Marvels Quotes

Your mind, your motion and your expression is an animation to marvel and to praise.

While it is never safe to affirm that the future of Physical Science has no marvels in store even more astonishing than those of the past, it seems probable that most of the grand underlying principles have been firmly established and that further advances are to be sought chiefly in the rigorous application of these principles to all the phenomena which come under our notice.

Robert S. Mulliken

God did not mean us to be ignorant. He left us this marvelous universe to decipher and understand.

Marvel comes quickly, cloaked in the mundane. It's the woman waking to the smell of smoke as fire spreads, miles away, through her brother's house. It's the sharp flash of recognition as a young man glimpses, in the ordinary hubbub, the stranger with whom he will share his life. It's a mother's dream of her baby, blue in the cold store, six months before he comes, stillborn, into the world. Even the Church Fathers admitted the category of marvelous- or mirabilis, as they knew it. For them it was an irksome classification. A grey area.Compare the marvel with it's less troublesome metaphysical kin. In the thirteenth century, the miracle reflected the steady-handed authorship of the divine- truth made manifest. Similarly magic, or magicus, demonstrated with tell-tale showmanship the desperate guile of the devil. The marvel, however, was of poor performance and tended, therefore, towards ambiguity. It took shape in the merely mortal sphere. It seemed to lack the requisite supernatural chutzpah. Here, the clergy were typically surplus to requirements. Yet, if less outwardly compelling, the marvel was also less easily contained than either the miraculous or the magical. It remained more elusive. More stubborn. And if finally reducible in time, with the erosions of memory, to rationalization, anecdote, drinking tale or woman's lore, the marvel also rarely failed to leave behind a certain residual uncertainty. A discomfiting sense of possibility. Or, on bolder occasions, an appetite for wonder.

Losing maturity in one’s fiction for the sake of marvels and monsters can also mean losing propriety, and that’s not always a bad thing.

In the great glasshouses streaming with condensation, the children in mourning-dress beheld marvels.

Fantasy, abandoned by reason, produces impossible monsters; united with it, she is the mother of the arts and the origin of marvels.

Francisco de Goya