Creativity Quotes - Page 47

Invention, it must be humbly admitted, does not consist in creating out of void but out of chaos.

Mary Wollstonecraft Shelley

To be an artist means never to avert one's eyes.

The professor leaned forward. “But there’s nothing more profound than creating something out of nothing.” Her lovely face turned fierce. “Think about it Cath. That’s what makes a god—or a mother. There’s nothing more intoxicating than creating something from nothing. Creating something from yourself.

There is creative reading as well as creative writing.

Ralph Waldo Emerson

Collect books, even if you don't plan on reading them right away. Nothing is more important than an unread library.

Draw the art you want to see, start the business you want to run, play the music you want to hear, write the books you want to read, build the products you want to use – do the work you want to see done.

True alchemy lies in this formula: ‘Your memory and your senses are but the nourishment of your creative impulse’.

I am irritated by my own writing. I am like a violinist whose ear is true, but whose fingers refuse to reproduce precisely the sound he hears within.

Gustave Flaubert

Everybody is talented because everybody who is human has something to express.

When you make music or write or create, it's really your job to have mind-blowing, irresponsible, condomless sex with whatever idea it is you're writing about at the time.

Lady Gaga

Learn the rules like a pro, so you can break them like an artist.

We have to continually be jumping off cliffs and developing our wings on the way down.

Kurt Vonnegut Jr.

Solitude is the soil in which genius is planted, creativity grows, and legends bloom; faith in oneself is the rain that cultivates a hero to endure the storm, and bare the genesis of a new world, a new forest.

(about William Blake)[Blake] said most of us mix up God and Satan. He said that what most people think is God is merely prudence, and the restrainer and inhibitor of energy, which results in fear and passivity and "imaginative death."And what we so often call "reason" and think is so fine, is not intelligence or understanding at all, but just this: it is arguing from our *memory* and the sensations of our body and from the warnings of other people, that if we do such and such a thing we will be uncomfortable. "It won't pay." "People will think it is silly." "No one else does it." "It is immoral."But the only way you can grow in understanding and discover whether a thing is good or bad, Blake says, is to do it. "Sooner strangle an infant in its cradle than nurse unacted desires."For this "Reason" as Blake calls it (which is really just caution) continually nips and punctures and shrivels the imagination and the ardor and the freedom and the passionate enthusiasm welling up in us. It is Satan, Blake said. It is the only enemy of God. "For nothing is pleasing to God except the invention of beautiful and exalted things." And when a prominent citizen of his time, a logical, opining, erudite, measured, rationalistic, Know-it-all, warned people against "mere enthusiasm," Blake wrote furiously (he was a tender-hearted, violent and fierce red-haired man): "Mere enthusiasm is the All in All!

Rejection is an opportunity for your selection.

Bernard Branson

Lineation can make your break your poems.

Katerina Stoykova-Klemer

The first inkling of this notion had come to him the Christmas before, at his daughter's place in Vermont. On Christmas Eve, as indifferent evening took hold in the blue squares of the windows, he sat alone in the crepuscular kitchen, imbued with a profound sense of the identity of winter and twilight, of twilight and time, of time and memory, of his childhood and that church which on this night waited to celebrate the second greatest of its feasts. For a moment or an hour as he sat, become one with the blue of the snow and the silence, a congruity of star, cradle, winter, sacrament, self, it was as though he listened to a voice that had long been trying to catch his attention, to tell him, Yes, this was the subject long withheld from him, which he now knew, and must eventually act on.He had managed, though, to avoid it. He only brought it out now to please his editor, at the same time aware that it wasn't what she had in mind at all. But he couldn't do better; he had really only the one subject, if subject was the word for it, this idea of a notion or a holy thing growing clear in the stream of time, being made manifest in unexpected ways to an assortment of people: the revelation itself wasn't important, it could be anything, almost. Beyond that he had only one interest, the seasons, which he could describe endlessly and with all the passion of a country-bred boy grown old in the city. He was beginning to doubt (he said) whether these were sufficient to make any more novels out of, though he knew that writers of genius had made great ones out of less. He supposed really (he didn't say) that he wasn't a novelist at all, but a failed poet, like a failed priest, one who had perceived that in fact he had no vocation, had renounced his vows, and yet had found nothing at all else in the world worth doing when measured by the calling he didn't have, and went on through life fatally attracted to whatever of the sacerdotal he could find or invent in whatever occupation he fell into, plumbing or psychiatry or tending bar. ("Novelty")

When he was in college, a famous poet made a useful distinction for him. He had drunk enough in the poet's company to be compelled to describe to him a poem he was thinking of. It would be a monologue of sorts, the self-contemplation of a student on a summer afternoon who is reading Euphues. The poem itself would be a subtle series of euphuisms, translating the heat, the day, the student's concerns, into symmetrical posies; translating even his contempt and boredom with that famously foolish book into a euphuism.The poet nodded his big head in a sympathetic, rhythmic way as this was explained to him, then told him that there are two kinds of poems. There is the kind you write; there is the kind you talk about in bars. Both kinds have value and both are poems; but it's fatal to confuse them.In the Seventh Saint, many years later, it had struck him that the difference between himself and Shakespeare wasn't talent - not especially - but nerve. The capacity not to be frightened by his largest and most potent conceptions, to simply (simply!) sit down and execute them. The dreadful lassitude he felt when something really large and multifarious came suddenly clear to him, something Lear-sized yet sonnet-precise. If only they didn't rush on him whole, all at once, massive and perfect, leaving him frightened and nerveless at the prospect of articulating them word by scene by page. He would try to believe they were of the kind told in bars, not the kind to be written, though there was no way to be sure of this except to attempt the writing; he would raise a finger (the novelist in the bar mirror raising the obverse finger) and push forward his change. Wailing like a neglected ghost, the vast notion would beat its wings into the void.Sometimes it would pursue him for days and years as he fled desperately. Sometimes he would turn to face it, and do battle. Once, twice, he had been victorious, objectively at least. Out of an immense concatenation of feeling, thought, word, transcendent meaning had come his first novel, a slim, pageant of a book, tombstone for his slain conception. A publisher had taken it, gingerly; had slipped it quietly into the deep pool of spring releases, where it sank without a ripple, and where he supposes it lies still, its calm Bodoni gone long since green. A second, just as slim but more lurid, nightmarish even, about imaginary murders in an imaginary exotic locale, had been sold for a movie, though the movie had never been made. He felt guilt for the producer's failure (which perhaps the producer didn't feel), having known the book could not be filmed; he had made a large sum, enough to finance years of this kind of thing, on a book whose first printing was largely returned.

There is a master way with words which is not learned but is instead developed: a deaf man develops exceptional vision, a blind man exceptional hearing, a silent man, when given a piece of paper...

The music of revelation announces itself to the reader in somber brooding tones or in melodies light as air and one is invited to dance with the most captivating of partners: poetry.

Aberjhani

Sometimes in composition class, when I have been confronted by someone who simply cannot get the first word written on paper, I give the following advice: Say your essay into a tape recorder and then write it down.

Maria Mazziotti Gillan

The birth of a true poet is neither an insignificant event nor an easy delivery. Complications generally begin long before the fated soul carries its dubious light into whatever womb has been kind enough to volunteer the intricate machinery of its blood and prayers and muscles for a gestation period much longer than nine months or even nine years.

Aberjhani

SOWING LIGHTNINGSeizeBolts of lightning from the skyAnd plant them in fields of life.They will grow like tender sprouts of fire.Charge somber thoughtsWith unexpected flash,You, my lightning in the soil!

Music straightjackets a poem and prevents it from breathing on its own, whereas it liberates a lyric. Poetry doesn't need music; lyrics do.

Stephen Sondheim

How could poetry and literature have arisen from something as plebian as the cuneiform equivalent of grocery-store bar codes? I prefer the version in which Prometheus brought writing to man from the gods. But then I remind myself that…we should not be too fastidious about where great ideas come from. Ultimately, they all come from a wrinkled organ that at its healthiest has the color and consistency of toothpaste, and in the end only withers and dies.

Alice W. Flaherty

Let them shoot us in the head,My blood will grow rootsand will blossom.

There have been times I've felt so much art in my soul I grew sick of artists.

But neither money nor machines can create. They shuttle tokens of energy, but they do not transform. A civilization based on them puts people out of touch with their creative powers.

At the edge of madness you howl diamonds and pearls.

Aberjhani

At the age of four, you were an artist. And at seven, you were a poet.

Everything you invent is true: you can be sure of that. Poetry is a subject as precise as geometry.

Songwriting and poetry are so commonly birthed from underdogs because one can make even the ugliest situations admirable, or more beautiful than the beautiful situations - they are the most graceful media in which the lines of society are distorted.

Relate comic things in pompous fashion. Irregularity, in other words the unexpected, the surprising, the astonishing, are essential to and characteristic of beauty. Two fundamental literary qualities: supernaturalism and irony. The blend of the grotesque and the tragic are attractive to the mind, as is discord to blasé ears. Imagine a canvas for a lyrical, magical farce, for a pantomime, and translate it into a serious novel. Drown the whole thing in an abnormal, dreamy atmosphere, in the atmosphere of great days … the region of pure poetry.

Charles Baudelaire

Writing is not a matter of time, but a matter or of space. If you don't keep space in your head for writing, you won't write even if you have the time.

Katerina Stoykova-Klemer

... so this is for us.This is for us who sing, write, dance, act, study, run and loveand this is for doing it even if no one will ever knowbecause the beauty is in the act of doing it.Not what it can lead to.This is for the times I lose myself while writing, singing, playingand no one is around and they will never knowbut I will forever rememberand that shines brighter than any praise or fame or glory I will ever have,and this is for you who write or play or read or singby yourself with the light off and door closedwhen the world is asleep and the stars are alignedand maybe no one will ever hear itor read your wordsor know your thoughtsbut it doesn’t make it less glorious.It makes it ethereal. Mysterious.Infinite.For it belongs to you and whatever God or spirit you believe inand only you can decide how much it meantand meansand will forever meanand other people will experience it toothrough you.Through your spirit. Through the way you talk.Through the way you walk and love and laugh and careand I never meant to write this longbut what I want to say is:Don’t try to present your art by making other people read or hear or see or touch it; make them feel it. Wear your art like your heart on your sleeve and keep it alive by making people feel a little better. Feel a little lighter. Create art in order for yourself to become yourselfand let your very existence be your song, your poem, your story.Let your very identity be your book.Let the way people say your name sound like the sweetest melody.So go create. Take photographs in the wood, run alone in the rain and sing your heart out high up on a mountainwhere no one will ever hearand your very existence will be the most hypnotising scar.Make your life be your artand you will never be forgotten.

Charlotte Eriksson

A poet should be so crafty with words that he is envied even for his pains.

If you write then you are reborn because by writing about the moment, you can relive it for a second time.

I became an artist because I wanted to be an active participant in the conversation about art.

Writing is painting for the imagination!

Creativity without discipline will struggle, creativity with discipline will succeed.

Cowards say it can't be done, critics say it shouldn't have been done, creator say well done.

O' melancholy,hectic chill for human soul,herewith dismal presence,any spirit does descent.

To fully encapsulate my creativity, I read to inhale, write to exhale. The whole process helps me breathe story.

Ace Antonio Hall

Without Creativity there is no INNOVATION!

Creativity and intelligence, rather than violence, are the best problem solvers.

Don Roff

Language is the mother, not the handmaiden, of thought; words will tell you things you never thought or felt before.

If the fate of the universe was decided in a single moment at the instant of the Big Bang , that was the most creative moment of all.

Reinvent new combinations of what you already own. Improvise. Become more creative. Not because you have to, but because you want to. Evolution is the secret for the next step.

People who do a job that claims to be creative have to be alone to recharge their batteries. You can’t live 24 hours a day in the spotlight and remain creative. For people like me, solitude is a victory.

Fashion is a language that creates itself in clothes to interpret reality.

Then Deborah stood at the wicket gate, the boundary, and there was a woman with outstretched hand, demanding tickets."Pass through," she said when Deborah reached her. "We saw you coming." The wicket gate became a turnstile. Deborah pushed against it and there was no resistance, she was through. "What is it?" she asked. "Am I really here at last? Is this the bottom of the pool?""It could be," smiled the woman. "There are so many ways. You just happened to choose this one."Other people were pressing to come through. They had no faces, they were only shadows. Deborah stood aside to let them by, and in a moment they had gone, all phantoms."Why only now, tonight?" asked Deborah. "Why not in the afternoon, when I came to the pool?""It's a trick," said the woman. "You seize on the moment in time. We were here this afternoon. We're always here. Our life goes on around you, but nobody knows it. The trick's easier by night, that's all.""Am I dreaming, then?" asked Deborah."No," said the woman, "this isn't a dream. And it isn't death, either. It's the secret world."The secret world... It was something Deborah had always known, and now the pattern was complete. The memory of it, and the relief, were so tremendous that something seemed to burst inside her heart."Of course..." she said, "of course..." and everything that had ever been fell into place. There was no disharmony. The joy was indescribable, and the surge of feeling, like wings about her in the air, lifted her away from the turnstile and the woman, and she had all knowledge. That was it - the invasion of knowledge. ("The Pool")

Daphne du Maurier

Now is not the time for bigots and racists. No time for sexists and homophobes. Now, more than ever, is the time for ARTISTS. It’s time for us to rise above and to create. To show humanity. To spread hope. We must prevent society from destroying itself, from losing its way. Now is the time for love.

It’s so easy to lose faith and become lost in all of the politics of the world. That’s why we need the arts. To sublimate our frustration and anger into something beautiful. Freud called sublimation a virtuous defence mechanism because it is in the arts that we can find our humanity.

Imagination belongs to hope. It’s the creative dance of possibility.

Patriarchy doesn't get yet that 'hope' is a powerful force that drives creativity. Otherwise words like 'false' and 'hope' would never be forced into this unconscious coupling....Hope is not false. And never has been... Rather, hope is part of the often forgotten feminine contribution to the creative process.

But, luckily, he kept his wits and his purple crayon.

Crockett Johnson

Every person has his secret; in reverie, unbeknown to others, he finds peace, freedom, sorrow and love.

Abhysheq Shukla

In the end, you will realize most friendship is feigning, most loving mere folly.

Abhysheq Shukla

Love wins when reflections win over reflexes.

Abhysheq Shukla

Everybody needs to be good-natured with a good heart, because in this way we can solve our own problems as well as those of others, and we can make our human life meaningful.

Abhysheq Shukla

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