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The late 1920s were an age of islands, real and metaphorical. They were an age when Americans by thousands and tens of thousands were scheming to take the next boat for the South Seas or the West Indies, or better still for Paris, from which they could scatter to Majorca, Corsica, Capri or the isles of Greece. Paris itself was a modern city that seemed islanded in the past, and there were island countries, like Mexico, where Americans could feel that they had escaped from everything that oppressed them in a business civilization. Or without leaving home they could build themselves private islands of art or philosophy; or else - and this was a frequent solution - they could create social islands in the shadow of the skyscrapers, groups of close friends among whom they could live as unconstrainedly as in a Polynesian valley, live without moral scruples or modern conveniences, live in the pure moment, live gaily on gin and love and two lamb chops broiled over a coal fire in the grate. That was part of the Greenwich Village idea, and soon it was being copied in Boston, San Francisco, everywhere.
Malcolm Cowley
Poetry of World War I, at least in its lyrical mode, was itself the last flowering of the Age of Innocence that preceded the war, that the horrors of the trenches sparked the final blossoming, as friction gives rise to fire; that the daily nightmare unfolding before the soldiers sharpened their sense of beauty, prophecy, and mission.
Philip Zaleski
The United States is a successful nation that is constantly susceptible to melancholy because things are not perfect.
George F. Will
Idealistic notions that guide a younger person frequently prove unsustainable. Concluding any stage of life demands that a person rebuilds oneself after living destroys our ideological beliefs.
Kilroy J. Oldster
What has our culture lost in 1980 that the avant-garde had in 1890? Ebullience, idealism, confidence, the belief that there was plenty of territory to explore, and above all the sense that art, in the most disinterested and noble way, could find the necessary metaphors by which a radically changing culture could be explained to its inhabitants.
Robert Hughes
My sense of the holy is bound up with the hope that some day my remote descendants will live in a global civilization in which love is pretty much the only law.
Richard M. Rorty
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