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Inevitably, his vision verged toward the fantastic; he published a scattering of stories - most included in this volume - which appeared to conform to that genre at least to the degree that the fuller part of his vision could be seen as "mysteries." For Woolrich it all was fantastic; the clock in the tower, hand in the glove, out of control vehicle, errant gunshot which destroyed; whether destructive coincidence was masked in the "naturalistic" or the "incredible" was all pretty much the same to him. RENDEZVOUS IN BLACK, THE BRIDE WORE BLACK, NIGHTMARE are all great swollen dreams, turgid constructions of the night, obsession and grotesque outcome; to turn from these to the "fantastic" was not to turn at all. The work, as is usually the case with a major writer was perfectly formed, perfectly consistent, the vision leached into every area and pulled the book together. "Jane Brown's Body" is a suspense story. THE BRIDE WORE BLACK is science fiction. PHANTOM LADY is a gothic. RENDEZVOUS IN BLACK was a bildungsroman. It does not matter.
Barry N. Malzberg
Bodies lay strewn all around. Turkish and Wallachian warriors caught in the intimate indiscriminate embrace of death.
Shane K.P. O'Neill
She leaves my side and heads deeper intothe apartment singing, “—if the spirit tries to hide, its temple far away… acopper for those they ask, a diamond for those who stay.
Nathan Reese Maher
Paranoia. The more you think of an imaginary problem, the more you feel as though it’s real –
Simona Panova
So, apart from casting runes, what other hobbies do you have? Forbidden rituals, human sacrifices, torturing? –
Simona Panova
Oh, he did look like a deity – the perfect balance of danger and charm, he was at the same time fascinating and inaccessible, distant because of his demonstrated flawlessness, and possessing such strength of character that he was dismaying and at the same time utterly attractive in an enticing and forbidden way.
Simona Panova

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