned the walls with his electric torch. Look! An opening. No, an alcove, with some wooden object that looks like a black statuette. I pick the thing up: it’s easily removable. I stick it under my arm. I told Hubert, ‘It’s of no interest. . .’ and kept this treasure for myself.I gazed at it for hours on end, in private. So my deductions, my hunches were not mistaken: the Bièvre-Seine confluence was once the site where sorcerers and satanists must surely have gathered. And this kind of primitive magic, which the blacks of Central Africa practise today, was known here several centuries ago. The statuette had miraculously survived the onslaught of time: the well-known virtues of the waters of the Bièvre, so rich in tannin, had protected the wood from rotting, actually hardened, almost fossilized it. The object answered a purpose that was anything but aesthetic. Crudely carved, probably from heart of oak. The legs were slightly set apart, the arms detached from the body. No indication of gender. Four nails set in a triangle were planted in its chest. Two of them, corroded with rust, broke off at the wood’s surface all on their own. There was a spike sunk in each eye. The skull, like a salt cellar, had twenty-four holes in which little tufts of brown hair had been planted, fixed in place with wax, of which there were still some vestiges. I’ve kept quiet about my find. I’m biding my time.

Jacques Yonnet

I love Paris in the summer, when it sizzles.

Cole Porter

I did exhibitions with the Surrealists (in Paris, in 1929) because their attitude revolted against 'art' and their attitude toward life itself was wise, as was Dada’s.’ Hans Arp

Lepota L. Cosmo

[H]e could see the island of Manhattan off to the left. The towers were jammed together so tightly, he could feel the mass and stupendous weight.Just think of the millions, from all over the globe, who yearned to be on that island, in those towers, in those narrow streets! There it was, the Rome, the Paris, the London of the twentieth century, the city of ambition, the dense magnetic rock, the irresistible destination of all those who insist on being where things are happening-and he was among the victors!

Tom Wolfe

The late 1920s were an age of islands, real and metaphorical. They were an age when Americans by thousands and tens of thousands were scheming to take the next boat for the South Seas or the West Indies, or better still for Paris, from which they could scatter to Majorca, Corsica, Capri or the isles of Greece. Paris itself was a modern city that seemed islanded in the past, and there were island countries, like Mexico, where Americans could feel that they had escaped from everything that oppressed them in a business civilization. Or without leaving home they could build themselves private islands of art or philosophy; or else - and this was a frequent solution - they could create social islands in the shadow of the skyscrapers, groups of close friends among whom they could live as unconstrainedly as in a Polynesian valley, live without moral scruples or modern conveniences, live in the pure moment, live gaily on gin and love and two lamb chops broiled over a coal fire in the grate. That was part of the Greenwich Village idea, and soon it was being copied in Boston, San Francisco, everywhere.

Malcolm Cowley

Last night I dreamt Moses and I were rowing underwater.We could breathe and talk to one another.We rowed past schools of fish and sea anemones and Moses named them for me.”—Jules Finn

J Dylan Yates

Parisians were not easy to engage in conversation. Perhaps that was why the Resistance had been so successful.

Sara Sheridan

FAITES L'AMOUR ET RECOMMENCEZ (make love and make it again)

Anouk Markovits

Skinny-dipping is like Paris. It's always a good idea.

Rebecca Paula

You will be my souvenir in American summer,when all I can think about are Parisian springs.

Lori Jenessa Nelson

Hélène slowly surveyed the room. In this respectable society, amongst these apparently decent middle-class people, were there none but faithless wives? With her strict provincial morality, she was amazed at the licensed promiscuity of Parisian life.

Émile Zola

It feels like someone is gripping my heart and twisting it. It feels like I can't breathe. I shut my eyes tightly against the memory that is threatening to surface. I can't br

Ashley Earley

If you're not creating, you're disintegrating.

Tawny Lara

By seeing how small the world is, I realize how capable I am. I can conquer anything. Anywhere. Anyone.

Tawny Lara

When we step onto the bridge, Nathan turns and spreads his arms out wide. ‘Welcome to Pont des Arts, a.k.a. The Lock Bridge.

Ashley Earley

The boy took my sketchbook.

Ashley Earley

I head in the direction of the Eiffel Tower when I exit the alley, relieved to be out of the dark.

Ashley Earley

He smirks, shaking his head and letting his eyes wander. I watch him carefully, wondering what I can say to get him to leave. “I’m not leaving until you answer some questions. Plus, I’m holding your sketchbook hostage, so you might want to cooperate.” I raise an eyebrow at him. I guess there isn’t much I can say. “This isn’t a hostage negotiation.” He chuckles half-heartedly as his eyes take me in, almost sizing me up. “I guess I should introduce myself.” He holds a hand out for me to shake. “I’m Nathan.” I stare at his hand for a moment. “Taylor,” I reply, meeting his eyes again without taking his hand. He lets his hand fall back to his side. “At least I got you to say something non-hostile.” “I haven’t been hostile,” I object. His eyebrows shoot up. “Oh, haven’t you?” “Why don’t you leave me alone?” I snap. “Leave and don’t come back.” I move passed him, heading for my apartment. He can’t follow and annoy me if I lock the door. “Where are you going?” he demands. I look back over my shoulder and roll my eyes at him, indicating the answer should be obvious: anywhere he isn’t. Once inside, I slam the door behind me. “That was totally not hostile!” he calls after me, sarcastically. I quickly head for my bedroom door, slamming it, too.

Ashley Earley

I grab the nearest lamppost when my knees threaten to give out, panting for breath as the words rip through me

Ashley Earley

One of his hands move away from my face to flatten against my back, pulling me closer to him as he deepens the kiss. He parts my lips under his as my mind seems to sign quietly in content. I kiss him back as fiercely as he kisses me, unable to control the infatuation that rushes through me - feeling almost like fireworks. Not so careful anymore.Little shivers of urgency shoot through me. I push off the window, pressing closer to him. The rush of sensation that is coursing through me feels like I've drunk a gallon of coffee. It feels like an electric buzz is flooding between us.

Ashley Earley

He drinks his coffee tentatively, glancing at me every few seconds, watching me. Every time he glances in my direction, I quickly turn away though he obviously knows I'm watching him. I know he's wondering why I'm staring at him, but he doesn't ask.I finally take a sip of coffee, set the mug back on the table, and voice what's on my mind, "I want to draw you.

Ashley Earley

People wonder why so many writers come to live in Paris. I’ve been living ten years in Paris and the answer seems simple to me: because it’s the best place to pick ideas. Just like Italy, Spain.. or Iran are the best places to pick saffron. If you want to pick opium poppies you go to Burma or South-East Asia. And if you want to pick novel ideas, you go to Paris.

Roman Payne

When Hitler marched across the RhineTo take the land of France,La dame de fer decided,‘Let’s make the tyrant dance.’Let him take the land and city,The hills and every flower,One thing he will never have,The elegant Eiffel Tower.The French cut the cables,The elevators stood still,‘If he wants to reach the top,Let him walk it, if he will.’The invaders hung a swastikaThe largest ever seen.But a fresh breeze blewAnd away it flew,Never more to be seen.They hung up a second mark,Smaller than the first,But a patriot climbedWith a thought in mind:‘Never your duty shirk.’Up the iron ladyHe stealthily made his way,Hanging the bright tricolour,He heroically saved the day.Then, for some strange reason,A mystery to this day,Hitler never climbed the tower,On the ground he had to stay.At last he ordered she be razedDown to a twisted pile.A futile attack, for still she standsBeaming her metallic smile.

E.A. Bucchianeri

Paris Quotes

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