Confessions Quotes

It was better with the subs than it was with the gold diggers or the hookers. These were real people, with real lives, real jobs, real hearts. It meant something when they submitted to my demands. It meant trust, and trust meant love. I got that--I mean, I understood that. And, oh, Lisa, how I needed that—but I didn’t know how to deal. I was too broken.

I thought I understood what was best. I knew too little and believed too soon.

Fantastic,” I said without an ounce of enthusiasm. “I’m just one more embarrassing confession away from taking over the world.” --Spencer Nye

Real artist cannot be blackmailed. I suspect they've been confessing shit all their life.

Darnell Lamont Walker

He was clearly not the murderer whom Hawksmoor was seeking, but it was generally the innocent who confessed: in the course of many enquiries, Hawksmoor had come across those who accused themselves of crimes which they had not committed and who demanded to be taken away before they could do more harm. He was acquainted with such people and recognised them at once - although they were noticeable, perhaps, only for a slight twitch in the eye or the awkward gait with which they moved through the world. And they inhabited small rooms to which Hawksmoor would sometimes be called: rooms with a bed and a chair but nothing besides, rooms where they shut the door and began talking out loud, rooms where they sat all evening and waited for the night, rooms where they experienced blind panic and then rage as they stared at their lives. And sometimes when he saw such people Hawksmoor thought, this is what I will become, I will be like them because I deserve to be like them, and only the smallest accident separates me from them now.

Self-destruction is inevitable because existence is a full-time job.

Benjamin DeHaven

Yes, I’ve killed! I’ve killed as indiscriminately as God! And yes, I will kill again. I must.

I wish I had heard him more clearly: an oblique confession is always a plea.

Pedro Algorta, a lawyer, showed me the fat dossier about the murder of two women. The double crime had been committed with a knife at the end of 1982, in a Montevideo suburb. The accused, Alma Di Agosto, had confessed. She had been in jail more than a year, and was apparently condemned to rot there for the rest of her life. As is the custom, the police had raped and tortured her. After a month of continuous beatings they had extracted several confessions. Alma Di Agosto's confessions did not much resemble each other, as if she had committed the same murder in many different ways. Different people appeared in each confession, picturesque phantoms without names or addresses, because the electric cattle prod turns anyone into a prolific storyteller. Furthermore, the author demonstrated the agility of an Olympic athlete, the strength of a fairground Amazon, and the dexterity of a professional matador. But the most surprising was the wealth of detail: in each confession, the accused described with millimetric precision clothing, gestures, surroundings, positions, objects..... Alma Di Agosto was blind. Her neighbours, who knew and loved her, were convinced she was guilty: 'Why?' asked the lawyer. 'Because the papers say so.' 'But the papers lie,' said the lawyer. 'But the radio said so too,' explained the neighbours. 'And the TV!

Eduardo Galeano

All writers of confessions from Augustine on down, have always remained a little in love with their sins.

Everyone has two memories. The one you can tell and the one that is stuck to the underside of that, the dark, tarry smear of what happened.

Amy Bloom