Mary Shelley Quotes

I looked upon the sea, it was to be my grave

Mary Wollstonecraft Shelley

I have created something and let it loose upon the world. Whether it was my right to do so or not, I cannot say. At times I am filled with love for my creation. At others I am filled with regret and horror. But it is done. It has been created.

There is something at work in my soul, which I do not understand.

Mary Wollstonecraft Shelley

I do know that for the sympathy of one living being, I would make peace with all. I have love in me the likes of which you can scarcely imagine and rage the likes of which you would not believe. If I cannot satisfy the one, I will indulge the other.

Mary Wollstonecraft Shelley

Had Mary Shelley fretted so? Maybe yes, maybe no. She’d begun her classic work on a dare. Had culled a dream to bring it into being. But it was not lost on Laura that the story might be a prolonged exercise in Shelley’s personal terrors. The subtitle of the work was 'Prometheus Unbound,' and Laura wondered if Shelley herself was not Prometheus in the form of the wandering monster, who desperately sought love and acceptance but was ultimately driven to face an icy landscape that seemed almost fantastical—the way our own subconscious could be, white and frozen-slippery.

The stuff of nightmares is not only relegated to unconscious thoughts upon a pillow, safely beneath an eiderdown.

But in truth, neither the lonely meditations of the hermit nor the turmulos raptures of the reveller, are capable of satisfying man’s heart. From the one we gather unquiet speculation, from the other satiety. The mind flags beneath the weight of thought, and droops in thee heartless intercourse of those whose sole aim is amusement. There is no fruition in their vacant kindness, and sharp rocs lur beneath the smiling ripples of these shallow waters.

Mary Wollstonecraft Shelley

More than anything, I began to hate women writers. Frances Burney, Jane Austen, Elizabeth Browning, Mary Shelley, George Eliot, Virginia Woolf. Bronte, Bronte, and Bronte. I began to resent Emily, Anne, and Charlotte—my old friends—with a terrifying passion. They were not only talented; they were brave, a trait I admired more than anything but couldn't seem to possess. The world that raised these women hadn't allowed them to write, yet they had spun fiery novels in spite of all the odds. Meanwhile, I was failing with all the odds tipped in my favor. Here I was, living out Virginia Woolf's wildest feminist fantasy. I was in a room of my own. The world was no longer saying, "Write? What's the good of your writing?" but was instead saying "Write if you choose; it makes no difference to me.

Catherine Lowell