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After moving his family from Yakima to Paradise, California, in 1958, he enrolled at Chico State College. There, he began an apprenticeship under the soon-to-be-famous John Gardner, the first "real writer" he had ever met. "He offered me the key to his office," Carver recalled in his preface to Gardner’s On Becoming a Novelist (1983). "I see that gift now as a turning point." In addition, Gardner gave his student "close, line-by-line criticism" and taught him a set of values that was "not negotiable." Among these values were convictions that Carver held until his death. Like Gardner, whose On Moral Fiction (1978) decried the "nihilism" of postmodern formalism, Carver maintained that great literature is life-connected, life-affirming, and life-changing. "In the best fiction," he wrote "the central character, the hero or heroine, is also the ‘moved’ character, the one to whom something happens in the story that makes a difference. Something happens that changes the way that character looks at himself and hence the world." Through the 1960s and 1970s he steered wide of the metafictional "funhouse" erected by Barth, Barthelme and Company, concentrating instead on what he called "those basics of old-fashioned storytelling: plot, character, and action." Like Gardner and Chekhov, Carver declared himself a humanist. "Art is not self-expression," he insisted, "it’s communication.
William L. Stull
When fears are screaming in your ears, try to hear the whispers of your faith and run into that dark path. That is how you reach the paradise.
Akshay Vasu
From the club of what atheist call false hope and false god (which offer solace to weak minds), atheist are calling you to their club of no god and no hope (which offers nothing in return. Join the club only if you are a strong minded individual capable of handling your life alone without the help of gods. )
Bangambiki Habyarimana
Once you believe that god is not a private property of anybody, you are on your way to becoming a new messiah. Maybe your own if not the world's
Bangambiki Habyarimana
Every word that comes after "And the Lord told me. . . “is a pious lie
Bangambiki Habyarimana
Do the thing you love to do. Hank Williams died at the ripe old age of twentynine. Stevie Ray Vaughan at thirty-five. Jesus at thirtythree. Don’t think you’re special and the Lord’s gonna bless you with time.
Jill S. Alexander
I don’t know why everyoneis still trying to find out whether heaven and hell exist.Why do we need more evidence?They exist here on this very Earth.Heaven is standing atop Mount Qasiounoverlooking the Damascene sightswith the wind carrying Qabbani’sdulcet words all around you.And hell is only four hours away in Aleppo where children’s cries drown out the explosions of mortar bombsuntil they lose their voice,their families, and their limbs.Yes, hell certainly does existright now, at this moment,as I pen this poem. And all we’re doingto extinguish this hellfireis sighing, shrugging, liking, and sharing.Tell me: what exactly does that makeus? Are we any better than the gatekeepers of hell?
Kamand Kojouri
I ran across an excerpt today (in English translation) of some dialogue/narration from the modern popular writer, Paulo Coelho in his book: Aleph.(Note: bracketed text is mine.)... 'I spoke to three scholars,' [the character says 'at last.'] ...two of them said that, after death, the [sic (misprint, fault of the publisher)] just go to Paradise. The third one, though, told me to consult some verses from the Koran. [end quote]' ...I can see that he's excited. [narrator]' ...Now I have many positive things to say about Coelho: He is respectable, inspiring as a man, a truth-seeker, and an appealing writer; but one should hesitate to call him a 'literary' writer based on this quote. A 'literary' author knows that a character's excitement should be 'shown' in his or her dialogue and not in the narrator's commentary on it. Advice for Coelho: Remove the 'I can see that he's excited' sentence and show his excitement in the phrasing of his quote.(Now, in defense of Coelho, I am firmly of the opinion, having myself written plenty of prose that is flawed, that a novelist should be forgiven for slipping here and there.)Lastly, it appears that a belief in reincarnation is of great interest to Mr. Coelho ... Just think! He is a man who has achieved, (as Leonard Cohen would call it), 'a remote human possibility.' He has won lots of fame and tons of money. And yet, how his preoccupation with reincarnation—none other than an interest in being born again as somebody else—suggests that he is not happy!
Roman Payne
God hides the fires of hell within paradise.
Paulo Coelho
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