Decadence Quotes

8 April 1891The obscenity of nostrils and mouths; the ignominious cupidity of smiles and women encountered in the street; the shifty baseness on every side, as of hyenas and wild beasts ready to bite: tradesmen in their shops and strollers on their pavements. How long must I suffer this? I have suffered it before, as a child, when, descending by chance to the servant's quarters, I overheard in astonishment their vile gossip, tearing up my own kind with their lovely teeth.This hostility to the entire race, this muted detestation of lynxes in human form, I must have rediscovered it later while at school. I had a repugnance and horror for all base instincts, but am I not myself instinctively violent and lewd, murderous and sensual? Am I any different, in essence, from the members of the riotous and murderous mob of a hundred years ago, who hurled the town sergeants into the Seine and cried, 'String up the aristos!' just as they shout 'Down with the army!' or 'Death to the Jews!

Jean Lorrain

Astarte has come again, more powerful than before. She possesses me. She lies in wait for me.December 97My cruelty has also returned: the cruelty which frightens me. It lies dormant for months, for years, and then all at once awakens, bursts forth and - once the crisis is over - leaves me in mortal terror of myself.Just now in the avenue of the Bois, I whipped my dog till he bled, and for nothing - for not coming immediately when I called! The poor animal was there before me, his spine arched, cowering close to the ground, with his great, almost human, eyes fixed on me... and his lamentable howling! It was as though he were waiting for the butcher! But it was as if a kind of drunkenness had possessed me. The more I struck out the more I wanted to strike; every shudder of that quivering flesh filled me with some incomprehensible ardour. A circle of onlookers formed around me, and I only stopped myself for the sake of my self-respect.Afterwards, I was ashamed.I am always ashamed of myself nowadays. The pulse of life has always filled me with a peculiar rage to destroy. When I think of two beings in love, I experience an agonising sensation; by virtue of some bizarre backlash, there is something which smothers and oppresses me, and I suffocate, to the point of anguish.Whenever I wake up in the middle of the night to the muted hubbub of bumps and voices which suddenly become perceptible in the dormant city - all the cries of sexual excitement and sensuality which are the nocturnal respiration of cities - I feel weak. They rise up around me, submerging me in a sluggish flux of embraces and a tide of spasms. A crushing weight presses down on my chest; a cold sweat breaks out on my brow and my heart is heavy - so heavy that I have to get up, run bare-foot and breathless, to my window, and open both shutters, trying desperately to breathe. What an atrocious sensation it is! It is as if two arms of steel bear down upon my shoulders and a kind of hunger hollows out my stomach, tearing apart my whole being! A hunger to exterminate love.Oh, those nights! The long hours I have spent at my window, bent over the immobile trees of the square and the paving-stones of the deserted street, on watch in the silence of the city, starting at the least noise! The nights I have passed, my heart hammering in anguish, wretchedly and impatiently waiting for my torment to consent to leave me, and for my desire to fold up the heavy wings which beat inside the walls of my being like the wings of some great fluttering bird!Oh, my cruel and interminable nights of impotent rebellion against the rutting of Paris abed: those nights when I would have liked to embrace all the bodies, to suck in all the breaths and sup all the mouths... those nights which would find me, in the morning, prostrate on the carpet, scratching it still with inert and ineffectual fingers... fingers which never know anything but emptiness, whose nails are still taut with the passion of murder twenty-four hours after the crises... nails which I will one day end up plunging into the satined flesh of a neck, and...It is quite clear, you see, that I am possessed by a demon... a demon which doctors would treat with some bromide or with all-healing sal ammoniac! As if medicines could ever be imagined to be effective against such evil!

Jean Lorrain

Inside my soul a treasure is buried.The key is mine and only mine.How right you are, you drunken monster!I know: the truth is in the wine.("The Unknown Lady")

Alexander Blok

I used to be Snow White, but I drifted.

Mae West

Endless love and voluptuous appetite pervaded this stifling nave in which settled the ardent sap of the tropics. Renée was wrapped in the powerful bridals of the earth that gave birth to these dark growths, these colossal stamina; and the acrid birth-throes of this hotbed, of this forest growth, of this mass of vegetation aglow with the entrails that nourished it, surrounded her with disturbing odours. At her feet was the steaming tank, its tepid water thickened by the sap from the floating roots, enveloping her shoulders with a mantle of heavy vapours, forming a mist that warmed her skin like the touch of a hand moist with desire. Overhead she could smell the palm trees, whose tall leaves shook down their aroma. And more than the stifling heat, more than the brilliant light, more than the great dazzling flowers, like faces laughing or grimacing between the leaves, it was the odours that overwhelmed her. An indescribable perfume, potent, exciting, composed of a thousand different perfumes, hung about her; human exudation, the breath of women, the scent of hair; and breezes sweet and swooningly faint were blended with breezes coarse and pestilential, laden with poison. But amid this strange music of odours, the dominant melody that constantly returned, stifling the sweetness of the vanilla and the orchids' pungency, was the penetrating, sensual smell of flesh, the smell of lovemaking escaping in the early morning from the bedroom of newlyweds.

Émile Zola

I came there again another time. And I looked many times again. I was filled with consolation, with my consolation.The thirty-three abominations were truthful. They were the truth. They were life. The sharp fragments of life, sharp, complete moments. Such are women. They have lovers.Each of these thirty-three (or how many of them were there?) had painted his mistress. Excellent! I grew used to myself being in their presence.Thirty-three mistresses! Thirty-three mistresses!And I was all of them and yet all were not me.I studied the abomination for a long while: before I modeled for them, as well as afterwards.I modelled in order to study. This I felt so keenly. It seemed to me that I was learning about life by pieces, by separate pieces, fragments, but every fragment possessed all its own complexity and power.The abominations began to divide in half. With every day this became clearer. One half became mistresses and the other half queens.Each of the thirty-three created his mistress or his queen.("Thirty Three Abominations")

Lydia Zinovieva-Annibal

Too much of a good thing can be wonderful!

Mae West

Every civilization is a fruit from the sturdy tree of barbarism, and falls at the greatest distance from its trunk.

Will Durant

By living a life “against nature,” the deviant or pervert becomes a hero or heroine in decadent fiction.

Asti Hustvedt

Against a set of desolate scenery, amid spectral crags and livid mountains of ash, beneath the funereal daylight of slopes illuminated in blue, she personified the spirit of the witches' sabbat. Morbid and voluptuous, sometimes with extenuated grace and infinite lassitude, she seemed to carry the burden of a criminal beauty, a beauty charged with all the sins cf the multitude. She fell again and again upon her pliant legs, and as she outlined the symbolic gestures of her two beautiful dead arms she seemed to be towing them behind her. Then, the vertigo of the abyss took hold of her again, and like one possessed she stood on point, holding herself fully erect from top to toe, like a spike of flesh and shadows. Her arms, weighed down just a few moments earlier, became menacing, demoniac, and audacious. Twisting like a screw, she whirled around, like a winnowing-machine - no, like a great lily stirred by a storm-wind. Clownish and macabre, a nacreous gleam showed between her lips... oh, that cruel and sardonic smile, and the two deep pools of her terrible eyes!Ize Kranile!

Jean Lorrain

The dense fog manifests ever-living gravestones, the tunes of decadence, the hearts that were doomed to dance alone. Here lies untouched beauty, a brittle dream, an unseen sea-born nightmare, an isolated acheirous harf, fishbones without flesh, a face without letters, the hypnotic power o Apollonian destruction. Ashes kiss the grapefruit essential oil skin, the soul beats with eaten sons and daughters, soaking wet serpents with cuspid tongues lollop for legendary goddesses.

Laura Gentile

I often think about this, that is, I imagine to myself that here is Vera, dead, totally motionless, lying on the table, in a coffin... and I too, of course can no longer live. But for some reason this gives me pleasure, a terrible amount of pleasure to imagine so the one I love: earlier I imagined grandmother and then my fiance in this manner, even my favorite animals, Sparky our cat with the fiery bursts of red on his gray-black fur.("Thirty-Three Abominations")

Lydia Zinovieva-Annibal

Stop sleeping, Get to work! You will have much time to sleep when you die.

Michael Bassey Johnson

The madness of the eyes is the lure of the abyss. Sirens lurk in the dark depths of the pupils as they lurk at the bottom of the sea, that I know for sure - but I have never encountered them, and I am searching still for the profound and plaintive gazes in whose depths I might be able, like Hamlet redeemed, to drown the Ophelia of my desire.

Jean Lorrain

The Marquis de V... - whose falsetto voice and little watery eyes I have always detested - was saying to me with a wicked smile: 'Then again, the master gymnast might break his neck at any moment. What he is doing now is very dangerous, my dear, and the pleasure you take in his performance is the little frisson that danger affords you. Wouldn't it be thrilling, if his sweaty hand failed to grip the bar? The velocity acquired by his rotation about the bar would break his spine quite cleanly, and perhaps a little of the cervical matter might spurt out as far as this! It would be most sensational, and you would have a rare emotion to add to the field of your experience - for you collect emotions, don't you? What a pretty stew of terrors that man in tights stirs up in us!'Admit that you almost wish that he will fall! Me too. Many others in the auditorium are in the same state of attention and anguish. That is the horrible instinct of a crowd confronted with a spectacle which awakens in it the ideas of lust and death. Those two agreeable companions always travel together! Take it from me that at the very same moment - see, the man is now holding on to the bar by his fingertips alone - at the very same moment, a good number of the women in these boxes are ardently lusting after that man, not so much for his beauty as for the danger he courts.'The voice subtly changed its tone, suddenly becoming more interested. 'You have singularly pale eyes this evening, my dear Freneuse. You ought to give up bromides and take valerian instead. You have a charming and curious soul, but you must take command of its changes. You are too ardently and too obviously covetous, this evening, of the death - or at least the fall - of that man.'I did not reply. The Marquis de V... was quite right. The madness of murder had taken hold of me again; the spectacle had me in its hallucinatory grip. Straitened by a penetrating and delirious anguish, I yearned for that man to fall.There are appalling depths of cruelty within me.

Jean Lorrain

I was performing my ritual of sipping tea, shooting flirtatious glances and planning murder

Mingmei Yip

Ah! I wish I had the courage to work for the debasement of my contemporaries. What good work it would be to defile their daughters: to insinuate something obscene into the infantile hands which caress each paternal beard and cheek; to poison them, even at the risk of perishing ourselves; to do as those Spanish monks did, who drank death in order that they might persuade the French rabble which had violated their monastery to do likewise.

Rémy de Gourmont

Never have things of the spirit counted for so little. Never has hatred for everything great been so manifest – disdain for beauty, execration of literature. I have always tried to live in an ivory tower, but a tide of shit is beating at its walls, threatening to undermine it.

Gustave Flaubert

I wouldn't want [the people of Baleyworld] to live that long as a general thing. The pace of historical and intellectual advance would then become too slow. Those at the top would stay in power too long. Baleyworld would sink into conversation and decay - as your world has done.

Isaac Asimov

Jerusalem was capital of southern Israel, known then as Judah. Isn't it true that there's always a rivalry between north and south? North and South Korea, North and South Vietnam, Northern and Southern Ireland, Yankees and Rebels, uptown and downtown. Somebody please tell me why that is? Maybe southerners get too much sun, like Mr. Sock over there, frying his threads, and northerners don't get enough (although I hardly think northern Israel a cool spot in the shade), but southern peoples--tropical and downtown types--always seem to lean toward decadence, whereas uptown, in the north, progress is favored. Decadence and progress obviously are at odds.

Tom Robbins

Everyone in a decadent society, Lorrain urges, is guilty. Everyone loves masking murder and everyone takes masochistic pleasure in the risk of discovery and punishment.

Jennifer Birkett

In this image (watching sensual murder through a peephole) Lorrain embodies the criminal delight of decadent art. The watcher who records the crimes (both the artist and consumer of art) is constructed as marginal, powerless to act, and so exculpated from action, passive subject of a complex pleasure, condemning and yet enjoying suffering imposed on others, and condemning himself for his own enjoyment. In this masochistic celebration of disempowerment, the sharpest pleasure recorded is that of the death of some important part of humanity. The dignity of human life is the ultimate victim of Lorrain's art, thrown away on a welter of delighted self-disgust.

Jennifer Birkett

Our way would seem quite familiar to the Romans, more by far than the Greek way. Socrates in the Symposium, when Alcibiades challenged him to drink two quarts of wine, could have done so or not as he chose, but the diners-out of Horace's day had no such freedom. He speaks often of the master of the drinking, who was always appointed to dictate how much each man was to drink. Very many unseemly dinner parties must have paved the way for that regulation. A Roman in his cups would've been hard to handle, surly, quarrelsome, dangerous. No doubt there had been banquets without number which had ended in fights, broken furniture, injuries, deaths. Pass a law then, the invariable Roman remedy, to keep drunkenness within bounds. Of course it worked both ways: everybody was obliged to empty the same number of glasses and the temperate man had to drink a great deal more than he wanted, but whenever laws are brought in to regulate the majority who have not abused their liberty for the sake of the minority who have, just such results come to pass. Indeed, any attempt to establish a uniform average in that stubbornly individual phenomenon, human nature, will have only one result that can be foretold with certainty: it will press hardest on the best.

Edith Hamilton

(visions) of strange cities, of sandy plains, of gigantic ruins, of midnight skies with strange bright constellations, of mountain-passes, of grassy nooks flecked with the afternoon sunshine through the boughs: I was in the midst of such scenes, and in all of them one presence seemed to weigh on me in all these mighty shapes - the presence of something unknown and pitiless. For continual suffering had annihilated religious faith within me: to the utterly miserable - the unloving and the unloved - there is no religion possible, no worship but a worship of devils. And beyond all these, and continually recurring, was the vision of my death - the pangs, the suffocation, the last struggle, when life would be grasped at in vain. ("The Lifted Veil")

George Eliot

Then Chameroy spoke. 'You always put the blame on opium, but as I see it the case of Freneuse is much more complicated. Him, an invalid? No - a character from the tales of Hoffmann! Have you never taken the trouble to look at him carefully? That pallor of decay; the twitching of his bony hands, more Japanese than chrysanthemums; the arabesque profile; that vampiric emaciation - has all of that never given you cause to reflect? In spite of his supple body and his callow face Freneuse is a hundred thousand years old. That man has lived before, in ancient times under the reigns of Heliogabalus, Alexander IV and the last of the Valois. What am I saying? That man is Henri III himself. I have in my library an edition of Ronsard - a rare edition, bound in pigskin with metal trimmings - which contains a portrait of Henri engraved on vellum. One of these nights I will bring the volume here to show you, and you may judge for yourselves. Apart from the ruff, the doublet and the earrings, you would believe that you were looking at the Due de Freneuse. As far as I'm concerned, his presence here inevitably makes me ill - and so long as he is present, there is such an oppression, such a heaviness...

Jean Lorrain

The famous courtesan Clarimonde died recently, as the result of an orgy which lasted eight days and eight nights. It was something infernally magnificent. They revived the abominations of the feasts of Belshazzar and Cleopatra. Great God! what an age this is in which we live! The guests were served by swarthy slaves speaking an unknown tongue, who to my mind had every appearance of veritable demons; the livery of the meanest among them might have served as a gala-costume for an emperor. There have always been current some very strange stories concerning this Clarimonde, and all her lovers have come to a miserable or a violent end. It has been said that she was a ghoul, a female vampire; but I believe that she was Beelzebub in person.

Théophile Gautier

Look, de Mazel, you've known him for years - hasn't he been known to sleep for forty hours in two days?' 'Forty hours?' 'Certainly. He awoke at meal times, just to take nourishment, and afterwards fell again into his torpor. And Freneuse had a strange horror of sleep; there was some abnormal phenomenon associated with it, some lesion of the brain or neurotic depression.''The troublesome cerebral anaemia which results from excessive debauchery. Another myth! I've never believed, myself, in the supposed debauchery of that poor gentleman. Such a frail chap, with such a delicate complexion! Quite frankly, there was no scope in him for debauchery.'Pooh! About as much as Lorenzaccio!''You associate him with the Medicis! Lorenzaccio was a Florentine impassioned by rancour, a man of energy slowly brooding over his vengeance, caressing it as he might caress the blade of a dagger! There is not the slightest comparison to be drawn between Lorenzaccio and that gall-green, liverish creature Freneuse.

Jean Lorrain

The habit is now confirmed in me of spending the greater part of the day in sleep, while by night I wander far and wide through the city under the sedative influence of a tincture which has become necessary to my life

M.P. Shiel

Here, in Lorrain's poisoned little jewel of a tale (“The Man Who Made Wax Heads”) the consummate achievement of decadent art is caught in miniature. The genius of the artist entangles perpetrators and victims in a sticky web of perverse delights, in which exploitation becomes collusion, the ripples of guilt spread outward, and the real criminal slips away. In the end, responsibility is lodged firmly with the consumer, forced – he must confess – by his own perverse desires, to buy into the values of this particularly black market.

Jennifer Birkett

The Old Woman asked, "Here you are, dear Youth, you are looking at the Garden and do not know that it is an evil Garden. Here you are waiting for the Beautiful Woman and do not know that her beauty is destructive. You have been living in my room for two years and never before have you become so engrossed as you have today. Apparently your turn has come too. Go away from the window before it is too late, do not breathe the evil fragrance of these deceitful flowers and do not wait for the Beautiful Woman to appear below your window and enchant you. She will come, she will enchant you, and you will follow her against your will.Speaking thus, the Old Woman lit two candles on the table where some books were lying, banged the window shut and drew the curtain tightly across the window. The curtain rings scraped lightly along the bronze curtain rod, and the yellow linen of the curtain fluttered and once again lay motionless — and the room became cheerful, comfortable and peaceful. And it seemed that there was no longer any garden beyond the window, nor was there any sorcery in the world, and everything was simple, ordinary, and would remain so once and for all.("The Poison Garden")

Valery Bryusov

He asked her, 'Why do you feel sorry for me, Old Woman?'The Old Woman stood beside him and looked out the window at the Garden, so beautiful, flowering and everywhere illuminated by the rays of the setting sun, and said, 'I feel sorry for you, dear Youth, because I know where you are gazing and what you are waiting for. I feel sorry for you and your mother.'Perhaps because of these words, or perhaps because of something else, there was a change in the Youth's mood. The Garden, flowering behind the high fence below his window, and exuding a wonderful fragrance, suddenly seemed somehow strange to him; and an ominous sensation, a sudden fear, gripped his heart with a violent palpitation, like heady and languid fragrances rising from brilliant flowers.'What is happening?' he wondered in confusion.("The Poison Garden")

Valery Bryusov

Cavenaugh rubbed his hands together and smiled his sunny smile.'I like that idea. It's reassuring. If we can have no secrets, it means we can't, after all, go so far afield as we might,' he hesitated, 'yes, as we might.'Eastman looked at him sourly. 'Cavenaugh, when you've practiced law in New York for twelve years, you find that people can't go far in any direction, except-' He thrust his forefinger sharply at the floor.'Even in that direction, few people can do anything out of the ordinary. Our range is limited. Skip a few baths, and we become personally objectionable. The slightest carelessness can rot a man's integrity or give him ptomaine poisoning. We keep up only be incessant cleansing operations, of mind and body. What we call character, is held together by all sorts of tacks and strings and glue. ("Consequences")

Willa Cather

The pleasure of being a scoundrel can be adequately savored in silence.

Rémy de Gourmont

Decadent cooks go one step further and make sculptures of the food itself. If life is to be spent in pursuit of the extravagant, the extreme, the grotesque, the bizarre, then one's diet should reflect the fact. Life, meals, everything must be as artificial as possible - in fact works of art. So why not begin by eating a few statues?

Medlar Lucan

There is nothing to be found in human eyes, and that is their terrifying and dolorous enigma, their abominable and delusive charm. There is nothing but that which we put there ourselves. That is why honest gazes are only to be found in portraits.The faded and weary eyes of martyrs, expressions tortured by ecstasy, imploring and suffering eyes, some resigned, others desperate... the gazes of saints, mendicants and princesses in exile, with pardoning smiles... the gazes of the possessed, the chosen and the hysterical... and sometimes of little girls, the eyes of Ophelia and Canidia, the eyes of virgins and witches... as you live in the museums, what eternal life, dolorous and intense, shines out of you! Like precious stones enshrined between the painted eyelids of masterpieces, you disturb us across time and across space, receivers of the dream which created you!You have souls, but they are those of the artists who wished you into being, and I am delivered to despair and mortification because I have drunk the draught of poison congealed in the irises of your eyes.The eyes of portraits ought to be plucked out.

Jean Lorrain

Later, Aldapuerta spent two years at medical school where he learned the geography of the human body and something of its almost infinite capacity for suffering anddegradation. He took especial delight in tending to the physically incapacitated and wasthankful for the loose coats that “prevented the matrona from spotting the engorged cock that I would occasionally press against the bedridden patient”.

Jesus I. Aldapuerta

The mirror's light sparks in the eyes,And horrified, my lids drawn tight,I step back to that realm of nightWhere not a single exit lies...(Untitled: "I pass away this life of mine...")

Alexander Blok

The Devil pulls the strings which make us dance;We find delight in the most loathsome things;Some furtherance of Hell each new day brings,And yet we feel no horror in that rank advance.

Charles Baudelaire

Destructive and irresponsible freedom has been granted boundless space. Society appears to have little defense against the abyss of human decadence, such as, for example, misuse of liberty for moral violence against young people, motion pictures full of pornography, crime and horror. It is considered to be part of freedom and theoretically counter-balanced by the young people's right not to look or not to accept. Life organized legalistically has thus shown its inability to defend itself against the corrosion of evil.

Aleksandr Solzhenitsyn

I have no idea how long Quisser was gone from the table. My attention became fully absorbed by the other faces in the club and the deep anxiety they betrayed to me, an anxiety that was not of the natural, existential sort but one that was caused by peculiar concerns of an uncanny nature. What a season is upon us, these faces seemed to say. And no doubt their voices would have spoken directly of certain peculiar concerns had they not been intimidated into weird equivocations and double entendres by the fear of falling victim to the same kind of unnatural affliction that had made so much trouble in the mind of the art critic Stuart Quisser. Who would be next? What could a person say these days, or even think, without feeling the dread of repercussion from powerfully connected groups and individuals? I could almost hear their voices asking, "Why here, why now?" But of course they could have just as easily been asking, "Why not here, why not now?" It would not occur to this crowd that there were no special rules involved; it would not occur to them, even though they were a crowd of imaginative artists, that the whole thing was simply a matter of random, purposeless terror that converged upon a particular place at a particular time for no particular reason. On the other hand, it would also not have occurred to them that they might have wished it all upon themselves, that they might have had a hand in bringing certain powerful forces and connections into our district simply by wishing them to come. They might have wished and wished for an unnatural evil to fall upon them but, for a while at least, nothing happened. Then the wishing stopped, the old wishes were forgotten yet at the same time gathered in strength, distilling themselves into a potent formula (who can say!), until one day the terrible season began. Because had they really told the truth, this artistic crowd might also have expressed what a sense of meaning (although of a negative sort), not to mention the vigorous thrill (although of an excruciating type), this season of unnatural evil had brought to their lives.("Gas Station Carnivals")

Thomas Ligotti

The beauty of the twentieth century is the charm of the hospital, the grace of the cemetery, of consumption and emaciation. I admit that I have submitted to it all; worse, I have loved with all my heart.

Jean Lorrain

Thus spoke the Beauty and her voice had a cheerful ring, and her face was aflame with a great rejoicing. She finished her story and began to laugh quietly, but not cheerfully. The Youth bowed down before her and silently kissed her hands, inhaling the languid fragrance of myrrh, aloe and musk which wafted from her body and her fine robes. The Beauty began to speak again.'There came to me streams of oppressors, because my evil, poisonous beauty bewitches them. I smile at them, they who are doomed to death, and I feel pity for each of them, and some I almost loved, but I gave myself to no one. Each one I gave but one single kiss — and my kisses were innocent as the kisses of a tender sister. And whomsoever I kissed, died.'The soul of the troubled Youth was caught in agony, between two quite irresolvable passions, the terror of death and an inexpressible ecstasy. But love, conquering all, overcoming even the anguish of death's grief, was triumphant once again today. Solemnly stretching out his trembling hands to the tender and terrifying Beauty, the Youth exclaimed, 'If death is in your kiss, o beloved, let me revel in the infinity of death. Cling to me, kiss me, love me, envelop me with the sweet fragrance of your poisonous breath, death after death pour into my body and into my soul before you destroy everything that once was me!''You want to! You are not afraid!' exclaimed the Beauty.The face of the Beauty was pale in the rays of the lifeless moon, like a guttering candle, and the lightning in her sad and joyful eyes was trembling and blue. With a trusting movement, tender and passionate, she clung to the Youth and her naked, slender arms were entwined about his neck.'We shall die together!' she whispered. 'We shall die together. All the poison of my heart is afire and flaming streams are rushing through my veins, and I am all enveloped in some great holocaust.''I am aflame!' whispered the Youth, 'I am being consumed in your embraces and you and I are two flaming fires, burning with the immense ecstasy of a poisonous love.'The sad and lifeless moon grew dim and fell in the sky — and the black night came and stood watch. It concealed the secret of love and kisses, fragrant and poisonous, with gloom and solitude. And it listened to the harmonious beating of two hearts growing quieter, and in the frail silence it watched over the final delicate sighs.And so, in the poisonous Garden, having breathed the fragrances which the Beauty breathed, and having drunk the sweetness of her love so tenderly and fatally compassionate, the beautiful Youth died. And on his breast the Beauty died, having delivered her poisonous but fragrant soul up to sweet ecstasies.("The Poison Garden")

Valery Bryusov

Two times twice now, I have been called arrogant, by the decadent.I'd rather be overly self confident, rather than overly self indulgent.

Justin K. McFarlane Beau

The inartistic methods that we use to blunt anxiety and unartful expedients that we resort to in order to escape pain and numb banality reveals what we dread most, the act of suffering from a mortal loss or the debasement that we earn by wallowing in our decadent acts of escapism.

Kilroy J. Oldster

It is precisely, if paradoxically, because reversal is in the service of repetition (so as to ensure, alongside its companion strategies, a dizzying proliferation of citations) that it gains a subversive power rather than remain a mere dependent (and thus conservative) form of social discourse. Reversal plays a double role in this novel (MONSIEUR VENUS), for it is not only a formal strategy bearing on citation, but itself a citation as well; one more cliché mobilized from the fin-de-siecle reserve.

Janet Beizer

Adornment, exoticism, affectation are all willed decadent strategies meant to pervert the texts they made. Decadent texts often live in their descriptive excursions, in their evocation of dreams, mysterious places and states of mind, in their excess of words, not events. The surface of the texts, the sound of the words, point to themselves as manufactured, as illusion. The decadents attempted to create texts that announced themselves as artifice.

Asti Hustvedt

The conventional use of words and of narrative structure is deliberately subverted in decadent fiction; language deviates from the established norms in an attempt to reproduce pathology on a textual level. With its emphasis on aberration and artifice, the decadents' approach to the language of fiction frequently leans towards the baroque and the obscure.

Asti Hustvedt

The blood of my motherland waters a magic plant that cures all ills. That plant is art, and sometimes art needs corruption as a kind of fertilizer

Alfred de Musset

Depravity and decadence are two sides of the same coin.

Manoj Vaz

Living in a world where people measure their happiness by self-indulgence and decadence, Is like watching a whole society being pushed into the abyss of perpetual decay and aberrations.

Husam Wafaei

Society has three stages: Savagery, Ascendance, Decadence. The great rise because of Savagery. They rule in Ascendance. They fall because of their own Decadence."He tells how the Persians were felled, how the Romans collapsed because their rulers forgot how their parents gained them an empire. He prattles about Muslim dynasties and European effeminacy and Chinese regionalism and American self-loathing and self-neutering. All the ancient names."Our Savagery began when our capital, Luna, rebelled against the tyranny of Earth and freed herself from the shackles of Demokracy, from the Noble Lie - the idea that men are brothers and are created equal." Augustus weaves lies of his own with that golden tongue of his. He tells of the Goldens' suffering. The Masses sat on the wagon and expected the great to pull, he reminds. They sat whipping the great until we could no longer take it. I remember a different whipping. "Men are not created equal; we all know this. There are averages. There are outliers. There are the ugly. There are the beautiful. This would not be if we were all equal. A Red can no more command a starship than a Green can serve as a doctor!"There's more laughter across the square as he tells us to look at pathetic Athens, the birthplace of the cancer they call Demokracy. Look how it fell to Sparta. The Noble Lie made Athens weak. It made their citizens turn on their best general, Alcibiades, because of jealousy. "Even the nations of Earth grew jealous of one another. The United States of America exacted this idea of equality through force. And when the nations united, the Americans were surprised to find that they were disliked! The Masses are jealous! How wonderful a dream it would be if all men were created equal! But we are not.It is against the Noble Lie that we fight. But as I said before, as I say to you now, there is another evil against which we war. It is a more pernicious evil. It is a subversive, slow evil. It is not a wildfire. It is a cancer. And that cancer is Decadence. Our society has passed from Savagery to Ascendance. But like our spiritual ancestors, the Romans, we too can fall into Decadence.

Pierce Brown

We are precarious. Which is to say some good things (accumulation of diverseknowledges, skills and abilities through work and life experiences in permanentconstruction), and a lot of bad ones (vulnerability, insecurity, poverty, socialexposure).

Lisa Adkins

I'll drink your champagne. I'll drink every drop of it, I don't care if it kills me.

F. Scott Fitzgerald

In the course of my life I have had pre-pubescent ballerinas; emaciated duchesses, dolorous and forever tired, melomaniac and morphine-sodden; bankers' wives with eyes hollower than those of suburban streetwalkers; music-hall chorus girls who tip creosote into their Roederer when getting drunk...I have even had the awkward androgynes, the unsexed dishes of the day of the *tables d'hote* of Montmartre. Like any vulgar follower of fashion, like any member of the herd, I have made love to bony and improbably slender little girls, frightened and macabre, spiced with carbolic and peppered with chlorotic make-up.Like an imbecile, I have believed in the mouths of prey and sacrificial victims. Like a simpleton, I have believed in the large lewd eyes of a ragged heap of sickly little creatures: alcoholic and cynical shop girls and whores. The profundity of their eyes and the mystery of their mouths... the jewellers of some and the manicurists of others furnish them with *eaux de toilette*, with soaps and rouges. And Fanny the etheromaniac, rising every morning for a measured dose of cola and coca, does not put ether only on her handkerchief.It is all fakery and self-advertisement - *truquage and battage*, as their vile argot has it. Their phosphorescent rottenness, their emaciated fervour, their Lesbian blight, their shop-sign vices set up to arouse their clients, to excite the perversity of young and old men alike in the sickness of perverse tastes! All of it can sparkle and catch fire only at the hour when the gas is lit in the corridors of the music-halls and the crude nickel-plated decor of the bars. Beneath the cerise three-ply collars of the night-prowlers, as beneath the bulging silks of the cyclist, the whole seductive display of passionate pallor, of knowing depravity, of exhausted and sensual anaemia - all the charm of spicy flowers celebrated in the writings of Paul Bourget and Maurice Barres - is nothing but a role carefully learned and rehearsed a hundred times over. It is a chapter of the MANCHON DE FRANCINE read over and over again, swotted up and acted out by ingenious barnstormers, fully conscious of the squalid salacity of the male of the species, and knowledgeable in the means of starting up the broken-down engines of their customers.To think that I also have loved these maleficent and sick little beasts, these fake Primaveras, these discounted Jocondes, the whole hundred-franc stock-in-trade of Leonardos and Botticellis from the workshops of painters and the drinking-dens of aesthetes, these flowers mounted on a brass thread in Montparnasse and Levallois-Perret!And the odious and tiresome travesty - the corsetted torso slapped on top of heron's legs, painful to behold, the ugly features primed by boulevard boxes, the fake Dresden of Nina Grandiere retouched from a medicine bottle, complaining and spectral at the same time - of Mademoiselle Guilbert and her long black gloves!...Have I now had enough of the horror of this nightmare! How have I been able to tolerate it for so long?The fact is that I was then ignorant even of the nature of my sickness. It was latent in me, like a fire smouldering beneath the ashes. I have cherished it since... perhaps since early childhood, for it must always have been in me, although I did not know it!

Jean Lorrain

A very special case. A few years more, and that pretty creature who you love too much, I think, will, without ever loving them, have known as many men as there are beads on her aunt's rosary. No happy medium! Either a nun or a monster! God's bosom or sensual passions! It would, perhaps, be better to put her in a convent, since we put hysterical women in the Saltpetriere! She does not know vice, she invents it!"That was ten years ago before the day our story begins and... Raoule was not a nun.

Rachilde

No, no, don't let my vulnerable heart share in this sacrifice to lust! Let him disgust me before pleasing me! Let him be what others have been, an instrument that I can break before becoming the echoes of its vibration.

Rachilde

The decadent artist markets other people's pain

Jennifer Birkett

For Zola, as for Huysmans, nature itself is uncanny because it is the domain of the feminine, a domain that is constitutionally defective, lacking, even pathological.

Charles Bernheimer

The fancies that take their monstrous birth from the spinelessness and boredom of usurped wealth bring in their wake every defect ... and though rich men's crimes escape the law, protected as they are by the cowardice of governments and people, Nature, more real than society, sets her anarchic example by abandoning the wretched time servers of Capital to the shame and madness of the worst aberrations.

Jean Lorrain

...we can endure neither our vices nor the remedies needed to cure them.

Livy

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