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You can't write an honest novel about race in this country. If you write about how people are really affected by race, it'll be too obvious. Black writers who do literary fiction in this country, all three of them, not the ten thousand who write those bullshit ghetto books with the bright covers, have two choices: they can do precious or they can do pretentious. When you do neither, nobody knows what to do with you. So if you're going to write about race, you have to make sure it's so lyrical and subtle that the reader who doesn't read between the lines won't even know it's about race. You know, a Proustian meditation, all watery and fuzzy, that at the end just leaves you feeling watery and fuzzy.""Or just find a white writer. White writers can be blunt about race and get all activist because their anger isn't threatening.
Chimamanda Ngozi Adichie
He closed the pages and stuffed them back into his jacket. Keeping his eyes cast downwards as he sipped his wine, he pulled out and lit a cigarette – almost a post-coital gesture. from The Willow Lake Group by Kelly Proudfoot
Kelly Proudfoot
Sometimes, I marvel at the wonderof how graceful words seem to appearpen to paper; in others' handsAnd I think to myself-oh, how obsolete my existence is,to be unable to do the same.
Joy Chua
She saw how the mind makes forever, in order to store the things it had already lost.
Richard Powers
Journey through the Power of the Rainbow represents a condensed compendium of literary efforts from a life dedicated to transforming the themes of injustice, grief, and despair that we all encounter during some unavoidable point of our existence into a sustainable life-affirming poetics of passionate creativity, empowered spiritual vision, and inspired commitment.
Aberjhani
There are some people about whom it is difficult to say anything which would describe them immediately and fully in their most typical and characteristic aspects; these are the people who are usually called "ordinary" and accounted as "the majority," and who actually do make up the great majority of society. In their novels and stories writers most often try to choose and present vividly and artistically social types which are extremely seldom encountered in real life, and which are nevertheless more real than real life itself. Podkolyosin, viewed as a type, in perhaps exaggerated, but he is hardly unknown. How many clever people having learned from Gogol about Podkolyosin at once discover that great numbers of their friends bear a terrific resemblance to Podkolyosin. They knew before Gogol that their friends were like Podkolyosin, except they did not know yet that that was their name...Nevertheless the question remains before us: what is the novelist to do with the absolutely "ordinary" people, and how can he present them to readers so that they are at all interesting? To leave them out of a story completely is not possible, because ordinary people are at every moment, by and large, the necessary links in the chain of human affairs; leaving them out, therefore, means to destroy credibility. To fill a novel entirely with types or, simply for the sake of interest, strange and unheard-of people, would be improbable and most likely not even interesting. In our opinion the writer must try to find interesting and informative touches even among commonplace people. When, for example, the very nature of certain ordinary persons consists precisely of their perpetual and unvarying ordinariness, or, better still, when in spite of their most strenuous efforts to life themselves out of the rut of ordinariness and routine, then such persons acquire a certain character of their own-the typical character of mediocrity which refuses to remain what it is and desires at all costs to become original and independent, without having the slightest capacity for independence.
Fyodor Dostoyevsky
As Borges has taught us, all the books in the library are contemporary. Great poems are like granaries: they are always ready to enlarge their store.
William H. Gass
Literature sustains life because it captures death in its forward march. Clickety-clickety-clack, the wheels go round and round ...
Chris Campanioni
It’s hard to say something about Pushkin to a person who doesn’t know anything about him. Pushkin is a great poet. Napoleon is not as great as Pushkin. Bismarck compared to Pushkin is a nobody. And the Alexanders, First, Second and Third, are just little kids compared to Pushkin. In fact, compared to Pushkin, all people are little kids, except Gogol. Compared to him, Pushkin is a little kid.And so, instead of writing about Pushkin, I would rather write about Gogol.Although, Gogol is so great that not a thing can be written about him, so I'll write about Pushkin after all.Yet, after Gogol, it’s a shame to have to write about Pushkin. But you can’t write anything about Gogol. So I’d rather not write anything about anyone.
Daniil Kharms
I walked around the library looking for books. I pulled them off the shelves, one by one. But they were all tricks. They were very dull. There were pages and pages of words that didn't say anything. Or if they did say something they took too long to say it and by the time they said it you already were too tired to have it matter at all. I tried book after book. Surely, out of all those books, there was one.
Charles Bukowski
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