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When I see you, Jolie, I see a woman who is far more than she realizes but who will someday grow into her powers. One who is much stronger than those who would trap her inside their cages or try to put her to harness. One with a bold intelligence, with whom I can laugh. One who surprises me."He paused, and when he spoke again, his voice was so soft I had to strain to hear. "I see a woman who makes me feel alive again, like a man, and not like a wraith who has lived beyond his usefulness in a world that no longer needs him.
Suzanne Johnson
Then I shall tell you the truthful answers to the questions you asked, about my own intentions and motivations. They are not so simple."...He cocked an eyebrow and his cobalt eyes took on a playful sparkle."If I were to avow that you are my immortal life's great passion, that I would give up immortality itself to be at your side and in your bed, you would not believe me, n'est-ce pas?
Suzanne Johnson
I didn't dare put down the staff with Etienne popping in and out like a half-burned, bloodsucking whack-a-mole.
Suzanne Johnson
He pulled out handcuffs and snapped them around my wrists. "Where's your bag? You didn't bring your staff?""I have it. It's hidden." Charlie was currently tucked inside the leg of my Harry Potter pajama bottoms, which were beneath my jeans, but that fell under the category of TMI.
Suzanne Johnson
We walked the length of Jackson Square, stopping to look at the work of a couple of artists who'd set up their sidewalk shops for the day."Look." Eugenie stopped in front of an acrylic painting of a mustached man with curly dark hair, hooded eyes, and a big hooked nose. He looked like he'd steal the hubcaps off your grandmother's Cadillac."It's Jean Lafitte, our most famous pirate," the artist said. "He was quite a character."She had no idea. She also had badly missed the mark on his looks. His hair wasn't that curly, he'd been clean-shaven the whole time I'd known him, his nose was straight and in perfect proportion to the rest of his features, and he didn't have hooded black eyes. Still, he might find it entertaining. "How much?" I asked.
Suzanne Johnson
Alex leaned over and treated me to a Rhett Butler kiss, slow and deep but not too sweet. He once told Scarlett something to the effect of how badly she needed kissing, and by someone who knew what he was doing. Alex knew what he was doing. By the time he finished proving it, I was breathless. I rested my head on his shoulder, basking in his warmth and filling my lungs with his scent. "What was that for?""That was to show you how glad I am that we got out of that mess in one piece and that we're here together." He extracted his arm from around my shoulders and sat back. "Now let's talk about your crazy stunt."Damn it, Rhett did that, too. He'd kiss Scarlett silly, then lecture her.
Suzanne Johnson
You're asking for trouble, woman." At the gruff tone of his voice, I raised my head and met his dark, chocolate-brown eyes, rimmed by long lashes that didn't take an ounce away from his masculinity. I wanted to drown in those eyes."I like trouble, remember?
Suzanne Johnson
A good crowd had formed along the sidewalk and the concrete ledge that bordered Louis Armstrong Park. The anticipation was dizzying...New Orleans had the big-boy parades and [Jackson & Billy] couldn't wait to attend a second line...
Hunter Murphy
He turned around to see the bass drum popping and the horn sections pointing their instruments to the balconies and sending glorious notes to the rooftops.
Hunter Murphy
The wild notes of tuba and trumpet and trombone rattled and hummed through the trees. In the first group of musicians, there were kids as young as fourteen playing the tuba and one kid who probably couldn’t drive banging a bass drum. They stomped together in rhythm to the music. Two ladies had dressed up in what looked like princess outfits. They wore white gloves and socks with tassels.
Hunter Murphy
Mac Rebennack, better known as Dr. John, once told me that when a brass band plays at a small club back up in one of the neighborhoods, it's as if the audience--dancing, singing to the refrains, laughing--is part of the band. They are two parts of the same thing. The dancers interpret, or it might be better to say literally embody, the sounds of the band, answering the instruments. Since everyone is listening to different parts of the music--she to the trumpet melody, he to the bass drum, she to the trombone--the audience is a working model in three dimensions of the music, a synesthesic transformation of materials. And of course the band is also watching the dancers, and getting ideas from the dancers' gestures. The relationship between band and audience is in that sense like the relationship between two lovers making love, where cause and effect becomes very hard to see, even impossible to call by its right name; one is literally getting down, as in particle physics, to some root stratum where one is freed from the lockstop of time itself, where time might even run backward, or sideways, and something eternal and transcendent is accessed.
Tom Piazza
There are only two things: love, all sorts of love, with pretty girls, and the music of New Orleans or Duke Ellington. Everything else ought to go, because everything else is ugly.
Boris Vian
The Confederacy was on the wrong side of history and humanity. It sought to tear apart our nation and subjugate our fellow Americans to slavery. This is the history we should never forget and one that we should never again put on a pedestal to be revered.
Mitch Landrieu
It is an affront to our present, and it is a bad prescription for our future. History cannot be changed. It cannot be moved like a statue. What is done is done.
Mitch Landrieu
That natural disasters are required to provide Americans with a glimpse of reality in their own country is an indication of the deep rot infecting the official political culture.
Tariq Ali
If there was no New Orleans, America would just be a bunch of free people dying of boredom." -Judy Deck in an e-mail sent to Chris Rose
Chris Rose
My places were emotional, primarily. I wrote of locales in which I had lived, or in which I imagined I could live, but the topography was primal and sexual and terminal. It bore no distinct architecture or design or dialect. It was merely human and in peril, which is to say universal. But on Royal and Coliseum and Vista--streets I cannot relinquish--I found my places and I dreamed a narrative. Can I go there and find it again?"--Tennessee Williams
James Grissom
Funny thing about love, ain’t it? Sometimes it saves you and sometimes, like right then, even love isn’t enough.
Eden Butler
White folks have controlled New Orleans with money and guns, black folks have controlled it with magic and music, and although there has been a steady undercurrent of mutual admiration, an intermingling of cultures unheard of in any other American city, South or North; although there has prevailed a most joyous and fascinating interface, black anger and white fear has persisted, providing the ongoing, ostensibly integrated fete champetre with volatile and sometimes violent idiosyncrasies.
Tom Robbins
You knows dat in New Orleans is not morning 'til dee sun come up.
Tom Robbins
If New Orleans is not fully in the mainstream of culture, neither is it fully in the mainstream of time. Lacking a well-defined present, it lives somewhere between its past and its future, as if uncertain whether to advance or to retreat. Perhaps it is its perpetual ambivalence that is its secret charm. Somewhere between Preservation Hall and the Superdome, between voodoo and cybernetics, New Orleans listens eagerly to the seductive promises of the future but keeps at least one foot firmly planted in its history, and in the end, conforms, like an artist, not to the world but to its own inner being--ever mindful of its personal style.
Tom Robbins
Fidelity is a living, breathing entity. On wobbly footing, it can wander, becoming something different entirely.
Kay Goodstadt
Times are not good here. The city is crumbling into ashes. It has been buried under taxes and frauds and maladministrations so that it has become a study for archaeologists...but it is better to live here in sackcloth and ashes than to own the whole state of Ohio.
Lafcadio Hearn
She was evil. Couldn't he, who killed demons with his own hands, realize that? And now I had to run for Mardi Gras Queen because of him. Or her. I didn't know whose fault it was but there was no way I could back down now.
Jenna-Lynne Duncan
Damn. I never should have agreed to this. What is he thinking? Here we are in a piece of crap pickup truck on our way to sit outside of a supermarket to kidnap this girl. Damn. He’d better not be falling for her. Sure she’s cute, but I can’t think about that.
Jenna-Lynne Duncan
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