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VISIONS OF GRANDEURI'm walking through a sheet of glass instead of the door,Flying over a giant candlestick lighting up Central Park,Repeating two courses at Hard Knock's College,And swimming through the Red Sea with silky jelly fish.I'm hopping over an empty row house in Philadelphia,Getting a seventy dollar manicure on a gondola in Venice,Wearing a white pearl necklace stolen from Goodwill,And running my first New York City marathon.I'm discussing the meaning of life with my late cat Charlie.Dating John Doe- the thirty-third chef at the White House,Running non-stop on a broken leg through a bomb-blasted city,And keeping a multi-lingual monkey named Alfredo as my pet.I'm spying on two hundred and twenty-two homegrown terrorists from Iowa,Worshiped by a red-headed gorilla named Salamander,Sleeping with a giant teddy bear dressed in black leather,And wearing hot pink lipstick over a shade of midnight blue.
Giorge Leedy
In Venice, things not always as they first appear. I contemplate this observation from my post on the aft deck of one of Master Fumagalli’s gondolas, taking in the panorama of bridges, domes, bell towers, and quaysides of my native city. I row into the neck of the Grand Canal, and, one by one, the reflection of each colorful façade appears, only to dissipate into wavering, shimmering shards under my oar.
Laura Morelli
Aboard the gondola, Giacomo Foscarini sat facing Mathias. They were crossing the Canal Grande, then they would navigate around San Marco and return. Foscarini loved to travel around Venice this way. They stopped briefly at a mooring near the bridge to the Rialto, and Foscarini had a servant fetch green olives, fresh Piacenza cheese, a few sausages from Modena, and wine that had just been delivered from Crete. The nobleman often dined aboard his gondola, looking out over the city, watching his world. "Seen from this vantage point, Venice doesn't seem like it's in any of its terrible troubles at all magister," said Foscarini.
Riccardo Bruni
[Everything you write is] not simply a collection of words, but a means of influence not to be taken lightly. Let your recipient's emotions be the gondola, and your words, its gondolier.
A.J. Darkholme
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