Congo Quotes

To Nine’s way of thinking, the problems surrounding the exploitation of coltan in the DRC epitomized the problems the entire African continent faced in capitalizing on the huge untapped wealth that lay beneath its surface. Corruption, political unrest and outside interference from non-African countries ensured the continent that should be the world’s wealthiest remained the poorest.

The country is like a great sponge—it finally absorbs you. Eventually you will get malaria or you will get dysentery and whatever you do, if you don't keep doing it, the jungle will grow over you. Black or white, you've got to fight it every minute of the day.

Katharine Hepburn

Almost astride the Equator, night fell like a portcullis. The sun dropped below the horizon and suddenly all was dark.

In six harrowing weeks of travel I felt I had touched the heart of Africa and found it broken.

He [Stanley] had stated that he longed to do something wonderful for the African tribes along the Congo, and instead, as would become all too apparent, had set them up for a terrible fate. In 1877 he came down the great river as the first European ever to do so, declaring his hope that the Congo should become like `a torch to those who sought to do good'." Instead, it became the torch that attracted the archexploiter King Leopold II of Belgium.

Tim Jeal

the normal laws of development are inverted here in the Congo. The forest, not the town, offers the safest sanctuary and it is grandfathers who have been more exposed to modernity than their grandchildren. I can think of nowhere else on the planet where the same can be true.” p141

Most striking about the traditional societies of the Congo was their remarkable artwork: baskets, mats, pottery, copper and ironwork, and, above all, woodcarving. It would be two decades before Europeans really noticed this art. Its discovery then had a strong influence on Braque, Matisse, and Picasso -- who subsequently kept African art objects in his studio until his death. Cubism was new only for Europeans, for it was partly inspired by specific pieces of African art, some of them from the Pende and Songye peoples, who live in the basin of the Kasai River, one of the Congo's major tributaries.It was easy to see the distinctive brilliance that so entranced Picasso and his colleagues at their first encounter with this art at an exhibit in Paris in 1907. In these central African sculptures some body parts are exaggerated, some shrunken; eyes project, cheeks sink, mouths disappear, torsos become elongated; eye sockets expand to cover almost the entire face; the human face and figure are broken apart and formed again in new ways and proportions that had previously lain beyond sight of traditional European realism.The art sprang from cultures that had, among other things, a looser sense than Islam or Christianity of the boundaries between our world and the next, as well as those between the world of humans and the world of beasts. Among the Bolia people of the Congo, for example, a king was chosen by a council of elders; by ancestors, who appeared to him in a dream; and finally by wild animals, who signaled their assent by roaring during a night when the royal candidate was left at a particular spot in the rain forest. Perhaps it was the fluidity of these boundaries that granted central Africa's artists a freedom those in Europe had not yet discovered.

Adam Hochschild

As so often happens in politics, what appears to be politically expedient for those in power rarely overlaps with the public interest. The lesser evils of the regime become entrenched, while the greater good is never realized.

I don't know how to stop the atrocities. I don't know how to make people care. But looking into my sister's eyes, we seem to have carved out something between us that none of the madness can touch. Invisible threads.

Lisa J. Shannon

Souvenez-vous toujours que dans la vie, la passion sans vision est une perte d’énergie, et que la vision sans passion est une impasse.

Jo M. Sekimonyo