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If I walked down by different streets to the Jardin du Luxembourg in the afternoon I could walk through the gardens and then go to the Musée du Luxembourg where the great paintings were that have now mostly been transferred to the Louvre and the Jeu de Paume. I went there nearly every day for the Cézannes and to see the Manets and the Monets and the other Impressionists that I had first come to know about in the Art Institute at Chicago. I was learning something from the painting of Cézanne that made writing simple true sentences far from enough to make the stories have the dimensions that I was trying to put in them. I was learning very much from him but I was not articulate enough to explain it to anyone. Besides it was a secret. But if the light was gone in the Luxembourg I would walk up through the gardens and stop in at the studio apartment where Gertrude Stein lived at 27 rue de Fleurus.
Ernest Hemingway
We know we are a species obsessed with itself and its own past and origins. We know we are capable of removing from the sanctuary of the earth shards and fragments, and gently placing them in museums. Great museums in great cities—the hallmarks of civilisation.
Kathleen Jamie
He had been haunted his whole life by a mildcase of claustrophobia—the vestige of a childhood incident he had never quite overcome.Langdon’s aversion to closed spaces was by no means debilitating, but it had always frustrated him.It manifested itself in subtle ways. He avoided enclosed sports like racquetball or squash, and he hadgladly paid a small fortune for his airy, high-ceilinged Victorian home even though economical facultyhousing was readily available. Langdon had often suspected his attraction to the art world as a youngboy sprang from his love of museums’ wide open spaces.
Dan Brown
We are not on this earth to just stand still & look pretty. The museums already have enough statues.
Mandy Hale
To preserve the past is to save the future...
Nanette L. Avery
If we truly believe in the power of cultural institutions to impact communities and engage authentically with social justice issues, if we believe in museums’ capacity to bring about social change, improve cultural awareness, and even transform the world, than we must also believe that our internal practices have an impact, and must act according to the changes we seek.
Monica O Montgomery
History is a madman's museum.
Jeanette Winterson
Brant had said my embellishing constituted a disservice to history and its players. But I believed the opposite. Marooning them on the forlorn island of Only What We Know, a place whose boundaries were determined by the scant information provided by a handful of surviving documents, seemed the greater disservice. I paid homage with my imagination, and hoped I might get visitors to do the same.
Leah Hager Cohen

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