As I stated earlier, I do not believe there is anything inherently wrong with even the most overused elements of epic fantasy. Magic swords, dragons, destined heroes -- even dark lords and ultimate evils can legitimately be used in literature of serious intent, not just mocked in satirical meta-fiction. To claim that they cannot would be much the same as claiming that nothing good can ever again be done with fiction involving detectives, or young lovers, or unhappy families. The value of a fictive element is not an inherent quality, but a contextual one, determined by its relationship to the other elements of the story it is embedded in.In other words, whether a scene in which a dragon is introduced is affecting, amusing, or agonizingly dull depends primarily on the choices made by the scene's author. I say "primarily" because dragons have appeared in thousands of stories over the centuries, and almost any reader may be presumed to have been exposed to at least one such. The reader's reaction will naturally be influenced by how they feel this new dragon compares to the dragons which they have been introduced to in the past. (Favorably, one would hope. A dragon must learn to make a good first impression if it is to do well in this life.) Such variables are out of the author's control, as are any unreasoning prejudices against dragons on the part of the reader. All that can be done is to make the dragon as vivid and well-suited for its purpose as is possible. If all the elements of fantasy and fiction in a work are fitted to their purposes and combine to create a moving story set in a convincing world, that work will presumably be a masterpiece.
Look, look, we tell each other. It's Tom!He's Mr. Bellamy to his history students. But he's Tom to us. Tom! It's so good to see him. So wonderful to see him. Tom is one of us. Tom went through it all with us. Tom made it through. He was there in the hospital with so many of us, the archangel of St. Vincent's, our healthier version, prodding the doctors and calling over the nurses and holding our hands and holding the hands of our partners, our parents, our little sisters - anyone who had a hand to be held. He had to watch so many of us die, had to say goodbye so many times. Outside of our rooms he would get angry, upset, despairing. But when he was with us, it was like he was powered solely by an engine of grace. Even the people who loved us would hesitate at first to touch us - more from the shock of our diminishment, from the strangeness of how we were both gone and present, not who we were but still who we were. Tom became used to this. First because of Dennis, the way he stayed with Dennis until the very end. He could have left after that, after Dennis was gone. We wouldn't have blamed him. But he stayed. When his friends got sick, he was there. And for those of us he'd never know before - he was always a smile in the room, always a touch on the shoulder, a light flirtation that we needed. The y should have made him a nurse. They should have made him mayor. He lost years of his life to us, although that's not the story he'd tell. He would say he gained. And he'd say he was lucky, because when he came down with it, when his blood turned against him, it was a little later on and the cocktail was starting to work. So he lived. He made it to a different kind of after from the rest of us. It is still an after. Every day if feel to him like an after. But he is here. He is living.A history teacher. An out, outspoken history teacher. The kind of history teacher we never would have had. But this is what losing most of your friends does: It makes you unafraid. Whatever anyone threatens, whatever anyone is offended by, it doesn't matter, because you have already survived much, much worse. In fact, you are still surviving. You survive every single, blessed day.It makes sense for Tom to be here. It wouldn't be the same without him.And it makes sense for him to have taken the hardest shift. The night watch.Mr. Nichol passes him the stopwatch. Tom walks over and says hello to Harry and Craig. He's been watching the feed, but it's even more powerful to see these boys in person. He gestures to them, like a rabbi or a priest offering a benediction."Keep going," he says. "You're doing great."Mrs. Archer, Harry's next-door neighbor, has brought over coffee, and offers Tom a cup. He takes it gratefully.He wants to be wide awake for all of this.Every now and then he looks to the sky.