Joss Whedon Quotes

When people say to me, 'Why are you so good at writing at women?' I say, 'Why isn't everybody?' Obviously there are differences between men and women - that's what makes it all fun. But we're all people. There's a lot of good writers who are very humanist, but still manage to kind of skip fifty-five per cent of the race. And I just don't get that. Not to be able to write an entire gender? To me, the question isn't how do you do it? It's how can you possibly avoid doing it?

When Roseanne read the first script of mine that got into her hands without being edited by someone else she said, 'How can you write a middle-aged woman this well?' I said, 'If you met my mom you wouldn't ask'.

It was only when I got to college that I realized that the rest of the world didn't run the way my world was run, and that there was a need for feminism. I'd thought it was all solved. There are people like my mom, clearly everyone is equal and it's all fine. Then I get into the world and I hear the things people are saying. Then I get to Hollywood and hear the very casual, almost insidious misogyny that just runs through so much of the fiction. It was just staggering to me.

According to Joss [Whedon], “TV is a question, movies are an answer.

Whedon: Studios will tell you: A woman cannot headline an action movie. After The Hunger Games they might stop telling you that a little bit. Whatever you think of the movie, it’s done a great service. And after The Avengers, I think it’s changing.Johansson: A lot of the female superhero movies just suck really badly.Whedon: The suck factor is not small.Johansson: They are really not well made, and already you’re fighting against the tide. There are a couple [female-driven action movies] that have worked-ish, don’t you think?Hemsworth: Angelina Jolie tends to do it pretty well, as the dominant female.Jackson: They got to get The Pro to the screen!Whedon: [Groaning] See, that is the problem. Sam is the problem!Jackson: I love that book!Whedon: [Reluctantly] The Pro is hilarious.Jackson: The Pro’s hilarious. [To the group] You ever see or hear of it?Johansson: No, what’s The Pro?Jackson: It’s [a comic book] about a hooker who gets super powers!Johansson: [Pauses] That is exactly the problem right there.Whedon: That’s why I wasn’t going to bring up The Pro!(From an Entertainment Weekly interview)

Nowadays I’m really cranky about comics. Because most of them are just really, really poorly written soft-core. And I miss good old storytelling. And you know what else I miss? Super powers. Why is it now that everybody’s like “I can reverse the polarity of your ions!” Like in one big flash everybody’s Doctor Strange. I like the guys that can stick to walls and change into sand and stuff. I don’t understand anything anymore. And all the girls are wearing nothing, and they all look like they have implants. Well, I sound like a very old man, and a cranky one, but it’s true.

The mythology warped and twisted back along itself until Buffy Summers, the girl who once railed against the unfairness of being Chosen, looked at a squadron of girls who were just like she'd been and took away their right to Choose.

Next year, Equality Now will celebrate - if that’s the word - will clock its twentieth year. Two decades of fighting the good fight, fighting the cause, and in case I haven’t been the clear, the cause is that one half of the human race is given the same basic equal rights that the other half enjoys.Or, not given. Given back.That is not a milestone, twenty years, that I intend to go unnoticed. I want to make some noise. I want to make a joyful noise, I want to make too much noise. I want the neighbors to complain. I’m tired of being polite about something that matters so much.

Misogyny… is not a true part of the human condition. It is life out of balance and that imbalance is sucking something out of the soul of every man and woman who is confronted with it.

At the end of the day I have many answers for it. It has to do with my mom, who was an extraordinary woman, and a great feminist. It has to do with the people in my life. It has to do with a lot of different things, but -- I don't know! Because I'm not just writing from the female characters for other people. I have a desire to see them in our culture -- that was not met for most of my childhood. Except occasionally by James Cameron. [From the 2011 San Diego Comic Con, in response to being asked why he writes strong female characters.]

Sorry, kid. Whedon got it wrong. Stakes don't kill vampires, they just give us heartburn.

Brian K. Vaughan

It was Joss Whedon's Buffy the Vampire Slayer (the television series, 1997-2003, not the lackluster movie that preceded it) that blazed the trail for Twilight and the slew of other paranormal romance novels that followed, while also shaping the broader urban fantasy field from the late 1990s onward. Many of you reading this book will be too young to remember when Buffy debuted, so you'll have to trust us when we say that nothing quite like it had existed before. It was thrillingly new to see a young, gutsy, kick-ass female hero, for starters, and one who was no Amazonian Wonder Woman but recognizably ordinary, fussing about her nails, her shoes, and whether she'd make it to her high school prom. Buffy's story contained a heady mix of many genres (fantasy, horror, science-fiction, romance, detective fiction, high school drama), all of it leavened with tongue-in-cheek humor yet underpinned by the serious care with which the Buffy universe had been crafted. Back then, Whedon's dizzying genre hopping was a radical departure from the norm-whereas today, post-Buffy, no one blinks an eye as writers of urban fantasy leap across genre boundaries with abandon, penning tender romances featuring werewolves and demons, hard-boiled detective novels with fairies, and vampires-in-modern-life sagas that can crop up darn near anywhere: on the horror shelves, the SF shelves, the mystery shelves, the romance shelves.

River Tam (Summer Glau): No power in the 'verse can stop me.

No power in the 'verse can stop me!

River Tam from Firefly

Good fantasy fiction: ... explores real human conditions through fantastic metaphors which universalize the characters' individual experiences to speak personally to us all.

Passion. It lies in all of us. Sleeping... waiting... and though unwanted, unbidden, it will stir... open its jaws and howl. It speaks to us... guides us. Passion rules us all. And we obey. What other choice do we have? Passion is the source of our finest moments. The joy of love... the clarity of hatred... the ecstasy of grief. It hurts sometimes more than we can bear. If we could live without passion, maybe we'd know some kind of peace. But we would be hollow. Empty rooms, shuttered and dank. Without passion, we'd be truly dead.

Doyle: "What is it now, then?"Cordelia: "Isn't java supposed to be a coffee?"Doyle: "Ready to abandon the the Web project?"Cordelia: "No way. We have a chance here to make contact with the millions of people out there who are glued to their computers."Doyle: "All those millions, shunning human contact. I'll never understand it. Call me old-fashioned, if you like, but I want to interface with a face, not a hunk of plastic and glass."Cordelia: "Climb out of the Dark Ages, Munchkin man."Doyle: "It's leprechaun, and either way, I don't appreciate the insult.

John Passarella