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The seasonal urge is strong in poets. Milton wrote chiefly in winter. Keats looked for spring to wake him up (as it did in the miraculous months of April and May, 1819). Burns chose autumn. Longfellow liked the month of September. Shelley flourished in the hot months. Some poets, like Wordsworth, have gone outdoors to work. Others, like Auden, keep to the curtained room. Schiller needed the smell of rotten apples about him to make a poem. Tennyson and Walter de la Mare had to smoke. Auden drinks lots of tea, Spender coffee; Hart Crane drank alcohol. Pope, Byron, and William Morris were creative late at night. And so it goes.
Helen Bevington
Coincidences undeniably imply meaning.I am rereading Hart Crane.I notice the dateOn which he stepped off that boatWas April 26.Tomorrow is April 26.The year of his suicide was 1932.I was four.I am now fifty-one.One undeniable implication in this case thenIs that the year, today,Is 1979.Afterward, Crane’s mother scrubbed floors.Eventually, I may or may notJump overboard.Are there questions?
David Markson
Once a poet calls his myth a myth, he prevents the reader from treating it as a reality; we use the word 'myth' only for stories we ourselves cannot believe.
Adam Kirsch
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